The Public Theater announced today that Free Shakespeare in the Park will return this summer with the delightful comedy MERRY WIVES, adapted by award-winning Jocelyn Bioh and directed by Associate Artistic Director and Resident Director Saheem Ali.
Michael Urie (Ugly Betty) and Carly Hughes (American Housewife) will join Janet Hubert (Fresh Prince of Bel Air) to star in a virtual reading of Douglas Lyons’ CHICKEN AND BISCUITS on Saturday, February 27, 2021 at 8:00p.m. (EST) to benefit the Next Wave Initiative.
NewYorkRep (Gayle Waxenberg, Co-Founder, Executive Director),in association with Rashad V. Chambers and Five Ohm Productions, presents CivilWrights, a ten-minute play series, on Sun. January 17 at 7PM, streaming live at FiveOhm.TV. A response to the national crisis on systemic racism, four playwrights of color have written 10-minute mini plays on racism.
Chicken and Biscuits, the new family comedy by playwright-composer and actor Douglas Lyons (Beautiful), begins previews tonight at The Queens Theatre; running through March 22nd. Opening night is set for March 6th.
Just last week, Stage Entertainment, James L. Nederlander and Tali Pelman, in association with Tina Turner, have announced that Anna Wintour, Editor in Chief, Vogue U.S.; U.S. Artistic Director and Global Content Advisor, Condé Nast co-hosted a cocktail reception alongside Fashion Model & Activist Adut Akech, Fashion Model Cindy Bruna, Writer/Director & Activist Janet Mock (“Pose”), Super Model & Activist Joan Smalls and Actor & Activist Yara Shahidi (“Grown-ish”) followed by a special performance of Broadway's TINA – THE TINA TURNER MUSICAL to benefit RAINN, the nation's largest anti-sexual violence organization.
A new family comedy is coming to town. Chicken and Biscuits by award winning composer-playwright and actor Douglas Lyons (Beautiful), will premiere at Queens Theatre, Feb 28th-March 22nd, 2020.
The world premiere of AIN'T NO MO', written by Jordan E. Cooper and directed by Stevie Walker-Webb. AIN'T NO MO' opened just last night, Wednesday, March 27, at The Public Theater.
The world premiere of AIN'T NO MO', written by Jordan E. Cooper and directed by Stevie Walker-Webb. AIN'T NO MO' opens tonight, Wednesday, March 27, at the Public Theater.
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The Public Theater announced today a one-week extension of the world premiere of AIN'T NO MO', written by Jordan E. Cooper and directed by Stevie Walker-Webb. Following its initial run in Public Studio in 2018, AIN'T NO MO' will begin previews on Tuesday, March 12 with a Joseph Papp Free Preview performance in The Public's LuEsther Hall. This vital new American play will now run through Sunday, April 28, with an official press opening on Wednesday, March 27.
Get a sneak peek below at rehearsals for the world premiere of AIN'T NO MO', written by Jordan E. Cooper and directed by Stevie Walker-Webb. AIN'T NO MO' begins Tuesday, March 12 with an official press opening on Wednesday, March 27.
The Public Theater announced complete casting today for the world premiere play AIN'T NO MO', written by Jordan E. Cooper and directed by Stevie Walker-Webb.
The Public Theater announced the fifth season of PUBLIC STUDIO today, which will present two new plays this spring. Continuing The Public's commitment to nurturing new playwrights, the two plays will run in succession in The Public's Shiva Theater and be presented as pared-down productions with the low ticket price of $15. This vital program continues The Public's mission of making new work by emerging artists accessible to all audiences.
On Monday, July 24, 2017, The New York Innovative Theatre Foundation, the organization who for the past 13 years has been dedicated to celebrating Off-Off-Broadway, announced the 2017 nominees at its annual event, The IT Party.
'There was a musical version of Lorraine Hansberry's Raisin in the Sun?': this has been universal response of friends who knew I reviewing RAISIN. Even Dev Bondarin, the artistic director of APAC (Astoria Performing Arts Center) who directed the current production, only became aware of the show in college, during an historical survey of musical theater.
I will leave it to others to speculate why a musical nominated for nine Tony awards--including Best Original Score, Best Choreography, Best Book--and the winner of two statues (best musical and Best Leading Actress) has all but vanished from theatrical memory. But one hopes that Bondarin's production will restore Raisin to its rightful place in the musical theater canon, not because it takes up relevant social and political topics (which it does), but because it's a fine show with compelling music and lyrics by Judd Woldin and Robert Brittan and sharp, elegant by Hansberry's ex-husband and literary executor, Robert Nemiroff and Charlotte Zalztberg. (The cast album also won a Grammy in 1975.)