MCC Theater, in collaboration with The Sol Project announced casting for Bees & Honey by Guadalís Del Carmen (Not For Sale) and directed by Melissa Crespo (Espejos: Clean).
New York Theatre Workshop announced today Tools for An Artist in Process, a masterclass series created by Dominican Artists Collective (DAC), one of NYTW’s Companies-in-Residence and produced in partnership with Oye Group (Modesto Flako Jimenez, Founder/Artistic Director; Kevin Torres, Managing Director).
New York Theatre Workshop has announced that Safe Harbors NYC, Dominican Artists Collective and JAG Productions will join Noor Theatre as Companies-In-Residence at NYTW.
New York Theatre Workshop has announced its Holiday Follies on December 16, as well as the launch of the NYTW Digital Archive which will include a work-in-process sneak preview of Martha Redbone & Aaron Whitby’s The Talking Circles exclusively for NYTW Members and Repeat Defenders.
New York Theatre Workshop announced today an extension for , conceived and created by Theater Mitu & directed by Rubén Polendo. Part of the 2020/21 Artistic Instigators Season, was originally set to stream November 16-24, 2020 and will now be available for 6 additional performances through December 13, 2020.
New York Theatre Workshop announced today additional details for two upcoming projects: , conceived & created by Theater Mitu & directed by Rubén Polendo, will stream November 16-24, 2020. The Cooking Project, created by members of the Dominican Artists Collective and directed by Melissa Crespo, will premiere on November 18, 2020 at 8pm.
Tudo E Jazz - Um Tributo Musical a Kander & Ebb (And the World Goes 'Round - the Songs of Kander & Ebb) debuts at Sao Paulo stage. The show, which brings together renowned names in the cast, is a tribute to the great musicals of the duo John Kander & Fred Ebb, successful Broadway composers, responsible for creating Chicago, Cabaret, Kiss of the Spider Woman, and the great musical hit 'New York, New York', immortalized in the voices of Liza Minelli and Frank Sinatra.
When I heard that The Annex Theatre was putting on a play about a 19th century club of fencing lesbians, I figured I was in for a night of camp and euphemisms. Although that direction would have surely been entertaining, Elizabeth Hershly's world premiere of My Dear Miss Chancellor by Caitlin Gilman was coreographed with elegance, charm, and a rapier wit.