Celebration Theatre presents under the artistic direction of Michael Matthews & Michael A. Shepperd, present the third and final show in its 2017-2018 season, CABARET, book by Joe Masteroff (based on the play by John Van Druten and stories by Christopher Isherwood), music by John Kander, lyrics by Fred Ebb, choreography by Janet Roston, musical direction by Anthony Zediker and directed by Michael Matthews. CABARET will begin previews on Friday, May 25 at 8pm; will open on Friday, June 1 at 8pm, with tickets on sale through Sunday, July 15 at Celebration Theatre @ the Lex Theatre, 6760 Lexington Ave. in Los Angeles.
Between college productions and the many local theatres we have, it may seem there is always a production of the Kander and Ebb Tony winning classic Cabaret running. However, when you have a wonderful production like the one at BayWay Arts Centre, it indeed warrants another look. Excellently directed by Marion Waller, this superb incarnation, presented by the BroadHollow Theatre Company, runs at the Long Island venue through May 12th boasting a stellar cast
One could possibly say that a production of the Kander and Ebb Tony winning classic Cabaret is a dime a dozen. However, when you have a fascinating production like the one at Merrick Theatre & Center For The Arts, it indeed warrants another look. Excellently directed by Daniel C. Higgins, this superb incarnation runs at the Long Island venue through May 20th boasting a stellar cast.
Celebration Theatre presents under the artistic direction of Michael Matthews & Michael A. Shepperd, present the third and final show in its 2017 2018 season, CABARET, book by Joe Masteroff (based on the play by John Van Druten and stories by Christopher Isherwood), music by John Kander, lyrics by Fred Ebb, choreography by Janet Roston, musical direction by Anthony Zediker and directed by Michael Matthews. CABARET will begin previews on Friday, May 25 at 8pm; will open on Friday, June 1 at 8pm, with tickets on sale through Sunday, July 15 at Celebration Theatre @ the Lex Theatre, 6760 Lexington Ave. in Los Angeles.
CABARET has stood the test of time and Moonbox Productions puts a time stamp on the 1966 musical that brings it into the here and now. Director/choreographer Rachel Bertone and Music Director Dan Rodriguez whip a kick-ass kick line of high steppers into a precision machine to evoke the seedy Kit Kat Klub, and triple threat performers Aimee Doherty, Phil Tayler, and Jared Troilo lead an outstanding cast.
San Francisco Playhouse (Artistic Director Bill English; Producing Director Susi Damilano) announced today the six plays that will comprise its 2018-19 Mainstage Season. Opening the season with a play commissioned and developed by the Playhouse, You Mean to Do Me Harm by Christopher Chen, the company strengthens its commitment to new voices in theatre. The Playhouse's three-play Sandbox Series devoted to developing new works will be announced at a later date.
The Lipstick Project in collaboration with the Darien Arts Center Stage will present the first-ever all female version of Kander and Ebb's iconic Tony Award-winning musical, CABARET, Friday, April 27 through Saturday, May 12, 2018 at the Darien Arts Center (2 Renshaw Road, Darien, CT). Tickets are now on sale.
Utah Valley University's Theatre Department stages a scintillating, highly entertaining CABARET, under direction/choreography/music direction by Rob Moffat.
Jermyn Street Theatre has announced casting for Tomorrow at Noon, a programme of three new plays by Jenny Ayres, Emma Harding, and Morna Young, each of which reacts to one of Coward's Tonight at 8.30 plays, and responds to it in a contemporary voice.
One thing becomes abundantly clear while witnessing Bailey McCall Thomas' emotionally charged performance of the song 'Cabaret' during a performance of the iconic Broadway musical of the same name: there is perhaps no 'title song' quite so evocative, quite so stunning as John Kander and Fred Ebb's composition for Cabaret. For it is during that song, performed by Sally Bowles in a Weimar era nightclub in Berlin, that the show's entire focus - every theme that shapes the work in order to tell its totally engrossing and entertaining story - is brought sharply into view, set to a memorable melody that seems at once to be both joyous and mournful, ensuring that every audience member experiences a response unique to them.
The production leaves you breathless with a wagon train of thoughts and emotions to process. I was entertained and at the same time shaken. This show acts as a bridge to the raw emotions of those struggling toward acceptance.
La Mirada Theatre presents Kander and Ebb's CABARET, which opened January 18th and plays through February 24th. CABARET is based on Christopher Isherwood's 1939 novel Goodbye to Berlin, and follows the performers in the Kit Kat Klub (and those who meet them), during the rise of the Nazi party in early 1930s Germany.
La Mirada Theatre presents CABARET, which opened January 19th and runs through February 11th. The musical, with book by Joe Masteroff, Lyrics by Fred Ebb and Music by John Kander, is set in a Club (the Kit Kat Klub, to be specific) in 1930s Germany, threatened by the rising Nazi party. CABARET follows singer Sally Bowles, her love interest Cliff, and an mysterious figure named the Emcee.
Despite my well-earned affection for the Tony-winning 1998 Roundabout Theatre Company production of the classic Kander and Ebb Broadway classic CABARET, I still found myself vigorously entertained by McCoy Rigby Entertainment's flashy and buoyant new 2018 regional production of this theatrical staple, under the solid direction of Larry Carpenter and featuring spectacular musical performances from its lead cast. This deliciously bawdy but at times sneakily ominous musical continues performances at the La Mirada Theatre for the Performing Arts through February 11, 2018.
LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT present the third show of its 2017-2018 season (and the 40th anniversary of the iconic theatre) with CABARET, book by Joe Masteroff (based on the play by John Van Druten and stories by Christopher Isherwood), music by John Kander, lyrics by Fred Ebb with musical direction by David O, choreography by Dana Solimando and directed by Larry Carpenter.
