Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 19 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 25 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Kicking off its 20th Anniversary, Deaf West Theatre puts its own, unique spin on the classic story of a mischievous puppet who wishes to become a real, live boy. Using a mix of deaf and hearing actors, Stephen Rothman directs The Adventures of Pinocchio, a commedia dell arte adaptation of Carlo Collodi's 1883 novel by Lee Hall that brims with clever political subtext and sly social commentary. Deaf West's retelling of Pinocchio's treacherous journey through childhood opens February 19 at Deaf West Theatre in North Hollywood's NoHo Arts District, with two low-priced previews on February 17 and 18. (The Adventures of Pinocchio is rated 'PG' for mild language and dark themes - recommended for ages 10 and up.)
Arena Stage at the Mead Center for American Theater is delighted to present The Arabian Nights, written and directed by Tony Award winner Mary Zimmerman (Metamorphoses). The production, presented in association with Berkeley Repertory Theatre, Kansas City Repertory Theatre and Lookingglass Theatre Company, has been recognized as "Zimmerman's most theatrically complete and perfect creation" (Chicago Tribune).
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson), Jeffrey Richards and Jerry Frankel announced a final extension today of Daniel Sullivan's critically acclaimed production of THE MERCHANT OF VENICE, starring Al Pacino as Shylock and Lily Rabe as Portia. Due to a film commitment in Mr. Pacino's schedule, THE MERCHANT OF VENICE will go on hiatus following the performance on Sunday, January 9 (when it was originally scheduled to close) and will resume performances on Tuesday, February 1 for an additional three week run through Sunday, February 20 at the Broadhurst Theatre (235 W. 44th Street). New block of tickets on sale to the general public at midnight on December 29th at Tele-Charge at 212-239-6200 or www.telecharge.com.
Here is the second part of our three-part discussion, in which Esparza and I analyze his roles and performances in plays, as well as a thorough discussion of the art of acting - and, additionally, a chat about roles he would like to play in the future, both near and far.
Arena Stage at the Mead Center for American Theater is delighted to present The Arabian Nights, written and directed by Tony Award winner Mary Zimmerman (Metamorphoses). The production, presented in association with Berkeley Repertory Theatre, Kansas City Repertory Theatre and Lookingglass Theatre Company, has been recognized as 'Zimmerman's most theatrically complete and perfect creation' (Chicago Tribune). The Arabian Nights explores the humanity that people across all cultures share, as told through a whimsical, imaginative and compelling story. The Arabian Nights runs January 14-February 20, 2011 in the Fichandler Stage.
Arena Stage at the Mead Center for American Theater is delighted to present The Arabian Nights, written and directed by Tony Award winner Mary Zimmerman (Metamorphoses). The production, presented in association with Berkeley Repertory Theatre, Kansas City Repertory Theatre and Lookingglass Theatre Company, has been recognized as "Zimmerman's most theatrically complete and perfect creation" (Chicago Tribune).
This month, Broadway World is showcasing actor Heather Lind, who is reprising her role as Shylock's daughter, Jessica, in The Merchant of Venice. She previously took on this role when she was cast in the Shakespeare in the Park production this summer. Lind graduated in 2005 with a B.A. in Theatre Performance & Philosophy from Fordham College at Lincoln Center and received an M.F.A from NYU earlier this year.
TIME STANDS STILL, Broadway's best reviewed new play, will end its acclaimed run when stars Laura Linney, Brian d'Arcy James, Eric Bogosian, and Christina Ricci depart the production, as scheduled, on Sunday, January 30 at the Cort Theatre (137 West 48th Street).
Producers for TIME STANDS STILL, the hit play by Pulitzer Prize winner Donald Margulies, directed by Tony Award winner Daniel Sullivan announce stars Laura Linney, Brian d'Arcy James, Eric Bogosian, and Christina Ricci have extended their run at the Cort Theatre (138 West 48th Street). The current cast will now end their run at the Cort on Sunday, January 30.
Today, we are talking to the versatile and multi-talented Tony-winning actor who has recently found television superstardom following his turn as the Russell Edgington, King of the Tennessee Vampires, on HBO's hit series TRUE BLOOD, but he has also proven himself to be equally at home on the big screen - as can be clearly seen in his impressive turns in 21 GRAMS, GARDEN STATE, CHARLIE WILSON'S WAR, MILK and more. Discussing his penchant for the dark side as well as his musical comedy side - such as his unforgettable performance in Joe Mantello's ASSASSINS and opposite Christina Applegate in the recent revival of SWEET CHARITY - Denis O'Hare makes clear his adoration for the theatrical form and his undying - make that undead - devotion to his craft. This extensive chat certainly gives us a lot of grist and meat to chew on. Be sure to catch O'Hare eight times a week on Broadway in ELLING, which opens today.
History Theatre and the Brave New Workshop have teamed up to tell the outrageous life story of Dudley Riggs, a fourth-generation circus kid who founded the Brave New Workshop in 1958. Told in the fast-paced, ensemble-driven, sketch comedy style of the Brave New Workshop, Dudley: Rigged for Laughter! pays tribute to the man and the remarkable legacy of comedy he built starting with a storefront, some newspapers, and a lot of pluck.
Project Y Theatre presents the World Premiere of THE REVIVAL, written by Samuel Brett Williams and directed by Michole Biancosino. THE REVIVAL begins previews on Thursday, September 9 for a limited engagement through Saturday, September 25.
Project Y Theatre presents the World Premiere of THE REVIVAL, written by Samuel Brett Williams and directed by Michole Biancosino. THE REVIVAL begins previews on Thursday, September 9 for a limited engagement through Saturday, September 25.
