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Out Of Joint Appoints Chair And Four New Board Members

Today, Out of Joint announces a new Chair appointment and four new board members following a recruitment process that took place over the Summer and Autumn.   Together they will join the board of trustees to help take the company into the post Covid 19 World under the continued Artistic Directorship of Kate Wasserberg and the Executive Directorship of Martin Derbyshire.

Bush Theatre Releases THE PROTEST

Last week, in response to the killing of George Floyd in the US and its impact on black Britons, the Bush Theatre approached its wide-ranging community of black artists and asked six of them to respond in the moment, however they saw fit.

HBO Announces Premiere Date for I MAY DESTROY YOU

HBO's new half-hour series I MAY DESTROY YOU, executive produced, co-directed, written by, and starring Michaela Coel, debuts SUNDAY, JUNE 7 (10:30-11:00 p.m. ET/PT), exclusively on HBO.

Royal Court Theatre Announces March 2020 Events; and Summary of Strategies For Becoming Carbon Net Zero

In October 2019 the Royal Court Theatre committed to spending 2020 transitioning to becoming a carbon net zero arts venue. Working groups across the organisation led on strategic areas, and consultants were engaged to advise on energy, waste, food and drink, water (cleaning and chemicals), travel and transport, and ticketing, paper and communications to implement immediate operational changes. Summary findings and strategies are detailed in Royal Court Theatre: A Credible Plan for a Just Transition to Carbon Net Zero Through 2020 which can be accessed here.

Photo Flash: First Look at BLUE DOOR

Get a first look below at the UK premiere of Blue Door, Tanya Barfield's searing play with music which examines family, identity and the African-American male experience. First seen in the US in 2006, the UK stage premiere, directed by Eleanor Rhode and starring  Ray Fearon and Fehinti Balogun, has its opening night for press this evening and will run at Theatre Royal Bath's Ustinov Studio until 9 March.

BWW Review: BLUE DOOR, Theatre Royal Bath

From mathematics professor Lewis's insomnia and amnesia plagued night emerges a poetic, fragmented and poignant reflection on race, forgetfulness, and legacy enlightened by two fine performances in a thoughtfully directed production from Eleanor Rhode as part of the Ustinov Studio's UK premieres from the Americas.

THE OMISSION OF THE FAMILY COLEMAN To Have UK Premiere At Theatre Royal Bath's Ustinov Studio

The award-winning absurdist comedy The Omission of the Family Coleman by Claudio Tolcachir, in a new version by Stella Feehily, is announced as the third and final production in A Season of UK Premieres from the Americas at Theatre Royal Bath's Ustinov Studio. The play will be directed by Laurence Boswell and will run from 28 March to 27 April 2019 with opening night for press on 3 April.

Theatre Royal Bath Announces Season of Premieres from the Americas

Theatre Royal Bath today announces A Season of UK Premieres from the Americas at the Ustinov Studio opening next month. The Model Apartment by Pulitzer Prize winner Donald Margulies, directed by Laurence Boswell will run from 22 November to 22 December with opening night for press on 28 November. This will be followed by Tanya Barfield's play with music, Blue Door, directed by Eleanor Rhode from 7 February to 9 March 2019, and a third production, to be announced, will complete the season.

BWW Review: THE IMPORTANCE OF BEING EARNEST, Vaudeville Theatre

Classic Spring's year-long season ends with Wilde gone wild: a free love riot that yanks the homosexual subtext into text, with everyone from masters and servants to, er, the long-lost brothers sharing snogs and cigarettes. The famous passive aggressive tea party turns into a food fight, and even Lady Bracknell is at the sherry.

BWW Review: AGAINST, Almeida Theatre

The incident tent, the police tape: a sickeningly familiar sight, made fresh yet again by the tragic events of this week. But that very familiarity, and the tendency of one event to be swiftly superseded by another in the public consciousness, is a major issue tackled by Christopher Shinn's ambitious new epic. What is at the root of violence, and if we never stop to address that, how can humanity ever hope for a better future?

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