Ford's Theatre Society announced full casting and the design team for Silent Sky by Lauren Gunderson, a captivating play based on the life of trail-blazing astronomer Henrietta Leavitt. The Ford's Theatre production is directed by Seema Sueko and features Laura C. Harris (Arena Stage's The Heiress, Signature Theatre's The Flick) as Henrietta Leavitt, Nora Achrati as Annie Jump Cannon, Emily Kester as Margaret Leavitt, Jonathan David Martin as Peter Shaw and Holly Twyford as Williamina Fleming. Performances are January 24 to February 23, 2020. A media performance is scheduled for January 29, 2020 at 7:00 p.m.
Oooh la la, the good folks at Imagination Stage have a Parisian musical spectacular in store for you with the non- cheesy story about a couple of mice out to save the cheeses of Paris. Anatole: Mouse Magnifique features a dynamic and fun score by James Valcq (Music), book and lyrics by John MacLay and Lee Becker, and a terrific no-holes-like-a-piece of-Swiss-cheese-staging from Tom Story.
Over the years, Charles Dickens' works have been turned into many stage and film adaptations. I'm sure we've all seen A Christmas Carol or Oliver Twist in one form or another. While both are set against some bleak backdrops, they feature some larger-than-life characters that make them ripe for theatrical presentation.
Playwright Lauren Gunderson, who marches boldly where political correctness fears to tread, delivers a stylized rendition of female revolutionaries, one famous, two obscure, one invented, reminding us that history is not only written by the victors, it's written by men. Director Casey Stangl presents a snappy, suspenseful, tense drama that is curiously chock-full of comedy. Everyman's resident actors and supporting artists are gifted in their range and variety.
Erich Hatch, Director of Programming for the SNF Parkway Theater and the Maryland Film Festival hopes this program will enhance the enjoyment of its plays at the Everyman Theatre.
Ready, aim, spitfire! Everyman Theatre prepares for audiences (and heads) to be rolling in the aisles with the astutely timed arrival of The Revolutionists (December 6, 2017 through January 7, 2018) from playwright Lauren Gunderson aka the most-produced playwright in the country (The New Yorker).
Ready, aim, spitfire! Everyman Theatre prepares for audiences (and heads) to be rolling in the aisles with the astutely timed arrival of The Revolutionists (December 6, 2017 through January 7, 2018) from playwright Lauren Gunderson aka the most-produced playwright in the country (The New Yorker).
Everyman Theatre pays exquisite attention to detail and creates an astounding feat of comedy in its production of NOISES OFF. The cast demonstrates comedic chops and executes pratfalls and buffoonery with commitment and perfect timing. Do yourself, your lungs and your liver a favor and laugh at the raucous riot. Don't be surprised if you find yourself craving sardines afterwards.
Everyman Theatre's Resident Company of actors transforms into a British company of actors during the 1970s in this hotly anticipated revival of Tony Award-Winner Michael Frayn's side-splitting farce to end all farces, Noises Off, directed by Founding Artistic Director Vincent M. Lancisi and running from May 17 through June 18, 2017.
The Hard Problem is the brainchild of Czechoslovakian-born British playwright Sir Tom Stoppard. Contrary to all scientific intelligence, Hilary clings to the mysterious. In the spirit of the scientific method, the audience must as: but why? As Dramaturg Lauren Halvorsen notes so concisely, “the tension between knowledge and mystery pervades the play.”
Playwright Sarah Ruhl, confronted with her beloved father's death, must have wrestled hard with how to honor his passing, without losing herself in the process. Her play, Eurydice-in Jay D. Brock's production at Next Stop Theatre-is in some ways a witty take on the old Orpheus myth, but the wit is clearly in service of something more personal and contemporary.
"Eurydice" by Sarah Ruhl is now appearing Thursdays through Sundays until November 20, 2016 at NextStop Theatre, in Herndon, Virginia. The first look at photos from the production are now available.
Amid an intense political battle raging in Washington, where nasty behavior towards women has been the focus of recent news, NextStop Theatre Company in Herndon, Virginia, just 20 miles west of the political capital, is honoring women center stage.
'The Last Schwartz,' a play that's perfectly suited for Theater J, is certainly a familiar trope for its audience: Somebody brings home a non-Jewish women to a solemn family occasion fraught with religious underpinnings.
?Theater J begins the 2016-2017 season with the regional premiere of the rollicking, engaging, and thoughtful comedy, The Last Schwartz, written by Lilly Award Winner Deborah Zoe Laufer. It plays at Theater J September 7 through October 2, 2016 and kicks off the first season selected by new Artistic Director Adam Immerwahr.
Theater J, the nation's largest and most prominent Jewish theater, announces full casting for the 2016-2017 season, the first season chosen by new Theater J Artistic Director Adam Immerwahr.
?Theater J begins the 2016-2017 season with the regional premiere of the rollicking, engaging, and thoughtful comedy, The Last Schwartz, written by Lilly Award Winner Deborah Zoe Laufer. It plays at Theater J September 7 through October 2, 2016 and kicks off the first season selected by new Artistic Director Adam Immerwahr.
Theater J, the nation's largest and most prominent Jewish theater, announces full casting for the 2016-2017 season, the first season chosen by new Theater J Artistic Director Adam Immerwahr.
Imagination Stage's world premiere production of 'The Little Mermaid', directed by Kathryn Chase Bryer, adapts Andersen's story into a musical interpretation filled with original songs and choreography.
