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STAGE TUBE: Behind the Scenes on the Making of NATASHA, PIERRE AND THE GREAT COMET OF 1812

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus, presents Dave Malloy's musical adaptation of an excerpt from Leo Tolstoy's monumental novelWar and Peace, directed by Rachel Chavkin, with choreography by Sam Pinkleton. Check out a behind the scenes look at the making of the show below!

Photo Flash: NATASHA, PIERRE AND THE GREAT COMET OF 1812 Soars Again at the A.R.T.

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus, presents Dave Malloy's musical adaptation of an excerpt from Leo Tolstoy's monumental novelWar and Peace, directed by Rachel Chavkin, with choreography by Sam Pinkleton. Check out a first look at the cast in action below!

Photo Flash: First Look at Rehearsals for A.R.T.'s NATASHA, PIERRE & THE GREAT COMET OF 1812

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus, is pleased to present Dave Malloy's musical adaptation of an excerpt from Leo Tolstoy's monumental novel War and Peace, directed by Rachel Chavkin, with choreography by Sam Pinkleton.  Check out a first look at rehearsals below!

Relive NATASHA, PIERRE & THE GREAT COMET OF 1812 Off-Broadway Ahead of A.R.T. Bow

As reported yesterday, Harvard University's American Repertory Theater (A.R.T.) , under the artistic direction of Tony-winner Diane Paulus, will soon stage NATASHA, PIERRE AND THE GREAT COMET OF 1812, based upon Leo Tolstoy's WAR AND PEACE. In honor of the production, BroadwayWorld brings you a brief look back the Off-Broadway production!

BWW Reviews: BOOK OF MORMON Scores a Red-State Victory

Two weeks after conservative Tennessee voters turned the Volunteer State a deeper shade of red and some three years after I was told The Book of Mormon likely would never play the Tennessee Performing Arts Center because its plot is too outlandish, its book too profane, its tenor too irreverent, the second national touring company of the nine-time Tony Award-winning musical came to Nashville and gave audiences a much-needed jolt of electricity that elicited one of the longest, uninterrupted standing ovations I've ever witnessed in TPAC's Jackson Hall.

BWW Reviews: GERTRUDE STEIN SAINTS at the Fringe Turns Avant-Garde Opera into Glee (in a Good way)

Dressed all in white, singing like angels and dancing like the devil, the 13 performers of "Gertrude Stein's Saints" are young, energetic, talented, and, let's face it, hot enough to be cast in Glee. What's most remarkable about this ensemble, all of them drama students at Carnegie Mellon University, is that, instead of covering songs by Journey or Rihanna, they have composed original music and turned two inaccessible avant-garde operas into a rousing entertainment.

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