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Chattanooga Symphony & Opera Presents HERE TO STAY: THE GERSHWIN EXPERIENCE Tonight

The CSO's last Luken Holdings Pops Series concert of the 2013/14 season pays tribute to the greatest team of collaborators in American music history – George and Ira Gershwin. Here to Stay: The Gershwin Experience is a multi-media concert with a top-notch touring party, including Grammy Award-winning soprano Sylvia McNair. This concert event provides an unprecedented insider view into the legendary duo, and offers rare audio and video footage of the Gershwins.

HOUSE OF BLAKEWELL'S HOUSE PARTY Comes to Brighton Fringe 2014, May 2-June 1

Following sell-out shows at VAULT Festival in London, Harry Blake and Alice Keedwell are back with HOUSE OF BLAKEWELL'S HOUSE PARTY. The amazing cabaret duo go 'urban' in this exciting all-singing, all-dancing musical revue, filled with their signature selection of toe-tapping, original showstoppers. The show will run at the Marlborough Theatre at Brighton Fringe, 2nd, 3rd and 31st May and 1st June 2014, 9pm.

The Chattanooga Symphony & Opera Presents HERE TO STAY: THE GERSHWIN EXPERIENCE, 4/5

The CSO's last Luken Holdings Pops Series concert of the 2013/14 season pays tribute to the greatest team of collaborators in American music history – George and Ira Gershwin. Here to Stay: The Gershwin Experience is a multi-media concert with a top-notch touring party, including Grammy Award-winning soprano Sylvia McNair. This concert event provides an unprecedented insider view into the legendary duo, and offers rare audio and video footage of the Gershwins.

Photo Flash: Remembering Sid Caesar

As BroadwayWorld reported yesterday, actor and comedian Sid Caesar passed away on February 12 in his home. He was 91 years old. BroadwayWorld remembers the legend below.

New Seats to THE KING AND I at QPAC On Sale 10 Feb

Lovers of musical theatre should get in quickly as new seats go on sale for the Brisbane season of the Rodgers and Hammerstein classic Broadway musical The King and I from Monday 10 February at 9.00am.

Out of the Loop Fringe Festival 2014 Lineup Announced

WaterTower Theatre Producing Artistic Director and Loop Executive Producer Terry Martin today announced the line-up for the 2014 Out of the Loop Fringe Festival, March 6-16, 2014 at the Addison Theatre and Conference Centre. Seven world premieres highlight this year's festival as well as 12 new artists/companies making their Festival debut, plus several returning favorites. The Festival will include dance, theatre, cabaret artists and visual arts, and a play produced by WaterTower Theatre. The Festival is made possible, in part, through the generous support of The Town of Addison and the Texas Commission on the Arts and media sponsor, TheaterJones.com.

Joseph Guglielmo Named New General Manager of Cape Playhouse

Producer of the Cape Playhouse, and Chief Executive of the Cape Cod Center for the Arts, Mark Cuddy, today announced that Joseph Guglielmo has been appointed to the newly created position of General Manager of the Playhouse and Center for the Arts campus. He begins full-time on January 20th, and will report directly to Cuddy.

ESP Readings to Continue 1/6 with John Van Druten's I AM A CAMERA

Most of ESP's recent outings have been stories written directly for the stage. For our January 2014 reading (the last to be held at our beloved NSCC before we move to ACT), we turn to a master playwright's take on (apparently) undramatic material - John Van Druten's adaptation of Christopher Isherwood's Berlin Stories, I Am a Camera.

FLASH SPECIAL: PRIVATE LIVES Sweeps Into Cinemas With Sophisticated Wit

Today we are showcasing this week's Fathom movie theater presentation of one of the most celebrated comedies of the 21st century as recently captured live onstage in the West End, Noel Coward's PRIVATE LIVES, starring Anna Chancellor and Toby Stephens.

Geva Theatre Center's Mark Cuddy Named New Producer of Cape Playhouse

Richard B. Hawes, Jr., President of the Board of Trustees of the Cape Playhouse and Cape Cod Center for the Arts, today announced that veteran theatre leader, Mark Cuddy, will assume the newly-created position of Playhouse Producer and Chief Executive of the Cape Cod Center for the Arts. Mr. Cuddy has been the Artistic Director of the largest producing theatre in New York State outside of Manhattan, Rochester's Geva Theatre Center, for the past eighteen years. He will continue in that position as he begins with the Playhouse immediately. Mr. Cuddy has led theatres across the country for over thirty-three years, and serves on the Board of Directors of Theatre Communications Group, the nation's service organization for the advancement of professional, not-for-profit theatres.

Kurt Weill's VIEL LÄRM UM NICHTS feiert Europa Premiere an der Staatsoperette Dresden

Mit „Viel Larm um Liebe" („The Firebrand of Florence") hebt die Staatsoperette Dresden einen Schatz aus der amerikanischen Schaffensperiode von Kurt Weill. Als Vorlage fur diese 1945 am Broadway uraufgefuhrte Operette diente das 1924 entstandene Schauspiel „The Firebrand" von Edwin Justus Mayer uber die amourosen Eskapaden des Bildhauers und Goldschmieds Benvenuto Cellini:

InDepth InterView: Maria Friedman Talks MERRILY WE ROLL ALONG From Stage To Screen; Plus, Sondheim Comments!

Today we are talking to a three-time Laurence Olivier Award-winning actress who has made a major mark on the West End with her peerless string of richly varied performances - ranging from premiere UK productions of MERRILY WE ROLL ALONG, SUNDAY IN THE PARK WITH GEORGE and PASSION to LADY IN THE DARK, RAGTIME and THE WOMAN IN WHITE, as well as her various solo engagements, who now also excels as a director of theatre and opera, as well - the gifted Maria Friedman. Discussing all aspects of the recent West End production of Stephen Sondheim and George Furth's anomalous musical experiment MERRILY WE ROLL ALONG - cited by the master himself as the best production of the show to date - and now the fantastic Fathom film presentation of it arriving in movie theaters nationwide (and around the world) on October 23. Detailing the finer points of the reverse-chronological tale of show business ambition and its effects on friendships and relationships, Friedman paints a vivid portrait of her process in bringing the emotionally bracing and musically thrilling stage show to the big screen byway of this passionately played, dramatically captivating and incredibly detailed film preservation. Additionally, Friedman also sheds some light on participating in the Haymarket Theatre production of MERRILY WE ROLL ALONG herself as an actress nearly twenty years ago and the effect, if any, that experience has had on her perception of the dense and fiercely idiosyncratic musical now, as a director of the piece. Plus, Friedman also touches upon some of her most celebrated roles to date in other Sondheim shows as well as abundantly imparts her deeply held appreciation and affection for his work and personal friendship in her own life, citing his elemental influence on MERRILY WE ROLL ALONG as well as her career in general. All of that and much, much more awaits!

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