There's just one month left to vote for the 2018 BroadwayWorld San Antonio Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
There's just one month left to vote for the 2018 BroadwayWorld San Antonio Awards, brought to you by BroadwayHD! Nominations were reader-submitted and now our readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
ArtsWest gives new life to an old story with its production of JANE EYRE. The musical is presented in an updated chamber version in its West Coast premier. The story is a classic. The lessons of following your heart and forgiveness are universal. But above it all is the music. The glorious music will haunt you, enrapture you, and seep into your very bones. You may come for the story, but it is the music that will make you want to see it again and again.
"EXTRA, EXTRA!" Disney's NEWSIES! is hot off the press at The Public Theater of San Antonio. Based on the real-life strike of 1899, NEWSIES! tells the story of Manhattan newsboys as they take a stand against publishing giant, Mr. Pulitzer, to get the pay they deserve. It is a powerful story of hope, loyalty, and fighting for what you believe in.
Several years ago, I remember watching the Tony Awards and seeing Broadway power couple Matthew Broderick and Sarah Jessica Parker presenting the award for Best Score and getting all giddy and nerdy over it because "NEW SONGS!" Well that's how I feel every summer at Village Theatre's Festival of New Musicals. I get to see what's out there up and coming and maybe get to walk away seeing a new gem. And this year was no exception with a couple of shows blowing me away. Now, of course, these are workshops and staged readings of shows, so we cannot really review them, but I can at least tell you what they offered us.
With one week left until The 18th Annual Festival of New Musicals, Village Theatre is excited to announce this summer's casting and creative teams! Tony Award-winner Victoria Clark (The Light in the Piazza) will direct Hansel & Gretl & Heidi & Gu?nter, a hilarious family adventure of what happens after Hansel and Gretl escape. Village Theatre's new artistic director Jerry Dixon (If/Then, Once on this Island) will direct the kick-off show Elysium: An American Fable, the moving story of a family dying under the weight of their own secrets; and associate artistic director Brandon Ivie (Jasper in Deadland) will direct The Passage, a coming-of-age mystery about a boy battling a monster holding his father captive. Joining them will be music directors Jason Hart (American Psycho), Rona Siddiqui (Bella: An American Tall Tale), R.J. Tancioco (Here Lies Love), and resident music director Tim Symons (Romy & Michelle's High School Reunion), among others.
Ride the Cylcone, this season's dark and hilarious co-production between The 5th Avenue Theatre and ACT - A Contemporary Theatre, is now in preview performances and has its official opening night this Thursday, March 22 at ACT - A Contemporary Theatre. The award-winning director and choreographer Rachel Rockwell has continued to refine and explore the world of Ride the Cyclone with its writers Brooke Maxwell and Jacob Richmond, returning to direct after working on its two previous U.S. productions in Chicago and Off Broadway. This co-production, which is the eighth collaboration between The 5th and ACT, will showcase new developments to the script and score. At least one third of the script has been newly created for this production, which is in addition to countless small but crucial tweaks and refinements. These new developments have continued to define and shape the world that the Saint Cassian High School Chamber Choir inhabits onstage.
The 5th Avenue Theatre is a vibrant hive of musical theater activity as the projects of NextFest: A Festival of New Musicals have started rehearsals this week. A three-week musical theater intensive development cycle, NextFest has played a role in the creation of musicals ranging from Persuasion by Harold Taw and Chris Jeffries (Taproot Theatre, 2017) to Come From Away by Irene Carl Sankoff and David Hein (Broadway). Nationally recognized for its contribution to the contemporary musical theater cannon, The 5th Avenue Theatre is a celebrated incubator for new musicals. Each year, the nationally renowned theater company connects writers at all stages of development with some of the region's most brilliant performers, giving life to the words on the page and allowing book writers, composers and lyricists to see their work in action. This year's various works are brought to life by Alexandria Henderson, Justin Huertas, Matthew Kacergis, Shaunyce Omar, Brandon O'Neill, Timothy Piggee, Hannah Schuerman, Billie Wildrick and many more.
There are certain things that spring to mind when thinking of a Jane Austen story. Blistering on again, off again romances. Sweeping emotions. And of course, Colin Firth emerging from a lake. Well the new musical adaptation of Jane Austen's "Persuasion", currently playing at Taproot Theatre, may not have Colin Firth but the romances and emotions are there in spades.
There's the old adage in any kind of entertainment that if you have a strong finish, the audience can forgive some pitfalls that may have come before. Unfortunately the new work currently playing at Village Theatre has many of those pitfalls (and some good moments too) but they're followed by one of the most egregiously bad, anti-climactic and lackluster endings I think I've ever seen.
Downton Abbey meets Gilligan's Island in this hysterical new musical titled A Proper Place by Broadway's Leslie Becker (Bonnie & Clyde, Amazing Grace) and Curtis Rhodes.
Just a few days ago I reviewed a show that, if you remember, I felt had one major downfall; that the newer songs bringing it from the film version to the stage version had lyrics written by Glenn Slater. Now, just a few blocks from that other production, Showtunes puts up a concert of another film to stage adaptation with all of the lyrics written by Glenn Slater and music from Alan Menken. And while there were certainly some wonderful voices in the concert it just proves one thing that Showtunes needs to pay attention to, not all shows need a revival.
Showtunes Theatre Company has announced their highly anticipaeted holiday concert musical LEAP OF FAITH. The talented cast of local musical theatre professionals will 'rise up' gospel-style for two performances at Benaroya Hall on December 3 at 8pm and December 4 at 2pm. Louis Hobson, who performed in the original Broadway cast, will star as Jonas. Matt Giles directs with Nathan Young working as the music director.
Showtunes Theatre Company has announced their highly anticipaeted holiday concert musical LEAP OF FAITH. The talented cast of local musical theatre professionals will 'rise up' gospel-style for two performances at Benaroya Hall on December 3 at 8pm and December 4 at 2pm. Louis Hobson, who performed in the original Broadway cast, will star as Jonas. Matt Giles directs with Nathan Young working as the music director.
Back in 2013 Andrew Lippa sent his latest work off to Broadway. "Big Fish", based on the movie of the same name, was sure to be a big hit. But for some reason this sweet little tuner failed to catch fire and closed in just under 4 months. Sadly with such a tepid reception no tour of the show was ever planned so the only way anyone would see this lovely show would be a regional production. Fortunately we currently have one of those for "Big Fish" at Taproot Theatre. Unfortunately, while there's plenty of talent in the show, one of the leads wasn't quite up to the task vocally and for a big, ballad laden musical that can be deadly.
It's one thing when a play is meaningful and important, something most plays strive for. It's another thing when a play tries to be meaningful and important. And it's yet another thing when a play insists that it's meaningful and important. Unfortunately Tracey Scott Wilson's play 'Buzzer', currently playing at ACT, falls squarely into that second camp and teeters to fall into the third.
The producers and artists behind Tracey Scott Wilson's new play BUZZER (premiering in the ACTLab Feb. 5th) are hosting three community forums to go indepth and have expansive conversations about issues raised in the play.
Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse!
Seattle Theater Writers critics' circle is pleased to present the nomination slate of the fifth annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.
AJ Epstein Presents, in collaboration with ACTLab, announce the West coast premiere of Tracey Scott Wilson's Buzzer coming to ACT in February. Directed by Anita Montgomery, Buzzer is a story about class, money, race, love, and fear set in a rapidly changing urban environment.
