Opera Philadelphia welcomes Tyshawn Sorey, 'a composer of radical and seemingly boundless ideas' (The Wall Street Journal), as the company's next Composer in Residence. Sorey, whose residency begins in November 2019, is the first resident in a new phase of the company's renowned program that will give composers more opportunities to explore the opera medium.
a??a??a??a??a??a??a??The American Opera Project (AOP), announces its selection of eight composers and librettists to receive fellowships for its 10th cycle of the Composers & the Voice training program. Composers Alaina Ferris, Matt Frey, Michael Lanci, Mary Prescott, Jessica Rudman, Tony Solitro, and librettists Amanda Hollander and Jonathan Turner, will each receive a 2-year, tuition-free fellowship that provides experience writing for the voice and opera stage. The fellows will work collaboratively with the following six singers, named as the 10th Composers & the Voice Resident Ensemble: Lyric Coloratura Soprano Justine Aronson, Lyric Soprano Jasmine Muhammad, Mezzo-Soprano Augusta Caso, Tenor Timothy Stoddard, Baritone Mario Diaz-Moresco and Bass-Baritone Brandon Coleman.
Austin Opera continues to make great progress in its reinvention as one of the most innovative opera companies in the country. In review of its landmark 2018a?'2019 Season, it is proud to report elevated artistic excellence, exceptional ticket sales and fundraising, increased audience development, strengthened community partnerships, expanded education programming, and growth in its board of trusteesa?'all pointing to a bright future for opera in Central Texas.
Peak Performances presents Lena Herzog's Last Whispers, an immersive AV experience dedicated to vanishing languages, accompanied by panel discussions on select days, October 16-20 at the Alexander Kasser Theater at Montclair State University. Trained in linguistics and philosophy, Herzog, also as an acclaimed photographer, has taken an ongoing interest in indigenous languages, which are disappearing at an astonishing rate. By 2050, half of roughly 7,000 languages spoken around the world will fall silent. Herzog's a?oehaunting and singulara?? (The New Yorker critic Alex Ross) immersive oratorioa?"situated at the intersection of installation art, music, and filma?"features spoken and sung recordings of more than 40 endangered or lost languages. www.lastwhispers.org
Grammy-winning new-music choir The Crossing presents the world premiere of English composer Gavin Bryars' substantial new evening-length a cappella work, A Native Hill, on Sunday, October 13, 2019 at 5pm at The Presbyterian Church of Chestnut Hill in Philadelphia.
Grammy-winning new-music choir The Crossing presents the world premiere of English composer Gavin Bryars'substantial new evening-length a cappella work, A Native Hill, on Sunday, October 13, 2019 at 5pm at The Presbyterian Church of Chestnut Hill in Philadelphia.
Grammy winning new-music choir, The Crossing, is featured on the New York Philharmonic's new recording of its world premiere performance of Julia Wolfe's Fire in my mouth out digitally today, August 30, 2019, and in physical format on October 4, 2019 on Decca Gold, Universal Music Group's newly established US classical music label.
Grammy-winning new-music choir, The Crossing, releases its latest album, THE ARC IN THE SKY, today, Friday, July 12, 2019, on Navona Records. Kile Smith's 2018 setting of journal entries and poems by Robert Lax (1915–2000), THE ARC IN THE SKY is an epic, hour-long tour de force of thought and feeling that traverses topics ranging from Louis Armstrong to Jack Kerouac, and from Jerusalem to the shores of the island of Patmos. THE ARC IN THE SKY marks Smith's sixth commission from The Crossing, which has also recorded his Where Flames a Word and Vespers
Lincoln Center Theater (under the direction of Andre Bishop) has announced that it will produce Intimate Apparel, a new opera with music by Ricky Ian Gordon and a libretto by Lynn Nottage, based on her critically acclaimed play. The production, which will be directed by Bartlett Sher, will begin previews Thursday, February 27 and open on Monday, March 23 at the Mitzi E. Newhouse Theater (150 West 65 Street).
On Friday, June 28, 2019, Navona Records releases EVOLUTIONARY SPIRITS, a new recording from Grammy-winning new-music choir, The Crossing, featuring works by six contemporary composers: Edie Hill, Gregory W. Brown, James Shrader, Bruce Babcock, Jonathan Sheffer, and Christopher J. Hoh. Exploring humanity in all its facets, EVOLUTIONARY SPIRITS grapples with aspects of life, both mortal and eternal, drawing texts from a variety of sources including songs of praise from the Biblical era, a reimagining of a Shakespearean sonnet, and contemporary poetry.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents THE BATTLE, NOT THE WAR: A NEW MUSICAL with book, music, and lyrics by ZACHARY CATRON and direction by INDIA MARIE PAUL on June 4th, 2019 at 9:30 PM. Experience the forgotten story of gay men and women in the U.S. Army during World War II through a brand-new voice in musical theater. This concert production, commemorating the Stonewall Riots' 50th Anniversary, features a score which spans campy, soldier-show drag and tragic, wartime loss.
American Opera Projects (AOP) announces the return of its popular Composers & the Voice program for its 2019-21 seasons. Created and led by Composers & the Voice Artistic Director Steven Osgood, six composers and up to three librettists will be selected for two-year fellowships to learn the fundamentals of writing for the voice and opera stage. Workshop sessions with professional opera singers, mentors, and instructors are held at AOP's home base in Fort Greene, Brooklyn. Applications and complete information will be available beginning March 18 at www.aopopera.org/composers_voice. The deadline for applications is April 26 with fellowships announced by July 16.
Miller Theatre ends its 2018-2019 Composer Portraits series with a bang: Its David T. Little Composer Portrait on April 18 pairs Haunt of Last Nightfall, a "ghost play in two acts," with the New York premiere of AGENCY, a string quartet that questions our autonomy in society.
Chicago Opera Theater's Orli and Bill Staley Music Director Lidiya Yankovskaya and Stefan Edlis and Gael Neeson General Director Ashley Magnus today announced the plans for the company's 47th season, to include productions of two exciting contemporary operas, a Chicago premiere by Rachmaninov, and the company's second world premiere commission. Yankovskaya will conduct each of these Chicago Opera Theater (COT) productions.
Grammy-winning new-music choir, The Crossing, announces a program change to its current concert season with For Joe on Saturday, March 30, 2019 at 8pm at The Crossing's home, The Presbyterian Church of Chestnut Hill. For Joe honors the life of Joseph Flummerfelt, the preeminent choral conductor of our time who passed away on March 1. Flummerfelt was a former teacher of conductor Donald Nally and together they wrote the 2011 book Conversations With Joseph Flummerfelt: Thoughts on Conducting, Music, and Musicians.
Baruch Performing Arts Center and Fresh Squeezed Opera will co-present the NYC Premiere of composer Huang Ruo and librettist Bao-Long Chu's one-act chamber opera Bound in a new production by Ashley Tata. Performances from April 13-18, 2019 at Baruch Performing Arts Center, 55 Lexington Avenue (25th Street between Third and Lexington Avenues), NYC. Tickets are $16-36 and may be purchased at www.baruch.cuny.edu/bpac.
Segerstrom Center for the Arts welcomes the Center debut performance of the Grammy®-winning quartet Third Coast Percussion on April 5, 2019 at 8:00pm in a program that will feature the West Coast Premiere of a new work composed by Philip Glass. Quartet members include percussionists David Skidmore, Robert Dillon, Peter Martin, and Sean Connors.
A Pulitzer Prize finalist, Guggenheim fellow, and Radcliffe alum, Kate Soper's music has been described as 'exquisitely quirky' (The New York Times) and 'epic' (WQXR). As a performer, she has been praised as a 'dazzling vocalist' (The New Yorker) and likened to 'Lucille Ball reinterpreted by Linda Blair' (Pitchfork).
The San Francisco Conservatory of Music (SFCM) today announces the appointment of baritone Matthew Worth to its voice faculty. Worth will lead a full studio at SFCM beginning in Fall 2019, joining the voice department led by chair Cesar Ulloa. Worth's appointment comes just after the announcement of Rhoslyn Jones joining SFCM's faculty.
The New School's Mannes School of Music announces their Spring 2019 concert season. The season continues to set Mannes apart as a music school with a distinct appetite and commitment to new and experimental work.
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