BWW Review: The William's Project's TIME OF YOUR LIFE Goes a Step Beyond
by Jay Irwin
- Aug 18, 2019
Dear Readers, you've often heard me extoll the prowess and brilliance of The Williams Project. Just last week I raved about how dedicated and tight their ensemble was when presenting the other show they have running in repertory, a?oeSmall Craft Warningsa??. But now that insanely talented ensemble has come in with William Saroyan's 1939 Pulitzer Prize winning drama a?oeThe Time of Your Lifea?? and taken things a step beyond simply performing the play, but deconstructing it with a rotating ensemble.
BWW Review: Williams Project's SMALL CRAFT WARNINGS Doesn't Shy Away from Those Deep Cuts
by Jay Irwin
- Aug 9, 2019
The Williams Project, that small theater company that burst onto the Seattle theater scene in 2014 with their incredible a?oeOrpheus Descendinga?? is back with the first of two shows within their a?oeBar Playsa?? series. This time it's Tennessee Williams' a?oeSmall Craft Warningsa?? and with this, they once again show what a dedicated company, committed to actually paying their actors, can do with an interesting space, a little money, and a lot of talent.
Complete Casting Announced For 2-Play Summer Series THE BAR PLAYS
by Julie Musbach
- Jul 8, 2019
The Williams Project today announced the cast and creative team of its 2019 production line-up, 'The Bar Plays,' a two-play series including productions of Tennessee Williams' Small Craft Warnings and The Time Of Your Life by William Saroyan, performed in repertory at Seattle's historic Washington Hall in the Central District.
BWW Review: Seattle Public's World Premiere FIRE SEASON Crackles with Honest Vulnerability
by Jay Irwin
- Jan 28, 2019
Seattle Public Theater is currently offering a play you've probably never heard of, "Fire Season". And you've never heard of "Fire Season" because it's a World Premiere having been written by author Aurin Squire under the auspices of having won the inaugural Emerald Prize, Seattle Public Theater's new play award. So yes, "Fire Season" is a brand-new play that you've probably never heard of … but you need to.
BWW Review: The Williams Project's A BRIGHT ROOM CALLED DAY - When Will We Learn?
by Jay Irwin
- Oct 29, 2018
Dear Readers, today I want to talk to you about one of the most exciting companies in town and their latest show, The Williams Project's 'A Bright Room Called Day' by Tony Kushner. Specifically, I want to focus on three aspects of why they and their current show are so exciting and by the end I expect one if not all three aspects will entice you to catch this one, or at least I hope so.
BWW Review: WILD HORSES at Intiman Theatre is a Wild Ride into Adolescent Memories
by Kelly Rogers Flynt
- Jun 1, 2018
Wild Horses is a one-woman show that tells the story of one summer of her youth, a summer that changed everything. Summers used to be different. Kids and teens had to find their own ways to fill their time. With seemingly endless hours of opportunity and friends by our side, temptations and adventures awaited. Coming of age stories are always appealing because they are so relatable. The things we felt but didn't dare speak, the confusion and excitement of growing up - we've all been there. Playwright Allison Gregory takes us back to the summers of our youth. Although this story is specific, we know it; we can feel it too.
BWW Review: ArtsWest Really Goes for It With Demented Racial Carnival Ride AN OCTOROON
by Amelia Reynolds
- May 1, 2018
ArtsWest does it again with another cool, cutting-edge production about identity with their latest show, 'An Octoroon'. Many modern adaptations of antiquated productions pointing out racism, though well-intended, are comparatively watered-down to Brandon J. Simmons' razor-sharp adaptation of 'An Octoroon'. Thanks to the commitment of the actors and the creativity of the set design, this all-out production apologizes to noone, and uses shock value in an intentional, effective way.
Announcing The Nominees For The 2017 GYPSY ROSE LEE AWARDS By The Seattle Theater Writers
by A.A. Cristi
- Jan 24, 2018
Seattle's critics announce the Nominees of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in as much professional theater as we reviewers can attend in a year. Named in honor of the famed theater entrepreneur and Seattle native, Gypsy Rose Lee, and in a nod to the vast numbers or theater practitioners forced to travel the country to earn their living, the Gypsys seek to acknowledge the excellence of the Seattle theater community.
Vote For the 2017 BroadwayWorld Atlanta Awards; Just One Week Left!
by Alan Henry
- Dec 22, 2017
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
BWW Review: Taproot Theatre's A CIVIL WAR CHRISTMAS: A Beautiful House, Divided
by Amelia Reynolds
- Dec 9, 2017
A Civil War Christmas is a nice escape for folks that are getting a bit of a toothache from the glittery, schmaltzy, and sentimental Christmas plays foisted upon us this time of year. Written by Pulitzer Prize winning playwright Paula Vogel (for How I Learned to Drive ), A Civil War Christmas is historical fiction circa 1864, a birds-eye view of Civil War-torn America. Infused with hymnals, Union and Confederate songs, and Christmas carols, this musical time capsule bursts at the seams with a myriad of storylines. From slave to president, from Confederate to Union, for better or for worse, Vogel made sure to not miss anybody in this theatric nativity.
BWW Photo Exclusive: First Look at HOLLER IF YA HEAR ME in Atlanta
by BWW News Desk
- Sep 18, 2017
The unique musical HOLLER IF YA HEAR ME getting a second chance at Atlanta's True Colors Theater Company, co-founded by 'Holler' director Kenny Leon in 2002. The show opened at the 375-seat theater located in Atlanta's Cascade Heights neighborhood on September 12th and will run through October 8th. Below, BroadwayWorld is excited to share an exclusive first look at the cast in action!
BWW Review: Book-It Examines the Birth of an Icon with I KNOW WHY THE CAGED BIRD SINGS
by Jay Irwin
- Sep 17, 2017
Easily one of the most influential American writers of our time, Maya Angelou beyond being an amazing poet an author was also an outspoken civil rights activist and icon for our age. Book-It Repertory has done honor to this fine woman with their current production of her autobiography I Know Why the Caged Bird Sings .
Poetry, Fire, Love, and Pain Take Center Stage in I KNOW WHY THE CAGED BIRD SINGS
by A.A. Cristi
- Aug 25, 2017
Book-It Repertory Theatre will open its 28th season with a stage adaptation of Dr. Maya Angelou's masterpiece I Know Why the Caged Bird Sings. Founding Co-Artistic Director Myra Platt originally adapted and directed this piece for its 2003 world premiere at Book-It. Platt is thrilled to collaborate with Malika Oyetimein who will direct and join Platt as co-adapter on a new script for 2017.
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