Duane Schuler News

American Ballet Theatre's 2019 Spring season at the Metropolitan Opera House, May 13 - July 6, will feature a World Premiere work by ABT Artist in Residence Alexei Ratmansky in programs dedicated entirely to his works in honor of the choreographer's 10th year with the Company.

Whether from disease, 19th century #MeToo-style abuse, or unrequited love, Opera Philadelphia's (OP) Festival O18 opening weekend showed us three ways that central female characters lost their grip on reality. While I considered only one of them a total success, audience openness to sometimes-demanding material made it clear that the company has found a formula that strikes at the hearts of opera-goers, new and old.

Season 12 of Great Performances at the Met concludes Sunday, September 9 at 12 p.m. on PBS (check local listings) with Cendrillon, Massenet's operatic take on the classic fairy tale Cinderella, starring Joyce DiDonato as the titular heroine and Alice Coote as Prince Charming, alongside Kathleen Kim as the Fairy Godmother andStephanie Blythe as Madame de la Haltière.

Daniela Mack is Isabella, an Italian pilot, who makes an emergency landing in Algiers and is captured by its ruler, the Bey. He wants an Italian girl for a wife but she loves Lindoro, the Bey's Italian slave. L'ITALIANA has lots of good bel canto singing and plenty of comedy to keep you smiling all evening. There are three more performances, Aug 3, 9 and 17.

Casting for the fifth and sixth weeks of American Ballet Theatre's 2018 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.

At a press conference held May 31 in the lobby of the Sony Centre for the Performing Arts, the Toronto Alliance for the Performing Arts (TAPA) announced 237 nominations for the 39th Annual Dora Mavor Moore Awards, which recognize excellence in the performing arts in Toronto.

Asolo Rep continues its 2017-18 season with the celebrated American musical RAGTIME. Directed by Peter Rothstein, founding artistic director of Theater Latte Da in Minneapolis, RAGTIME features a book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens, who all garnered Tony Awards for the production. The original Broadway production was directed by Frank Galati, who received a Tony nomination for his work and is an Associate Artist at Asolo Rep. A collaboration with Seattle's 5th Avenue Theatre, RAGTIME is currently on stage through May 27 in the Mertz Theatre, located in the FSU Center for the Performing Arts. Check out photos of the new production below!

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature A CHORUS LINE, LES MIS, SOMETHING ROTTEN, And More!

RAGTIME is such an underrated piece of art. Although written in 1996 and staged for Broadway in 1998, it is almost prophetic in its reflection of the social unrest, racism and immigration sanctions prevalent in our world today. Based on the 1975 novel by E. L. Doctorow, with a book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens, RAGTIME is as relevant today as it was when first conceived. Its timelessness is a credit to its brilliant and perceptive writing, albeit a sad commentary of our present society which has not learned from its past and has not progressed much in civility or compassion.

The Dallas Opera is pleased to announce that American baritone Craig Verm will perform the role of Don Giovanni in the three remaining performances of a critically acclaimed production from Lyric Opera of Chicago.  The Charron and Peter Denker Rising Star was originally cast as Masetto in this star-studded international cast. 

The Met's new CENDRILLON is a Cinderella of a production, finally allowing Massenet's take on the classic tale of the girl from the cinders who finds her Prince Charming to reach the Met's stage 119 years after its premiere at the Opera-Comique in Paris.

American Ballet Theatre's 2018 Spring Season at the Metropolitan Opera House, May 14 - July 7, will feature the World Premieres of AFTERITE by Wayne McGregor and Harlequinade by ABT Artist in Residence Alexei Ratmansky. Tickets for ABT's 2018 Spring Season at the Metropolitan Opera House go on sale at the box office on Sunday, March 25 at 12 Noon.

The Dallas Opera is proud to present one of the most talked about Mozart productions of the decade: DON GIOVANNI in a critically acclaimed production created by Goodman Theatre Artistic Director Robert Falls for Lyric Opera of Chicago and conducted by Dallas Opera Music Director Emmanuel Villaume.

Lyric Opera of Chicago's new production of Gounod's Faust is inspired by the works of multimedia artist John Frame (theatrical debut). Find out what happens when a deal with the devil goes awry. Lyric's new Faust is conducted by Emmanuel Villaume and directed by Kevin Newbury.

Lyric Opera of Chicago's new production of Gounod's Faust is inspired by the works of multimedia artist John Frame (theatrical debut). Find out what happens when a deal with the devil goes awry. Lyric's new Faust is conducted by Emmanuel Villaume and directed by Kevin Newbury. 

The winners of the 2017 Gypsy Rose Lee Awards are announced by the Seattle critics circle, Seattle Theater Writers!

Seattle's critics announce the Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in as much professional theater as we reviewers can attend in a year. Named in honor of the famed theater entrepreneur and Seattle native, Gypsy Rose Lee, and in a nod to the vast numbers or theater practitioners forced to travel the country to earn their living, the Gypsys seek to acknowledge the excellence of the Seattle theater community.

Dear Readers, it's been quite a year and, hopefully, we've come through it unscathed. God knows we've needed some shows to help us escape and others to make us think. But through it all we've had several shows that have proven to shine as some of the best of the year. Out of all the shows I was fortunate enough to see this year, I've selected a few that stood out. Here are those stand outs, a few honorable mentions and a few special mentions about which I just couldn't help myself but to mention in their own special way.