The Dallas Opera is extremely proud to present the season opener of the company's grand 2018-2019 "Swept Away" Season: Richard Wagner's haunting nineteenth-century masterpiece, The Flying Dutchman (Der fliegende Hollander), a work not seen on The Dallas Opera stage since January of 1994.
If you can't get enough of operas, symphonic concerts and a few musical theatre pieces thrown in for good measure, have I got a summer for you! Start in New York City and head north--almost around the corner, or a weekend (or more) away--and you'll find more than enough to keep you happy during the sultry weather ahead. (Even if it doesn't turn out quite so sultry…) It covers the gamut from Handel to Puccini, from serial podcasts to light opera, from dramma serio to musical comedy, with an added emphasis on Leonard Bernstein as the music world celebrates his 100th birthday.
On August 25 this year, Leonard Bernstein would have celebrated his 100th birthday. To honor this centennial, the 2018 Bard SummerScape festival launches with the first major revival of the composer's Peter Pan. Commissioned from Olivier Award-winning director and Bernstein specialist Christopher Alden, and presented complete in an intimate new chamber arrangement, Bard's new production is the only one of Bernstein's theatrical works to be staged in the New York area during the centenary year. Alden's psychologically gripping treatment reveals the childhood fantasy's darker side, combining new choreography from Jack Ferver, with Bernstein's joyous, shimmering score. By turns whimsical and sinister, the production's cast is led by William Michals as Captain Hook, Peter Smith as Peter Pan, Erin Markey, as Wendy, and Ferver as Tinker Bell.
American Lyric Theater concludes the 10th Anniversary of its nationally acclaimed Composer Librettist Development Program this season with InsightALT: Opera in Eden, a one-night-only concert featuring three new one-act operas written by ALT Resident Artists, hosted by composer/librettist Mark Adamo and producing artistic director Lawrence Edelson.
The Dallas Opera is proud to announce its spectacular 2018-2019 Season, "Swept Away," consisting of five captivating mainstage productions, including a passionate Puccini pairing during the month of March, designed to melt the last blast of winter, followed by the company's first-ever Falstaff.
Brooklyn Music School presents the 16th annual Martin Luther King Jr. Tribute concert hosted by renowned baritone and BMS advisory board member Lester Lynch. Inspired by Dr. King's legacy and message, the program will feature selections from Mr. Lynch's recent recording On My Journey Now: Spirituals & Hymns as well as performances by BMS faculty and students.
Music Director Designate Jaap van Zweden will conduct the New York Philharmonic in a program pairing the New York Premiere of Pulitzer Prize winner John Luther Adams's Dark Waves with Act I of Wagner's Die Walk re (in concert), with soprano Heidi Melton as Sieglinde, tenor Simon O'Neill as Siegmund (in his New York Philharmonic debut), and bass John Relyea as Hunding.
Brooklyn Music School (BMS) presents Martin Luther King Jr. Tribute: Spirit of Hope on January 13, 2018 at 5pm. BMS is located at 126 Saint Felix Street, Brooklyn.
Verdi's Rigoletto, a searing exploration of patriarchy, power, and commerce, returns to the Canadian Opera Company this winter with a production from acclaimed American director Christopher Alden. A tragedy on a Shakespearean scale, the opera is brought to life by an all-star cast and conducted by pre-eminent American maestro Stephen Lord. Ten performances take place at the Four Seasons Centre for the Performing Arts on January 20, 27, February 1, 4, 6, 9, 11, 17, 21, and 23, 2018.
New York Festival of Song continues its 30th anniversary season today, December 2, 2017 from 1:00 p.m.-9:00 p.m., when NYFOS co-founder Michael Barrett hosts a monumental eight-hour concert to celebrate Leonard Bernstein as part of the worldwide 'Bernstein at 100' festivities.
New York Festival of Song continues its 30th anniversary season on Saturday, December 2, 2017 from 1:00 p.m.-9:00 p.m., when NYFOS co-founder Michael Barrett hosts a monumental eight-hour concert to celebrate Leonard Bernstein as part of the worldwide 'Bernstein at 100' festivities.
Stephen Costello, having "risen rapidly to claim a place among the world's best tenors" (Daily Express, UK), steps up his European presence in the coming season. September sees the Tucker Award-winning tenor make his Paris Opera debut with his first German-language account of Camille in The Merry Widow.
Producers Nelle Nugent, Steve Traxler, Kenneth Teaton, Benjamin Feldman, and Doug Morris (CEO, Sony Music) today announce the full creative team for the first Broadway revival of David Henry Hwang's Tony Award-winning play, M. BUTTERFLY.
Classic and contemporary, opera and orchestral, the music doesn't stop when the temperatures climb in New York, whether you're in New York City, or ready to travel to one of the festivals that dot the landscape of the Northeast. Musical life doesn't stop when the Met closes its doors: Here's a look “from here to eternity”…in the first part of our series on summertime's opera/vocal venues, covering New York City and Westchester.
This summer, countertenor Anthony Roth Costanzo, a "bona-fide star" (New Yorker) of the Metropolitan Opera, Berlin Philharmonic, Lyric Opera of Chicago, San Francisco Opera, English National Opera, Canadian Opera Company, LA Opera, and Glyndebourne, returns as one of twelve curators to Brooklyn's artist-led National Sawdust (NS), where he will present and perform in a radical reimagining of Handel's dramatic cantata Aci, Galatea e Polifemo, a co-production of National Sawdust and San Francisco's Philharmonia Baroque Orchestra & Chorale (led by conductor Nicholas McGegan).
Utah Opera Artistic Director Christopher McBeth today announced Utah Opera's 2017-18 season in recognition of the company's 40th anniversary.
The Canadian Opera Company presents a 2017/2018 season that defies conventions on what opera can be and cements the art form's enduring relevance as a reflection of timeless human relations and universal themes.
David Alden's double Olivier Award-winning production of Jana?ek's first opera Jen?fa returns to the London Coliseum. This 'formidable production' (The Guardian), was first seen in 2006.
Although the solstice doesn't officially appear for another week or so, the summer opera clock is already ticking. There's a plethora of performances going on all over New York City, in addition to interesting, entertaining and fascinating productions that are just a hop, skip and jump away. Among them: Lincoln Center's Lincoln Center Festival and Mostly Mozart and On Site Opera's West Village venue, to the more bucolic realms of Bard SummerScape in Dutchess County (NY) for Mascagni and Caramoor in Katonah (NY) for Rossini and Beethoven.
Just four years into its existence, On Site Opera (OSO) has established itself as one of New York City's most imaginative, nimble opera companies by doing more than simply staging musically and dramatically rich works outside of the opera house.
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