Composing team Douglas Lyons (Beautiful) and Ethan D. Pakchar's latest musical, Beau, opened on August 3rd at The Adirondack Theatre Festival; now running through August 9th. Directed by Michael Wilson (A Trip to Bountiful) the ATF company stars Matt Rodin and Jeb Brown (Beautiful), featuring Amelia Cormack (Kinky Boots Tour), Marlene Ginader (Once Tour), Olivia Griffin, Max Sangerman (Smokey Joe's Cafe), and Jeremy Sevelovitz (Chasing The Song).
San Francisco Opera presents the West Coast premiere of It's a Wonderful Life by composer Jake Heggie and librettist Gene Scheer in nine holiday-season performances from November 17 through December 9. The two-act work, a co-commission and co-production between San Francisco Opera, Houston Grand Opera and the Indiana University Jacobs School of Music, is based in part on Frank Capra's 1946 film It's a Wonderful Life and The Greatest Gift, a story by Philip Van Doren Stern.
HUDSON STAGE COMPANY has announced their production of Nick Payne's CONSTELLATIONS, directed by Mark Shanahan. CONSTELLATIONS will play a limited engagement at Whippoorwill Hall Theatre (North Castle Libraray Kent Pl. Armonk, NY). Performances begin Friday, October 19 and continue through Today, November 3. Opening Night is Today, October 20 (8 p.m.). Journalists are invited to any performance, please RSVP to katie@kampfirefilmspr.com.
HUDSON STAGE COMPANY has announced their production of Nick Payne's CONSTELLATIONS, directed by Mark Shanahan. CONSTELLATIONS will play a limited engagement at Whippoorwill Hall Theatre (North Castle Libraray Kent Pl. Armonk, NY). Performances begin Today, October 19 and continue through Saturday, November 3. Opening Night is Saturday, October 20 (8 p.m.). Journalists are invited to any performance, please RSVP to katie@kampfirefilmspr.com.
HUDSON STAGE COMPANY has announced their production of Nick Payne's CONSTELLATIONS, directed by Mark Shanahan. CONSTELLATIONS will play a limited engagement at Whippoorwill Hall Theatre (North Castle Libraray Kent Pl. Armonk, NY). Performances begin Friday, October 19 and continue through Saturday, November 3. Opening Night is Saturday, October 20 (8 p.m.). Journalists are invited to any performance, please RSVP to katie@kampfirefilmspr.com.
Playwrights Horizons (Artistic Director Tim Sanford, Managing Director Leslie Marcus)kicks off its 2018-2019 season of "topicality and risk" (The New York Times) with the New York premiere of three-time Tony Award nominee Craig Lucas' I Was Most Alive with You, August 31 - October 14in the Mainstage Theater at Playwrights Horizons (416 West 42nd Street). Inspired by the Book of Job,Lucas' play begins at an often-humorously fraught Thanksgiving dinner and explodes onto emotionally and philosophically expansive terrain, as one character attempts to grasp the narratives of his and his loved ones' lives while they slip far beyond anyone's control. Director Tyne Rafaeli (The Rape of the Sabine Women by Grace B. Matthias, Actually) and Director of Artistic Sign Language Sabrina Dennison (Santa Sangre, the world premiere of I Was Most Alive with You) stage this production that features two casts simultaneously speaking and signing. Subtitles and intermittent spoken interpretation are included, making I Was Most Alive with You a rare example of a work that is equally accessible to Deaf and hearing audiences.
Playwrights Horizons will, from today, August 20, through August 22, accept entries for the Live for Five online lottery, giving out $5 tickets to the New York premiere production of Craig Lucas' I Was Most Alive with You. Directed by Tyne Rafaeli with Director of Artistic Sign Language Sabrina Dennison, the production begins performances September 1, and runs through October 14.
HUDSON STAGE COMPANY is pleased to announce their production of Nick Payne's CONSTELLATIONS, directed by Mark Shanahan. CONSTELLATIONS will play a limited engagement at Whippoorwill Hall Theatre (North Castle Libraray Kent Pl. Armonk, NY). Performances begin Friday, October 19 and continue through Saturday, November 3. Opening Night is Saturday, October 20 (8 p.m.).
Playwrights Horizons (Artistic Director Tim Sanford, Managing Director Leslie Marcus)kicks off its 2018-2019 season of "topicality and risk" (The New York Times) with the New York premiere of three-time Tony Award nominee Craig Lucas' I Was Most Alive with You, August 31 - October 14in the Mainstage Theater at Playwrights Horizons (416 West 42nd Street). Inspired by the Book of Job,Lucas' play begins at an often-humorously fraught Thanksgiving dinner and explodes onto emotionally and philosophically expansive terrain, as one character attempts to grasp the narratives of his and his loved ones' lives while they slip far beyond anyone's control. Director Tyne Rafaeli (The Rape of the Sabine Women by Grace B. Matthias, Actually) and Director of Artistic Sign Language Sabrina Dennison (Santa Sangre, the world premiere of I Was Most Alive with You) stage this production that features two casts simultaneously speaking and signing. Subtitles and intermittent spoken interpretation are included, making I Was Most Alive with You a rare example of a work that is equally accessible to Deaf and hearing audiences.
Bay Street Theater and Sag Harbor Center for the Arts is pleased to announce a successful opening night for the World Premiere of FELLOW TRAVELERS, a new play by Jack Canfora, directed by Michael Wilson. The show opened on Saturday, June 2 and was met with rave reviews and a positive audience response. FELLOW TRAVELERS, open now through June 17, 2018, is the first show in Bay Street Theater's 2018 Mainstage Season. Single tickets are on sale now, and tickets are also still available as part of a Mainstage Subscription. To purchase tickets and subscriptions, call the Box Office at 631-725-9500 or purchase online at baystreet.org. Special guests included Steve Kroft from CBS, and wife and author Jennet Conant, actress Mercedes Ruehl with artist David Geiser, Robert Wankel, President of the Shubert organization, and his wife Lynn, Producers Leonard Soloway and Evan Bergman. Other producers included Paul Libin and Manny Kladitis.
Kicking off their exciting 27th main stage season - and continuing their mission to foster new works - the Bay Street Theatre offers the world premiere of Jack Canfora's new play Fellow Travelers. Drama Desk and Outer Critics Circle award winner Michael Wilson directs the superb production running through June 17th at the adorable Sag Harbor venue.
Bay Street Theater and Sag Harbor Center for the Arts presents the World Premiere of FELLOW TRAVELERS, a new play by Jack Canfora, directed by Michael Wilson, will start tomorrow, May 29, and will run through June 17. To purchase tickets and subscriptions, call the Box Office at 631-725-9500 or purchase online at www.baystreet.org. Get a first look at the production in the photos below!
Bay Street Theater and Sag Harbor Center for the Arts is pleased to announce the full cast and creative team for the World Premiere of FELLOW TRAVELERS, a new play by Jack Canfora, directed by Michael Wilson. The production will run as the first show in Bay Street Theater's 2018 Mainstage Season, from May 29 - June 17, 2018. Single tickets are on sale now, and tickets are also still available as part of a Mainstage Subscription. To purchase tickets and subscriptions, call the Box Office at 631-725-9500 or purchase online at www.baystreet.org.
The Alley Theatre and interim artistic director James Black announce the cast and crew of the new Sherlock Holmes adventure Holmes and Watson byJeffrey Hatcher and directed by Mark Shanahan. This version of the play was written for the Alley by Hatcher. Based on the characters of Sir Arthur Conan Doyle,Holmes and Watson plays the Hubbard Theatre June 22 - July 22, 2018. Tickets are available at alleytheatre.org or by calling the Box Office at 713.220.5700.
Bay Street Theater and Sag Harbor Center for the Arts is pleased to announce the full cast and creative team for the World Premiere of FELLOW TRAVELERS, a new play by Jack Canfora, directed by Michael Wilson. The production will run as the first show in Bay Street Theater's 2018 Mainstage Season, from May 29 - June 17, 2018. Single tickets are on sale now, and tickets are also still available as part of a Mainstage Subscription. To purchase tickets and subscriptions, call the Box Office at 631-725-9500 or purchase online at www.baystreet.org.
San Francisco Opera General Director Matthew Shilvock today announced plans for the 2018 19 Season. The Company's 96th Season will open Friday, September 7 with a gala double-bill performance of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci in Jos Cura's production with an international cast featuring Lianna Haroutounian, Ekaterina Semenchuk, Roberto Aronica, Marco Berti and Dimitri Platanias, conducted by Daniele Callegari. To usher in the new opera season, San Francisco Opera Guild will produce its signature benefit event, Opera Ball 2018.
San Francisco Opera General Director Matthew Shilvock today announced plans for the 2018 19 Season. The Company's 96th Season will open Friday, September 7 with a gala double-bill performance of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci in Jos Cura's production with an international cast featuring Lianna Haroutounian, Ekaterina Semenchuk, Roberto Aronica, Marco Berti and Dimitri Platanias, conducted by Daniele Callegari. To usher in the new opera season, San Francisco Opera Guild will produce its signature benefit event, Opera Ball 2018.
Just after hearing the wonderfully well sung, semi-staged DAS RHEINGOLD at the NY Philharmonic, under departing Music Director Alan Gilbert, I saw the current Broadway revival of THE LITTLE FOXES. It seemed Richard Wagner's gods and Lillian Hellman's Hubbards had lots in common: The small-minded, self-serving gods of this production, at least, could have been friends and neighbors of the mendacious, corrupt Southerners in Hellman's play (or even of a would-be-royal family in Washington, DC).
Alan Gilbert and the New York Philharmonic (photo: Chris Lee) In 2009, the year Alan Gilbert took over as Music Director of the New York Philharmonic, Alex Ross wrote in the New Yorker: “Simply put, the orchestra is playing better than it has in the seventeen years that I've been a critic in New York.” The intervening years have seen Gilbert go from strength to strength, with critics and audiences alike responding with generous enthusiasm to the superb quality of the performances and to the new initiatives that transformed the orchestra into “a force of permanent revolution” (New York magazine).
