Ezio Pinza News

Looking for a challenging role or to embark upon a new onstage adventure? Here is the latest audition information to come to the BroadwayWorld Nashville newsdesk.

The Vermont Italian Opera Intensive is a new two-week program where singers come to study, learn, and sing Italian opera. Modeled after the Ezio Pinza Council for American Singers of Opera (EPCASO) program in Oderzo, Italy, this program offers coaching in Italian opera style, Italian vocal technique instruction, and Italian language classes. The program brings singers from around the world to Central Vermont for an immersive Italian opera experience in a beautiful New England setting. Classes and performances take place in a variety of venues, including Montpelier's Monteverdi Music School at the Center for Arts and Learning, and Waterbury's Congregational Church.

San Francisco Opera's 2017 Summer Season will include Wolfgang Amadeus Mozart's Don Giovanni at the War Memorial Opera House beginning Sunday, June 4 through Friday, June 30 for eight performances. In a cast change announced today, Uruguayan bass-baritone Erwin Schrott and American bass Erik Anstine will sing the role of Leporello. Both artists are making their first appearances with San Francisco Opera and stepping in for previously scheduled bass Marco Vinco, who has withdrawn from the production for health reasons. Schrott is scheduled to sing the first six performances and Anstine the last two.

GOOD MORNING, THEATERATI! It's Monday, May 8, and it looks to be a beautiful spring day in Nashville (so live life dramatically), prompting us to ask the musical question: Do reviews matter anymore?

Since opening the 2016 - 2017 season last September, New York City Opera has reestablished itself as a vital part of New York City's cultural landscape, delivering new productions, New York premieres and sold-out performances.

Since opening the 2016 - 2017 season last September, New York City Opera has reestablished itself as a vital part of New York City's cultural landscape, delivering new productions, New York premieres and sold-out performances. The season opened with a critically acclaimed double bill of Leoncavallo's Pagliacci and Rachmaninoff's Aleko bringing the latter to the New York stage for the first time. In November, City Opera presented the New York premiere of Tobin Stokes' Iraq War opera, Fallujah. Last month City Opera's new production of Leonard Bernstein's Candide, directed by Broadway legend Harold Prince became a highlight of the New York season, with a run that was extended from six to ten sold-out performances.

David Kaufman writes of the life and career of one of the most beloved performers in American theatre.

Incredibly strong singing voices and an astounding orchestra guided by conductor Mark Sforzini make for a top-flight production.

One of San Diego Opera's most cherished stage luminaries

Five moments when Broadway songwriters risked shocking and angering patrons with discomforting truths.

Part of Resorts World Manila's (RWM) 6th anniversary celebration, the casino resort, in cooperation with Ultimate Shows Inc. and Redstone Production, stages Rodgers and Hammerstein's SOUTH PACIFIC in concert, which was first presented at Carnegie Hall in June 2005, featuring David Ives' revised book based on Oscar Hammerstein II and Joshua Logan's original book.

The issue of racism is front and center in America today and the Ivoryton Playhouse production of SOUTH PACIFIC could not be more timely. The story for Rodgers and Hammerstein's 1949 musical is drawn from a Pulitzer-Prize-winning novel by James A. Michener, entitled Tales of the South Pacific, and is considered by most critics to be among the greatest musicals of the twentieth century. For their adaptation, Rodgers and Hammerstein, along with co-writer Joshua Logan, won the Pulitzer Prize for Drama in 1950.

The issue of racism is front and center in America today and the Ivoryton Playhouse production of SOUTH PACIFIC could not be more timely. The story for Rodgers and Hammerstein's 1949 musical is drawn from a Pulitzer-Prize-winning novel by James A. Michener, entitled Tales of the South Pacific, and is considered by most critics to be among the greatest musicals of the twentieth century. For their adaptation, Rodgers and Hammerstein, along with co-writer Joshua Logan, won the Pulitzer Prize for Drama in 1950.

The issue of racism is front and center in America today and the Ivoryton Playhouse production of SOUTH PACIFIC could not be more timely. The story for Rodgers and Hammerstein's 1949 musical is drawn from a Pulitzer-Prize-winning novel by James A. Michener, entitled Tales of the South Pacific, and is considered by most critics to be among the greatest musicals of the twentieth century. For their adaptation, Rodgers and Hammerstein, along with co-writer Joshua Logan, won the Pulitzer Prize for Drama in 1950.

Awards shows are catnip for entertainment enthusiasts around the world not only because they are a celebration of the best of the breed in whatever medium or genre the presentation recognizes but also because a live telecast with so many stars and so many categories allows for ample room for entertainment - and error. In Tony Awards history, there have been a few unmistakably unmissable moments that live on thanks to the magic of YouTube for a variety of reasons - thrilling battles to the finish in tight categories, chilling reactions from non-winners when the top prize is announced, and, of course, some very unusual albeit unforgettable ties and inconsistent category tweaks. Nevertheless, the Tony Awards is always the biggest night of the year for Broadway babies and this year should prove to be no exception with the hot competition and spectacular stars scheduled to appear on June 7 at Radio City Music Hall and presented to the world, once again, via CBS at 8 PM.

Alan Gilbert, music director of the New York Philharmonic, conducts Mozart's Don Giovanni with an internationally renowned cast led by Swedish baritone Peter Mattei, who is widely recognized as one of the world's foremost interpreters of the title role. South African soprano Elza van den Heever returns to the Met for the first time since her acclaimed debut two seasons ago as Queen Elizabeth I in Donizetti's Maria Stuarda. In Don Giovanni, she takes on the demanding role of Donna Anna, who seeks to exact revenge on the infamous rake who has killed her father. British sopranoEmma Bell returns as the lovelorn Donna Elvira and young American mezzo-soprano Kate Lindsey adds a new role to her Met repertory as the ingenue Zerlina. Russian tenor Dmitry Korchak makes his Met debut as Anna's patient fiance, Don Ottavio, and Italian bass-baritone Luca Pisaroni returns as Don Giovanni's comic sidekick, Leporello, a role that won him plaudits at the 2011 premiere of this production by Michael Grandage. Czech bass-baritone Adam Plachetka makes his Met debut as Masetto, and veteran James Morris sings the role of the Commendatore, following his triumph as Hans Sachs in Die Meistersinger von Nurnberg earlier this season. Sets and costume designs are by Christopher Oram, lighting by Paule Constable, and choreography by Ben Wright. At the final performance on March 6, Jennifer Check will sing Donna Elvira, and Ievgen Orlov will sing the Commendatore.

The Metropolitan Opera will open its 130th season on Monday, September 22 with a new production of Mozart's Le Nozze di Figaro, conducted by Met Music Director James Levine and directed by Richard Eyre.

The Attic Theater Company presents the acclaimed revival of Preston Sturges' classic screwball comedy STRICTLY DISHONORABLE at The Flea Theater (41 White Street, Tribeca). Directed by Laura Braza, STRICTLY DISHONORABLE began performances on Tuesday, July 22, 2014 and opened on Saturday, July 26th. STRICTLY DISHONORABLE will be performed through Sunday, August 10th. BroadwayWorld has a first look at the cast in action below!

The Attic Theater Company presents Preston Sturges' classic screwball comedy STRICTLY DISHONORABLE at The Flea Theater (41 White Street, Tribeca). Directed by Laura Braza, STRICTLY DISHONORABLE will be performed Tuesday, July 22nd through Sunday, August 10th, 2014. The Press Opening is Saturday, July 26th at 7pm. Tickets, priced at $25.00, are on sale now online at www.theattictheaterco.com.

The Attic Theater Company presents Preston Sturges' classic screwball comedy STRICTLY DISHONORABLE at The Flea Theater (41 White Street, Tribeca). Directed by Laura Braza, STRICTLY DISHONORABLE will be performed tonight, July 22nd through Sunday, August 10th, 2014.