The 1st Stage production of be Floyd Collins by Tina Landau, Music and Lyrics by Adam Guettel, Additional Lyrics by Tina Landau features Hasani Allen, Frank Britton, Evan Casey, Maggie Donnelly, Ben Lurye, Edward C. Nagel, Jennifer Lyons Pagnard, Scott Sedar, Russell Silber, Joshua Simon, Harrison Smith, John Sygar, and Carl Williams. Nick Olcott directs the production.
The 1st Stage production of be Floyd Collins by Tina Landau, Music and Lyrics by Adam Guettel, Additional Lyrics by Tina Landau features Hasani Allen, Frank Britton, Evan Casey, Maggie Donnelly, Ben Lurye, Edward C. Nagel, Jennifer Lyons Pagnard, Scott Sedar, Russell Silber, Joshua Simon, Harrison Smith, John Sygar, and Carl Williams. Nick Olcott directs the production.
As part of the kick-off event for the 2016 Kennedy Center (KC) American College Theater Festival, a special preview of the EVERY 28 HOURS PLAYS will be performed and livestreamed as part of KC's Millennium Stage Series. The preview consists of an excerpt of the collection with more than 30 one-minute plays inspired by the Black Lives Matter movement, with participation by theater makers and institutions across the nation and showcases the creative outcome of a community outreach residency in Ferguson and St. Louis County, Missouri in the fall of 2015.
The John F. Kennedy Center for the Performing Arts hosts more than 150 outstanding theater students from colleges and universities across the nation as part of the 48th annual Kennedy Center American College Theater Festival (KCACTF), which runs April 12-16, 2016 in multiple locations throughout the Center. Thousands of student artists from eight regions across the country presented their work at regional festivals from January 5 through February 27, 2016 and more than 150 were selected to travel to the Kennedy Center in Washington, D.C., for an all-expenses-paid trip to participate in the national festival.
Epic in scope and poetic in language, this beautiful, haunting play crosses continents and challenges the boundaries of time to tell the story of one family and the events that bring them together and drive them apart. Encompassing four generations of fathers and sons and their mothers, lovers, and wives, the story is sweeping yet extraordinarily intimate. A crucial message of hope weaves its way through this tale as the expanding family learns from the past and approaches the future with tenacious spirit. A riveting mystery, the play is a 'metaphor for the impossibility of escaping the past, for the way we are all shaped by what came before-and are living in the shadow of what comes next.' -TIME Magazine.
DEATHTRAP is an old fashioned, twisty thrill ride. NextStop Theatre Company puts the thrill back in thriller with a briskly directed, well cast production of the venerable potboiler. If we gave out ratings at Broadway World, I would offer NextStop four big ones for a production that crackles with wit and delivers a bloody good time.
DEATHTRAP by Ira Levin, plays Thursdays through Sundays through November 22, 2015 at NextStop Theatre Company, in Herndon, Virginia. BroadwayWorld has a first look at the cast in action below!
NextStop Theatre Company's 3rd professional season continues Halloween weekend with the opening of its production of the suspense thriller, Deathtrap. Holding the record as the longest-running thriller in Broadway history, Ira Levin's ingeniously crafted play brings the scares and surprises coming until the final curtain. NextStop's production, directed by Producing Artistic Director Evan Hoffmann, will open Halloween weekend and run through November 22, 2015.
Dontrell, Who Kissed the Sea beautifully balances a heightened sense of wonder and allegory with humor and earthy practicality. Theater Alliance's production is a winning combination of Nathan Alan Davis' compelling script, beautiful design elements, and an expert cast giving us appealing and convincing characters which renders theatrical storytelling at its best.
When Sarah Ruhl was a student at Brown University, she embarked on a journey that would culminate in her sprawling epic, Passion Play, which was first performed at Arena Stage in 2005. Her three act tome tells the story of a group of actors performing the story of the Crucifixion and Resurrection of Jesus Christ. Each act is set in a different time frame, yet what happens off-stage, which vaguely mirrors the actions on stage, is the heart of the story.
Shakespeare may not have known Post Traumatic Stress Disorder in his time, but Director Tom Prewitt sees all the classic symptoms in Othello. With this lens of PTSD, WSC Avant Bard's current production becomes an examination of civilian vs. military life, generational differences, differing life experiences and, at its core, the terrible ravages of war. Race, the central feature in so many interpretations of Othello, is almost incidental here.
Susy Hendrix lives her life in the dark... but she's about to find out just how dark it can get. This fallFirehouse Theatrepresents the thriller from the author of Dial 'M' for Murder, Wait Until Dark by Frederick Knott. Directed by Helen Hayes Award winner and Richmond Theatre Critics Circle Award nominee David Emerson Toney ('night, Mother), Wait Until Dark will play 15 performances, today, September 18 - October 18, 2014. Opening Night is Friday, September 19.
Susy Hendrix lives her life in the dark... but she's about to find out just how dark it can get. This fallFirehouse Theatrepresents the thriller from the author of Dial 'M' for Murder, Wait Until Dark by Frederick Knott. Directed by Helen Hayes Award winner and Richmond Theatre Critics Circle Award nominee David Emerson Toney ('night, Mother), Wait Until Dark will play 15 performances, September 18 - October 18, 2014. Opening Night is Friday, September 19.
Frank Britton will return in the role of Pontius PIlate in THE LAST DAYS OF JUDAS ISCARIOT, for the final 5 performances beginning Thursday and Friday. It was announced that he sustained injuries in an attack on Tuesday, May 30th, and is now recovering.
Actor Frank Britton, based in Washington D.C., took his opening night bow for the Forum Theatre's current production of 'The Last Days of Judas Iscariot.' After socializing in the lobby with fellow cast and crew members, Britton began to make his way home shortly after two o'clock in the morning. Britton was 'literally feet away from a cab' when a group of young men began to surround him. Britton says, 'Before I knew it I was sucker-punched, hit in the head, hit three or four times.'
Actor Frank Britton, based in Washington D.C., took his opening night bow for the Forum Theatre's current production of 'The Last Days of Judas Iscariot.' After socializing in the lobby with fellow cast and crew members, Britton began to make his way home shortly after two o'clock in the morning. Britton was 'literally feet away from a cab' when a group of young men began to surround him. Britton says, 'Before I knew it I was sucker-punched, hit in the head, hit three or four times.'
Forum Theatre's 10th Anniversary Season continues with the return of The Last Days of Judas Iscariot by Stephen Adly Guirgis and directed by John Vreeke, May 22 - June 14, 2014.