Damon Intrabartolo News

For its second season, Refuge Theatre Project will continue its mission of showcasing the work of a new generation of musical theater writers. Company co-founders Ross and Morgan Glynn Egan announced today that the season will open with High Fidelity -- the musical based on Nick Hornby's 1995 novel and on Stephen Frears' 2000 feature-film adaptation that starred Chicago natives John Cusack, Joan Cusack and Lili Taylor.

Brookfield Theatre for the Arts' BARE, a pop opera, with a book by Jon Hartmere, Jr. & Damon Intrabartolo, lyrics by Hartmere, music by Intrabartolo, directed & choreographed by Todd Santa Maria, musical director Joyce Flanagan lighting design Beth Patrick, produced by Nicole Veach, Janice Gabriel & Desirae Carle.

Performers from the beloved Off-Broadway musical BARE came together just last night to honor the show's late creator, Damon Intrabartolo, at Feinstein's/ 54 Below. Cast members from the original Los Angeles and Off-Broadway companies, as well as those from the recent revival at New World Stages, reunited to celebrate Intrabartolo, who passed away in 2013. Led by Kristin Hanggi, performers included Michael Arden, Jenna Leigh Green, John HIll, Natalie Joy Johnson, Taylor Trensch, Jonah Platt, and many more!

This week FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visitwww.54Below.com/Feinsteins or call (646) 476-3551.

In anticipation of the big night, we're flashing back to where it all began. Check out a roundup of performances from the original cast below!

Performers from the beloved Off-Broadway musical BARE are coming together to honor the show's late creator, Damon Intrabartolo, tonight, October 12, at Feinstein's/ 54 Below at 7 p.m. and 9:30 p.m.

Good morning, BroadwayWorld! Because we know all our readers eat, sleep and breathe Broadway, what could be better than waking up to it? Today's big news: CLEVER LITTLE LIES opens, and the original stars of BARE come together to honor the show's late composer!

Broadway's 40 theatres aren't the only places to catch performances from your favorite stars! Well after Broadway orchestras begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven o'clock numbers, the party continues at various cabaret venues throughout New York City. Below, BroadwayWorld brings you some cabaret highlights for this week as picked by our theatre editors, including: Lyrically, The Songs of Alan and Marilyn Bergman; BARE: The Reunion Concert; Emerson Steele: Roles I Can't Play Now...Or Ever...Except Tonight!; If It Only Even Runs a Minute: 15th Edition; and Kerry Butler at 54 Below.

This October, FEINSTEIN'S/54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54th Street. For

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Today's fire at The Second City, and last week's Jeff Award nominations! Plus 'Glory Days' and the Refuge Theatre season, new musicals in focus with Schonberg and Boublil, Chicago Children's Theatre and more, Joan Curto, Hershey Felder, 'Bat Boy,' and Theatre At The Center's 2016 season!

For its second season, Refuge Theatre Project will continue its mission of showcasing the work of a new generation of musical theater writers. Company co-founders Ross and Morgan Glynn Egan announced today that the season will open with High Fidelity -- the musical based on Nick Hornby's 1995 novel and on Stephen Frears' 2000 feature-film adaptation that starred Chicago natives John Cusack, Joan Cusack and Lili Taylor.

Performers from the beloved Off-Broadway musical BARE will soon come together in honoring its late creator.

Good morning, BroadwayWorld! Because we know all our readers eat, sleep and breathe Broadway, what could be better than waking up to it? This weekend's big news: A new junior version of CHILDREN OF EDEN hits the stage, DRIVING MISS DAISY screens on PBS, two Broadway cast recordings are released and more!

The BroadwayWorld community is nothing if not vocal and yesterday's critical column revealing my top picks for the most important gay musicals of all time inspired many reactions in the feedback, on Facebook and on social media, ranging from 'I LOVE LOVE LOVE COCO' to 'No FUN HOME?' to 'Where's THE FAGGOT?' and far beyond. As with any list such as this, historical perspective is an essential element and a musical such as FUN HOME that has only been on Broadway mere months is obviously too new to truly assess insofar as its historical influence and impact on the overall legacy of gay musicals on Broadway in toto - going as far back as 1969's COCO and covering all the way up to 2013's KINKY BOOTS, as yesterday's list did. So, as a result, we are giving you more of what you asked for and sharing 10 more musicals that have been important to the gay movement, all of which cited in yesterday's column but not included on the actual top ten. What follows are my personal choices, so what are yours? Let us know and perhaps we will even need to do another list to shine a light on even more LGBT touchstones.

Paul Conroy, theatrical artist, educator and Newnan Theatre Company's former artistic director, has returned to direct the musical 'bare: A Pop Opera' for the fifth anniversary of Newnan Theatre Company's Summer Series.

On Monday night, June 15, Sir Ian McKellen will receive the Trevor Hero Award at The Trevor Project's TrevorLIVE New York event, presented by Wells Fargo and held at the Marriott Marquis, right in the heart of the theatre district.

Paul Conroy, theatrical artist, educator and Newnan Theatre Company's former artistic director, has returned to direct the musical "bare: A Pop Opera" for the fifth anniversary of Newnan Theatre Company's Summer Series.

While some might complement Clandestine-Arts' production of BARE: A POP OPERA for its 'can-do' attitude, there's a difference between the type of youthful inexperience that leads to theater that is exciting and new, and the type of reckless abandon that is at best moderately amusing and at worst incredibly dangerous. That is to say, there's nothing wrong with upstart theater company Clandestine-Arts' creative vision of producing emotion-driven musicals with low budgets, but theater is an incredibly technical art form. Whether the venue is a Broadway 2,000 seater, a high school auditorium, or a hole in the hall black box in Adams Morgan, there is never an excuse for a production so shoddily put together that the audience can reasonably fear for the performers safety, as well as their own; especially not at the admission price Clandestine is charging. At the end of the day, what really seems to be lacking is a sense of adult supervision.