Gettysburg Community Theatre, the non-profit 501c3 organization located in the original Elks Lodge building at 49 York Street within the first block of Lincoln Square in historic downtown Gettysburg, presents an all-youth cast production of Rodgers & Hammerstein's classic musical The King And I with special permission from the Rodgers & Hammerstein Organization in NYC. The production is performed at GCT Fridays and Saturdays at 7pm and Sundays at 2pm, weekends, beginning today April 15, and continues through May 1, 2016. Tickets can be ordered online at www.GettysburgCommunityTheatre.org or by calling 717-334-2692.
Once again, beginning Wednesday evening at 7 pm in Jazz at Lincoln Center's spectacular Appel Room, Michael Feinstein shares his taste, knowledge, and infectious enthusiasm with concerts of diverse music and vocals. This year's concert schedule with The Tedd Firth Big Band and special guests includes The Great Jazz Standards, A Right To Sing the Blues, and Sing Me a Swing Song. In a recent interview with BroadwayWorld.com, Feinstein says he thinks the shows are popular not only because they reflect imagination and variety, but also because “they're so clearly spontaneous at a time when music is often pre-canned.” Each evening different vocalists join our host presenting his or her singular style.
Gettysburg Community Theatre, the non-profit 501c3 organization located in the original Elks Lodge building at 49 York Street within the first block of Lincoln Square in historic downtown Gettysburg, presents an all-youth cast production of Rodgers & Hammerstein's classic musical The King And I with special permission from the Rodgers & Hammerstein Organization in NYC. The production will perform at GCT Fridays and Saturdays at 7pm and Sundays at 2pm, weekends April 15-May 1, 2016. Tickets can be ordered online at www.GettysburgCommunityTheatre.org or by calling 717-334-2692.
The Eventide Theatre Company has made a bold choice in sharing Frank's story with a Cape Cod audience through means of a score depicting her feelings while fearfully secluded in the "Secret Annex," with certain lyrics molded from actual quotes made by the young prisoner. It is safe to say that Eventide has done a spectacular job bringing both the joy and pain of Frank's life to living color for those who would not otherwise have understood the trials she and her family faced in such a gruesome time in history.
Due to popular demand, an additional performance of Diana Sheehan Sings: The Jerome Kern Songbook has been added on Friday, February 26 at 10 pm in the Studio Theatre.
Musical Theater Heaven.The Lincoln Center Theater Review Spring 2015 Issue 65: The King and I states that 'Rodgers & Hammerstein's The King and I embodies theater's power to transform-both by drawing audiences into a time and place and by telling compelling stories that make us feel and think deeply about the world of the play and about our own world. A particular alchemy of creativity and vision is essential to achieving such a transformative act.'
Dancing at Lughnasa, Irish playwright Brian Friel's 1992 'most elegant and rueful memory play since Tennessee William's The Glass Menagerie' (Time Magazine), will be presented by the Eventide Theatre Company on the Gertrude Lawrence Stage at Dennis Union Church in the heart of Dennis Village from October 15 - November 8 (Thursdays - Saturdays at 7:30, Sundays at 2:30. No performance October 18).
The theatrical genius frequently stayed there while entertaining guests such as Sir Laurence Olivier, Gertrude Lawrence, Alfred Lunt and Lynn Fontanne and, of course, Elaine Stritch.
?The Broadway musical Nice Work If You Can Get It, with book by Joe DiPietro, inspired by material by Guy Bolton and PG Wodehouse, debuts at Teatro CETIP, in Sao Paulo, with adaptation by Miguel Falabella, who also assumes the role of playboy Jimmy Winter. The show is set in New York in the 20s, when Jimmy's marriage does not come out as planned after he met a certain smuggler, played by Simone Gutierrez. The score is composed by George and Ira Gershwin the direction is by Jose Possi Neto.
100-year-old actress Patricia Morison, who originated the role of 'Kate' in Broadway's KISS ME KATE, and took over the role of Anna in the 1954 Rodgers and Hammerstein production of THE KING AND I, shared a special performance of 'Shall We Dance' in honor of her fellow Anna, Kelli O'Hara.
You won't be slipped a Mickey Finn, but Maine's Ogunquit Playhouse will knock you off your feet with its 'delishious' production of NICE WORK IF YOU CAN GET IT running through August 15. Chock-a-block full of bootleggers, playboys, dancing girls and temperance leaders, NICE WORK is a non-stop musical feast with non-stop screwball laughs.
When the latest Rodgers and Hammerstein revival, THE KING AND I, opens in just over a week, starring Ken Watanabe and Kelli O'Hara, it will be the show's fifth Broadway production. Over the past six decades since the production originally opened on Broadway, basically only Yul Brynner has played the King of Siam, earning him the unofficial title of “The King of THE KING AND I.” However, many different women have donned the gorgeous gown to sing “Shall We Dance?” on the Great White Way since the original 1951 Broadway version. In honor of the upcoming revival, BroadwayWorld brings you a look back at the Top 5 women who have portrayed Anna in THE KING AND I on Broadway.
When Mark Nadler, singing the iconic Irving Berlin song and Al Jolson standard 'Let Me Sing and I'm Happy,' strolls from the back of 54 Below to his rightful place center stage (accompanied by Nick Russo on banjo), he seems, in all respects, a jaunty, debonair thespian. The song is light, unembellished, infectious. What you're watching in truth is a state of the art ballistic missile unerringly headed for its target. 'My name is Mark and I'm a spotlightaholic.' Tonight Nadler celebrates two 'out of control' spotlightaholics--Danny Kaye and Al Jolson--both of whom put themselves (and kept themselves) in front of audiences every available moment. (The artist designates himself as a 'functional' sufferer of the compulsion.) Memorable anecdotes enlighten and entertain. 'In the spirit of Kaye and Jolson, however, this show is all about ME.' Four decades in, Nadler calls show business his religion. Judging by ensuing narrative, his zealous devotion is, in context, worthy of sainthood.
In celebration of Valentine's day, for the first time, Andrea Marcovicci presents a bouquet of love songs by one of America's most beloved collaborations - The brothers Gershwin.
