The World Premiere of ALI will be presented in Ali's hometown of Louisville, at the Kentucky Center for the Performing Arts, in Fall 2024. Learn more about the show here!
Laguna Playhouse announced, in association with Gare St. Lazare, Ireland and the Rubicon Theatre Company, Faline England, Sorcha Fox, Conor Lovett and Joe Spano starring in the rolling Southern California premiere of THE REALISTIC JONESES, written by Will Eno and directed by Judy Hegarty-Lovett.
See production images for the English National Opera's The Dead City (Die tote Stadt), running 25 March - 8 April 2023.
This March, after making her ENO directorial debut with the gripping new production of the multi-award nominated The Handmaid's Tale in 2022, Annilese Miskimmon (the ENO's Artistic Director) directs the new production of Erich Wolfgang Korngold's The Dead City (Die tote Stadt).
Rubicon Theatre Company will present the Southern California premiere of THE REALISTIC JONESES, Wednesday, January 25 at 7:00 pm, with a press opening on Saturday, January 28 at 7:00 pm, running through Sunday, February 12.
One of my favourite theatrical moments of the year at Theatre Royal Bath was Into the Woods: a trippy version of Stephen Sondheim's musical, thanks to Terry Gilliam's surreal Monty Python-esque imagination. This mind-bending show deserves space in the West End soon.
See photos of ¡SHOWMANISM! A Concise Histrionic of Performance, devised and performed by Dickie Beau at the Ustinov Studio in Bath, 11 November to 10 December 2022.
The final commission by Deborah Warner in her inaugural season as Artistic Director of Ustinov Studio will be ¡SHOWMANISM! A Concise Histrionic of Performance, devised and performed by Dickie Beau which will play the Ustinov Studio, Bath from 11 November to 10 December 2022.
It's a double first at Theatre Royal Bath with Henry Purcell's Dido and Aeneas. Regarded as England's first opera when initially performed around 1688, it's also the first opera to be performed in the intimate Ustinov Studio.
They say good things come in small packages. This adage certainly applies to Theatre Royal Bath’s larger-than-life double bill of Benjamin Britten’s Phaedra and newly commissioned ballet, Minotaur, in the diminutive Ustinov Studio.
What can be better than watching The Tempest on the night when Prime Minister Boris Johnson's spell was finally broken? Surely, it's a good time to reflect on the play's exploration of power, illusion, loss, revenge and redemption.
A world-class arts and learning organisation, the Barbican pushes the boundaries of all major art forms including dance, film, music, theatre and visual arts. Its creative learning programme further underpins everything it does.
Casting is announced for The Tempest by William Shakespeare, which will be the first production in Deborah Warner's inaugural season as Artistic Director of the Ustinov Studio in Bath.
Theatre Royal Bath has announced the first season of work to be commissioned for the Ustinov Studio by its new Artistic Director, the internationally acclaimed and multi-award winning theatre and opera director Deborah Warner.
Marjukka Tepponen will sing Tatiana in tonight’s performance of Tchaikovsky’s Eugene Onegin, replacing Ailyn Pérez.
Mabou Mines will present preview performances of The Vicksburg Project, May 11 - 15, May 18 - 22, May 25 - 29, 2022 (at Mabou Mines, 150 1st Avenue, Second Floor, New York), in anticipation of its premiere at Harlem Stage in 2023.
The Royal Opera House today announces its 2022/23 Season, unveiling a rich range of new work, world premieres and beloved revivals. Over 40 productions, performed by an incredible roster of international stars and created in collaboration with global companies, will be accompanied by more than 200 events and activities in our stunning Covent Garden Home, and outreach programmes reaching more than 27,000 children across the UK.
The 2013 production of Tchaikovsky's Pushkin-inspired opera EUGENE ONEGIN has triumphantly returned to the Met. I attended the final dress rehearsal and can attest to the fact that the story of Tatyana's infatuation with, and later rejection of, the eponymous 'hero' is vocally in superb hands. Both singers and orchestra were splendid.
Tchaikovsky's tragic romance Eugene Onegin returns to the Met for six performances March 25–April 14.
There are few operas which, at once, gives some insight into the history of the current UK opera scene, the sexual politics of the 1940s and the darkness within Benjamin Britten’s mind. Peter Grimes does all that and also provides a visceral and heart-rending story, deep in meaning, high in emotion.
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