San Francisco Opera presents Anton n Dvo k's Rusalka at the War Memorial Opera House, June 16 28, in David McVicar's thoughtfully conceived and brilliantly executed (Chicago Tribune) production. The Czech fairy tale opera features a cast headed by Rachel Willis-S rensen in her role debut as Rusalka, Brandon Jovanovich as the Prince, Jamie Barton as Je ibaba, bass Kristinn Sigmundsson as Vodn k and Sarah Cambidge as the Foreign Princess. South Korean maestra and Houston Grand Opera Principal Guest Conductor Eun Sun Kim leads the cast and San Francisco Opera Orchestra in her first Company engagement. Chorus Director Ian Robertson prepares the chorus.
Under the leadership of Executive Chairman Gus Christie, plans for the 86th year of the U.K.'s internationally renowned Glyndebourne Festival, which will run from May 21 through August 30, 2020, were announced last week at an event in its recently built Production Hub by Glyndebourne's new senior leadership team, Artistic Director Stephen Langridge and Managing Director Sarah Hopwood, who jointly replace the former position of General Director. The 2020 Festival will offer six major opera productions comprising captivating new productions, fresh faces and debuts, and the return of beloved Festival favorites, as well as an outstanding international roster of artists hailing from some 14 different countries that range from Australia and Russia to Finland and Croatia. All operas will feature one of Glyndebourne's two resident orchestras, the London Philharmonic Orchestra and theOrchestra of the Age of Enlightenment. Full casting details will be released in the coming months.
French-Sicilian tenor Roberto Alagna returns to Covent Garden for his 100th Royal Opera performance, singing the eponymous hero in Giordano's Andrea Chenier in the first revival of David McVicar's spectacular 2015 production.
Sarasota Opera is pleased to announce the lineup for the 2019 season of "HD at the Opera House" and "Classic Movies at the Opera House." The "HD at the Opera House" series will open on Sunday, May 19th and run through October 6th.
Bruno Ravella sparks new magic into David McVicar's production, refreshing the feel of the piece whilst ensuring its original spark is retained. Although the fifth revival of McVicar's take on the classic, Ravella ensures that the original text is delivered to ensure the story is allowed to speak for itself.
The Metropolitan Opera today announced its 2019 20 season, which opens on September 23 with a new production of the Gershwins' classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson.
Beginning June 5 and continuing through the 29th, San Francisco Opera presents a trio of extraordinary lyric works Georges Bizet's Carmen, George Frideric Handel's Orlando and Anton n Dvo k's Rusalka featuring powerful leading women in the title roles. Spanning three centuries and sung in French, Italian and Czech, the 2019 Summer Season repertory will occasion the Company debuts of four conductors, including two women, in productions that are new to the War Memorial Opera House stage. Some casting updates for the repertory were announced today and additional casting of supporting roles will be released at a future date.
The Canadian Opera Company offers three bold new productions in 2019/2020 that hone in on the stories and myths that shape our perceptions and the ones that offer escape from all things ordinary. This 69th season features new productions of Puccini's Turandot, Dvo k's Rusalka, and Humperdinck's Hansel & Gretel, as well as COC revivals of Rossini's The Barber of Seville, Verdi's Aida, and Wagner's The Flying Dutchman.
Placido Domingo has announced the company's 2019/20 season. The season will include six mainstage operas, one musical, one recital and one concert presented at the Dorothy Chandler Pavilion, with additional performances presented in other venues through the company's Off Grand initiative.
Soprano Anna Netrebko takes on for the first time at the Met the title role of the 18th century actress Adriana Lecouvreur. A co-production of the Royal Opera House, Covent Garden, London, Gran Teatre del Liceu - Barcelona, Wiener Staatsoper, San Francisco Opera and L'Opera National de Paris conducted by Gianandrea Noseda and directed by Sir David McVicar, who ingeniously sets the action in a working replica of a Baroque theatre.
Anna Netrebko brings her acclaimed portrayal of the passionate real-life French actress at the heart of Francesco Cilea's Adriana Lecouvreur to the Metropolitan Opera for the first time in a new production that opens in a special New Year's Eve gala performance and continues through January 26, 2019. Let's see what the critics had to say.
Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballe, and Renata Scotto, taking on the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion
Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballe, and Renata Scotto, taking on-for the first time at the Met-the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The soprano is joined by tenor Piotr Becza?a as Adriana's lover, Maurizio. The principal cast also features mezzo-soprano Anita Rachvelishvili and baritone Ambrogio Maestri. Gianandrea Noseda conducts. Sir David McVicar's staging, which sets the action in a working replica of a Baroque theater, premiered at the Royal Opera House in London, where the Guardian praised the 'elegant production, sumptuously designed ... The spectacle guarantees a good night out.'
Soprano Anna Netrebko takes on for the first time at the Met the title role of the 18th century actress Adriana Lecouvreur. A co-production of the Royal Opera House, Covent Garden, London, Gran Teatre del Liceu - Barcelona, Wiener Staatsoper, San Francisco Opera and L'Opera National de Paris conducted by Gianandrea Noseda and directed by Sir David McVicar, who ingeniously sets the action in a working replica of a Baroque theatre.
Gianandrea Noseda-Music Director of the National Symphony Orchestra (NSO), Principal Guest Conductor of the London Symphony Orchestra and newly-appointed General Music Director of the Zurich Opera starting in 2021-returns to the Metropolitan Opera for the first time since 2017 to conduct a new production of Cilea's Adriana Lecouvreur starring Anna Netrebko in her house role debut, December 31, 2018 through January 26, 2019. The 2018-2019 season marks Noseda's second as Music Director of the NSO, including a full schedule of subscription concerts that recently included critically-acclaimed performances of Britten's War Requiem in November and Mahler's Symphony No. 1 earlier this month. On May 19, 2019, Noseda will bring the NSO to Carnegie Hall in a program that includes Rossini's rarely-performed Stabat Mater.
The Royal Opera House presents a host of world premieres and debuts across ballet and opera in 2019, alongside a diverse range of free and ticketed Front of House events for all ages. 2019 also sees the first performances by The Royal Ballet and The Royal Opera in the newly refurbished Linbury Theatre, the West End's newest and most intimate theatre.
Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballe, and Renata Scotto, taking on the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The Metropolitan Opera's performance of Adriana Lecouvreur comes to the big screen in HD at The Ridgefield Playhouse on Sunday, January 13 at 1pm. This encore screening is part of Atria Senior Living Classical Series with support from The Ridgefield Press and Whistle Stop Bakery. This series is underwritten by Lori & John Berisford, Jeanne Cook, Liz & Steven Goldstone, and Sabina & Walter Slavin.
