Birth Place: Cambridge, MA, USA
On Tuesday, March 12, Shakespeare Theatre Company's cast and creatives met for first rehearsal for ' The Oresteia by playwright Ellen McLaughlin and directed by Michael Kahn.
General Director and CEO Deborah Sandler today announced the final production of Lyric Opera of Kansas City's 2018-19 Explorations Series, Penelope, a groundbreaking song cycle based on The Odyssey, as told from Penelope's point of view. Composed by Sarah Kirkland Snider, Penelope was named one of the five best genre-defying works in 2010 by National Public Radio. The performance, featuring conducted by Carolyn Watson and directed by Alison Moritz, will be held March 30 at 7:30 p.m. at Lyric Opera's Michael and Ginger Frost Production Arts Building. High res photos can be found here.
Cal State Fullerton's Spring semester begins with "The Cherry Orchard" by Anton Chekhov, translated by Paul Schmidt and directed by Maria Cominis. The play runs from March 8-24, 2019 in the Young Theatre on campus. "The Cherry Orchard" follows a destitute Russian aristocrat who returns home to find her family in a financial crisis, forcing them to sell their home to pay off their debt. The family must decide on their prospects for happiness and how to rebuild their lives and fortunes.
Shakespeare Theatre Company's Artistic Director Michael Kahn invites theatre-lovers to a series of intimate conversations about life in the D.C. theatre scene as he prepares to retire from the STC stage. Open, unrehearsed, and off the record, invited speakers will swap anecdotes and share memories about Michael Kahn's 33-years at Shakespeare Theatre Company. Following his career trajectory, the discussions will focus on three distinct eras in STC's history by mapping D.C.'s changing theatre scene. The first Michael Kahn and Friends: Off the Record will focus on the formation of The Shakespeare Theatre Company in its first location: Folger Theatre (1986-1992).
Pittsburgh CLO will launch its second New Musicals Weekend, a project of the Next Generation Campaign's New Small Musicals Initiative. New Musicals Weekend, the mini version of the SPARK festival, takes the core goals of SPARK and puts them into action over just a few days. Similar to SPARK, New Musicals Weekend aims to develop new musicals for the CLO Cabaret by supporting writing teams with financial and creative resources and by building relationships with local and national artists.
In a fitting conclusion to his illustrious tenure at STC, Michael Kahn is bringing a dream project to the stage. 'I've always wanted to do all of The Oresteia,' he says. 'When I was in college, we read the whole Oresteia, and I was completely fascinated by the story, by the form, by the relationships, by the incredible depths of what it was about-violence, revenge, and the search for human justice.'
Cal State Fullerton's Spring semester begins with "The Cherry Orchard" by Anton Chekhov, translated by Paul Schmidt and directed by Maria Cominis. The play runs from March 8-24, 2019 in the Young Theatre on campus. "The Cherry Orchard" follows a destitute Russian aristocrat who returns home to find her family in a financial crisis, forcing them to sell their home to pay off their debt. The family must decide on their prospects for happiness and how to rebuild their lives and fortunes.
If your sum impression of the Edward Albee canon is his magnificent WHO'S AFRAID OF VIRGINIA WOOLF? then SEASCAPE, Pam MacKinnon's refreshing resident directing debut at American Conservatory Theater, will surprise you.
California State University, Fullerton's Spring 2019 season includes "The Cherry Orchard," "Lysistrata," "Heathers The Musical," and "Spring Dance Theatre" all on the CSUF campus, running March through May.
Provocateur Thomas Bradshaw revisits his incendiary 2008 play SOUTHERN PROMISES in a new production helmed by The Flea's Artistic Director, Niegel Smith. SOUTHERN PROMISES begins previews Monday, March 11 with opening night slated for Sunday, March 24.
Legendary choreographer, National Medal of Arts (2013) and MacArthur "Genius" Award (1994) recipient, and artistic director of New York Live Arts, Bill T. Jones welcomes a discussion with Oskar Eustis-Artistic Director of New York's Public Theater, who has nurtured one game-changing hit after another for the Public, including the award-winning musicals Fun Home and Hamilton. As both leaders in the arts world and change-makers, Jones and Eustis delve into the responsibilities of both arts organizations and artists.
Check out brand-new production photos from Edward Albee's Pulitzer Prize-winning play Seascape performing at A.C.T.'s Geary Theater now through Sunday, February 17, 2019
Red Bull Theater today announced that their ninth annual festival of 10-minute plays of heightened language and classic themes will feature two brand new commissions from Kia Corthron and Will Power, alongside six brand new plays chosen from hundreds of submissions from playwrights across the country. Submissions are now open through March 18, 2019.
Legendary choreographer, National Medal of Arts (2013) and MacArthur "Genius" Award (1994) recipient, and artistic director of New York Live Arts, Bill T. Jones welcomes a discussion with Oskar Eustis-Artistic Director of New York's Public Theater, who has nurtured one game-changing hit after another for the Public, including the award-winning musicals Fun Home and Hamilton. As both leaders in the arts world and change-makers, Jones and Eustis delve into the responsibilities of both arts organizations and artists.
The Public Theater announced initial casting today for the world premiere of WHITE NOISE, written by Public Theater Master Writer Chair and Pulitzer Prize-winning playwright Suzan-Lori Parks.
American Conservatory Theater (A.C.T.) rings in 2019 with Edward Albee's Pulitzer Prize-winning play, Seascape. In her A.C.T. directorial debut, Artistic Director and Tony Award winner Pam MacKinnon-hailed as "the most prolific of directors of Edward Albee's plays" (The Daily Beast)-continues her career-long exploration of American theater's legendary playwright. MacKinnon won the 2013 Tony Award for the Broadway revival of Who's Afraid of Virginia Woolf?, starring Tracy Letts and Amy Morton.
With the help of celebrated guest artists-including Oscar, Tony, and Emmy Award winner Ellen Burstyn, Tony Award winner BD Wong, and Emmy, Tony, and Golden Globe Award winner Judd Hirsch-American Conservatory Theater (A.C.T.) raised $900,000 at its Fall Celebration welcoming new Artistic Director Pam MacKinnon and new Executive Director Jennifer Bielstein. Proceeds from the event, which took place on Thursday, November 15 at Ken Fulk's brand-new multi-disciplinary arts space Saint Joseph's Arts Society, support A.C.T.'s diverse and far-reaching artistic, artist training, and education and community programs serving 250,000 Bay Area residents each year.
Four internationally renowned dancer/choreographers are joining student choreographers to create timely, often politically inspired dance pieces as part of the California State University, Fullerton, Fall Dance Theatre, running November 29-December 9, 2018 in the Little Theatre on campus.
Gingold Theatrical Group presented Bernard Shaw's Back to Methuselah (Part 2) on November 19. BroadwayWorld was there and you can check out the photos below!
Four internationally renowned dancer/choreographers are joining student choreographers to create timely, often politically inspired dance pieces as part of the California State University, Fullerton, Fall Dance Theatre, running November 29-December 9, 2018 in the Little Theatre on campus.
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