Irish Repertory Theatre has revealed two productions and an Irish-language reading for their 2026 Spring / Summer Season. The season will feature The Loved Ones New York Premiere.
The Storm Theatre will present An Ideal Husband, the classic play by Oscar Wilde at The Jeffrey and Paula Gural Theatre at A.R.T./New York Theatres. Check out photos of the cast!
The Storm Theatre Company announced the cast and creative team for for its upcoming production of An Ideal Husband, the classic play by Oscar Wilde which will be presented at The Jeffrey and Paula Gural Theatre at A.R.T./New York Theatres.
Weston Theater Company will present the world premiere of The Twelfth Night Show September 26–October 12, 2025, at Walker Farm. Created by Megumi Nakamura and Jacob Brandt.
Blackfriars Repertory Theatre and the Storm Theatre presents a new production of Buzz McLaughlin's Sister Calling My Name directed by Peter Dobbins (Ah, Wilderness!; The Rainmaker), it was announced today. Performances begin on January 24 for a run through February 16 in the Black Box Theater at The Sheen Center for Thought & Culture (18 Bleecker Street at the corner of Elizabeth Street, NYC). Opening night is set for January 30 and this marks the play's New York premiere.
Strike back at the Empire! The Trade Federation: Or, Let's Explore Globalization Through the Star Wars Prequels, a new political comedy by Andy Boyd, will make its world premiere September 20-28 at IRT Theatre in the West Village. Allen MacLeod directs the allegorical farce about global trade, the International Monetary Fund, and (of course) Star Wars. Tickets are on sale now at www.irttheatre.org.
Blackfriars Repertory Theatre and the Storm Theatre presents a new production of Eugene O'Neill's Ah, Wilderness!, directed by Peter Dobbins (The Rainmaker), it was announced today. Performances began on January 25 for a run through February 17 in the Black Box Theater at The Sheen Center for Thought & Culture (18 Bleecker Street). Opening night is set for this Thursday, January 31 at 7:30pm.
Blackfriars Repertory Theatre and the Storm Theatre presents a new production of Eugene O'Neill's Ah, Wilderness!, directed by Peter Dobbins (The Rainmaker), it was announced today. Performances begin on January 25 for a run through February 17 in the Black Box Theater at The Sheen Center for Thought & Culture (18 Bleecker Street). Opening night is set for January 26 at 7:30pm.
Irish Repertory Theatre announced today the next production on the W. Scott McLucas Studio Stage, and an upcoming special event.
Producer Madeleine Foster Bersin is proud to announce initial casting for 1969: The Second Man, created by Jacob Brandt (The Great Glaciation), featuring music & lyrics by Brandt, a book by Dan Giles (Breeders), and directed by Jaki Bradley (Good Men Wanted), as part of Next Door at NYTW.
Colt Coeur is thrilled to announce that Zurich, a new play by Amelia Roper and directed by Adrienne Campbell-Holt (The Women's Project's What We're Up Against, Colt Coeur's Dry Land), will make its world premiere as part of the company's 2017-2018 season. Presented as part of New York Theatre Workshop's inaugural NEXT DOOR series, Zurich will begin performances on Saturday, April 14, 2018 at The Fourth Street Theatre (located at 79 East 4th Street, between Cooper Square and 2nd Avenue), with a final performance set for May 5, 2018. Opening night has been set for Tuesday, April 17, 2018
The critically acclaimed play Little Murders by Jules Feiffer comes to Brooklyn 50 years after its premiere in a new production directed by Shira Milikowsy (The Lily's Revenge at American Repertory Theater). This production, which began its life at Harvard University in 2014, catapults the play into our present political and cultural landscape, hinting towards a dystopian future that feels all too possible.
The critically acclaimed play Little Murders by Jules Feiffer comes to Brooklyn 50 years after its premiere in a new production directed by Shira Milikowsy (The Lily's Revenge at American Repertory Theater). This production, which began its life at Harvard University in 2014, catapults the play into our present political and cultural landscape, hinting towards a dystopian future that feels all too possible.
