New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker) announced today performers, presenters and the host for the NYTW 2020 Gala, honoring NYTW Usual Suspect & Tony Award-winning director Rachel Chavkin (Hadestown, Light Shining in Buckinghamshire, Three Pianos at NYTW) and Tony Award-winning producer Jordan Roth (Producer of Hadestown; President of Jujamcyn Theaters). The Gala will be held on Monday, February 3 at Capitale (130 Bowery, New York, NY 10013).
New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker) announced today the dates for the next two productions of the 2019/20 season, Endlings and Sanctuary City.
This winter, Lincoln Center Theater/LCT3 will produce the world premiere of THE HEADLANDS, a new play by Christopher Chen, directed by Knud Adams, which will begin performances Saturday, February 8 and run for six weeks only through Sunday, March 22 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, February 24.
The Eugene O'Neill Theater Center is now accepting script submissions for the 2020 National Playwrights Conference. Writers may submit their new plays to the O'Neill's Open Submissions Process through Friday, October 11, 2019.
The Playwrights Realm today announces recipients of two career-propelling development programs the organizationa?"led by Founding Artistic Director Katherine Kovner and Producing Director Roberta Pereiraa?"offers to gifted, incisive, and diverse playwrights. Now entering its thirteenth season, The Realm has continually produced work by brave new voices and expanded its commitment to providing holistic support to playwrights striving to make a life in the arts.
The stage is set for TEDxBroadway 2019. Organizers announce today the complete list of speakers for the popular one-day event dedicated to asking a?oeWhat's the BEST Broadway can be?a?? at New World Stages on Tuesday, September 24, 2019.
The Flea Theater is proud to announce the addition of six new Resident Directors to its intensive practicum for early-career directors. Rebecca Aparicio, Jake Beckhard, Daniella Caggiano, Lauren DeLeon, Will Steinberger, and Raz Golden will join the current group of Resident Directors.
WSC Avant Bard's Script in Play Festival, started in 2016, has been an opportunity to test out shows for full production treatment through the guise of a series of staged readings and post-play discussions. Written and performed by rising professional talent, these readings have led to some memorable productions, including new versions of Shakespeare's Taming of the Shrew and Twelfth Night and Lauren Gunderson's hit Emilie: La Marquise Du Chatelet Defends Her Life Tonight. In 2017, a reading of playwright Matt Minnicino's 'distillation' - not 'adaptation,' as we get into below - of Moliere's The Misanthrope was performed. Written entirely in rhyming couplets, it follows a professional cynic who falls in love with an ingenue, and finds his devotion to insincerity tested. Now, it's the capper of Avant Bard's 29th season. I spoke to Minnicino about his career thus far, the adaptation process, and why audiences should be excited for this show.
The Playwrights Realm announces its 2019-2020 season productions, with world premieres of Anna Moench's Mothers (beginning September 13, 2019 at the Duke on 42nd Street, 229 W 42nd St), and Noah Diaz's Richard & Jane & Dick & Sally (beginning April 3, 2020 at A.R.T./New York Theatres, 502 W 53rd St), two bold new works from early-career playwrights about parental care-and what that means in circumstances that have catapulted beyond anyone's control.Inconjunction with Mothers, the Playwrights Realm proudly pilots the Radical Parent-Inclusion Project, which seeks to dismantle the barriers preventing parent-artists from succeeding in the theater by illuminating, creating, and tracking new pathways of access and approaches to production.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) are pleased to announce the complete casting for the world premiere of Continuity, the new play by Lortel and Drama Desk Award nominee Bess Wohl (Small Mouth Sounds, American Hero) and directed by Tony Award nominee Rachel Chavkin (Hadestown; Natasha, Pierre & The Great Comet of 1812). The production will feature Max Baker (1984, The Explorers Club), Jasmine Batchelor (The River), Rosal Colon ('Orange is the New Black,' Between Riverside and Crazy), Curran Connor (Pidgeon, A Picture of Autumn), Garcia ('Tales of the City'), Darren Goldstein (Lillian Hellman's The Little Foxes, The Madrid), Alex Hurt (Cardinal, The Whirligig) and Megan Ketch (The Big Wedding, 'American Gothic').
The Playwrights Realm announces the 10th Anniversary INK'D Festival of New Plays (April 2019), the annual showcase of new works by The Realm's Writing Fellows. Over the past decade, the festival has introduced audiences to a diversity of fresh perspectives on theater's ability to address the world around it-and has proven to be an indispensible launching pad for the voices driving the future of playwriting.
On Monday, April 22, in celebration of T Magazine's annual culture issue, BAM and T present an evening of dramatic readings which look five years into our country's future.
Five-time Obie Award-winning theater company Clubbed Thumb (Maria Striar, Producing Artistic Director; Michael Bulger, Associate Artistic Director; Quinn Metal Corbin, Advancement Director) is proud to announce the line-up for SUMMERWORKS, its annual series of new plays. Now in its 24th season, SUMMERWORKS will run May 17 through June 29 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: LUNCH BUNCH by Sarah Einspanier and directed by Tara Ahmadinejad; YOU NEVER TOUCHED THE DIRT by Zhu Yi and directed by Ken Rus Schmoll; and KING PHILIP'S HEAD IS STILL ON THAT PIKE JUST DOWN THE ROAD by Daniel Glenn and directed by Caitlin Ryan O'Connell.
Go inside opening night of Endlings at A.R.T.! Endlings plays through Saturday, March 17. Tickets on sale now: online at americanrepertorytheater.org, by phone at 617.547.8300, and in person at the Loeb Drama Center Ticket Services Offices (64 Brattle Street, Cambridge).
With North Korea so much in the news these days, the American Repertory Theater is offering the opportunity to take a virtual trip to that part of the world with its production of Celine Song's new play, ENDLINGS. Set in part on South Korea's remote Man-Jae Island, and in part on the island of Manhattan, the Korean-Canadian-American playwright whisks us across borders, plunges us into the depths of the ocean, and endeavors to convey the immigrant experience and advocate for the concept that everyone has a right to just exist.
American Repertory Theater (A.R.T.) at Harvard University and the Harvard Ed Portal announce the A.R.T. New Year Celebration, to be held Sunday, March 10, 3PM - 7:30PM. All are welcome at this free public event that will occur at the Harvard Ed Portal, located at 244 Western Avenue, Allston. The Harvard Ed Portal is an innovative collaborative partnership for members of the Allston-Brighton and Harvard communities to come together to share ideas and learn from one another.
Endlings by Celine Song begins previews tonight, Tuesday, February 26 at the Loeb Drama Center, 64 Brattle Street, Cambridge, MA. It opens Friday, March 1, and plays through March 17. Tickets on sale now: online at americanrepertorytheater.org, by phone at 617.547.8300, and in person at the Loeb Drama Center Ticket Services Offices (64 Brattle Street, Cambridge).
Endlings begins previews on Tuesday, February 26 at the Loeb Drama Center, 64 Brattle Street, Cambridge, MA. It opens Friday, March 1, and plays through March 17. Tickets on sale now: online at americanrepertorytheater.org, by phone at 617.547.8300, and in person at the Loeb Drama Center Ticket Services Offices (64 Brattle Street, Cambridge).
Blockchain Theater Project (BTP), founded by Sofia Alvarez and Nicola Korzenko, is a new theater company that empowers artists to produce the work they create, funded in part by cryptocurrency donations. Like Bitcoin and other blockchains, BTP eliminates the institutional gatekeeper, creating a peer-to-peer model of support where the next play to be produced will be nominated by the playwright of the current production. Alvarez's NYLON will start this chain.
