Cameron Anderson News

To connect and learn more about the artwork featured in Overture Galleries' spring exhibitions, please join in for artist talks and a reception on Friday, May 5 from 5-8 p.m. in the galleries.

Over its nearly sixty-year history, Hartford Stage has become synonymous with breathtaking productions of Shakespeare. Since its very first production, Othello in 1964, Connecticut audiences and beyond have traveled to downtown Hartford to experience world-class interpretations of The Bard's favorites and lesser-known works.

In a new Overture Galleries exhibit titled “Democracy,” more than 50 artists (local, regional and beyond) explore their questions and interpretations of the current state of democracy. What is the history and definition of democracy? How does a democratic political system work? What is your vision of a healthy democracy?

At a press conference held at the Four Seasons Centre for the Performing Arts in the Richard Bradshaw Amphitheatre, the Toronto Alliance for the Performing Arts (TAPA) announced 235 nominations for the 42nd Annual Dora Mavor Moore Awards, which recognize excellence in professional theatre, dance and opera in Toronto.

“Are we ready to play God?” is the question that pervades R.U.R.: A TORRENT OF LIGHT, Tapestry Opera’s new co-production with OCAD University. Inspired by Karel Čapek’s 1920 work, the opera updates the source material while preserving its central questions about servitude and freedom. Will robots continue to assist humanity – or simply replace it?

With their musical education complete and a stretch of summer days ahead, they penned their first EP A Good Look, taking a dive into the alt/rock realm of tunes alongside front-man Christian Lum, guitar player Cameron Anderson, and former members Tim Barbour and Michelle Guerrero (alongside Mawer who is no longer a part of the 3-piece project).

 General Director Ken McConnell and Artistic Director Tobias Picker today announced Tulsa Opera’s 75th anniversary season, which opens October 28 & 30 with the company premiere of Rossini’s The Italian Girl (L’italiana in Algeri).

The Frost Opera Theater in tandem with the Frost Symphony Orchestra are set to present the world premiere of The Leopard. The show is an opera in two acts with music by Michael Dellaira and a libretto by J. D. McClatchy.

The Leopard, by Michael Dellaira and J.D. McClatchy, an opera based on the acclaimed 1958 novel Il Gattopardo by Giuseppi Tomasi di Lampedusa, will be presented in its world premiere on Saturday, March 5, 2022 at 3pm by the Frost Opera Theater and The Frost Symphony Orchestra. 

Manhattan Theatre Club has announced the premiere of a special new adaptation of The Niceties written directly for the virtual stage by Eleanor Burgess and directed by Kimberly Senior, streaming on demand from Thursday, May 27 through Sunday, June 13 only in association with The Huntington.

Two dozen nominations of outstanding actors, directors, designers and ensembles were announced today by The Boston Theater Critics Association (BTCA) for the 38th Annual Elliot Norton Awards.

On Site Opera, New York's pioneer opera company rooted in site-specific storytelling and the immersive experience, announced today a three week initiative to bring industry operatic giants from their Artistic Advisory Council together to initiate discussions across multiple areas of focus. Established in the Fall of 2019, the diverse Council was assembled to bring together artists to steer the organization into new levels of exploration and growth.

For playwright Max Posner, sitting down to write The Treasurer must have been a feat of de-centering oneself. The narrative takes a dusky, balmy look back at the relationship between his father and his grandmother, a wealthy, New York socialite who lived with dementia in her old age. While the story is, in a way, indirectly autobiographical, it offers few mentions of the playwright himself, uplifting the perspective of the protagonist, his father. In shouldering the role, Ken Cheeseman seems to push Posner's language further into the periphery. His ambulatory addresses to the audience and stoic musings seem to be conceived of in real time, not memorized from a written source. However, Lyric Stage Company's production of The Treasurer is not the standard a?oeI hate my fathera?? solo performance you are likely to see at any undergraduate institution's annual student festival. In fact, though the text is dominated by Cheeseman's character, the production is upheld just as much by him as it is by Cheryl McMahon in the role of Ida, his mother.

Huntington Theatre Company has announced the extension of the Boston premiere of the Pulitzer Prize-winning drama Sweat.  Due to high ticket demand, this a?oebreathtakingly timelya?? (The Wall Street Journal), Tony Award-nominated play by two-time Pulitzer Prize winner Lynn Nottage and directed by Kimberly Senior (The Niceties at the Huntington, Disgraced on Broadway) will now run at the Huntington Avenue Theatre (264 Huntington Avenue, Boston) from Friday, January 31, 2020 through Sunday, March 1, 2020.

Huntington Theatre Company has announced the cast and creative team for the Boston premiere of the Pulitzer Prize-winning drama Sweat.  This a?oebreathtakingly timelya?? (The Wall Street Journal), Tony Award-nominated play by two-time Pulitzer Prize winner Lynn Nottage will be directed by Kimberly Senior (Disgraced on Broadway). Sweat begins performances at the Huntington Avenue Theatre (264 Huntington Avenue, Boston) on Friday, January 31, 2020 and runs through Sunday, February 23, 2020. The official press opening night is Wednesday, February 5, 2020. Tickets are now available.

Opera Saratoga's Artistic and General Director, Lawrence Edelson announced today updated casting and additional events to be featured as part of the company's 2019 Summer Festival, beginning May 25th, 2019 and running through July 14th, 2019.  In addition to the three previously announced productions of The Daughter of the Regiment, the world premiere of Ellen West, and Hansel and Gretel, Opera Saratoga will present a new series of master classes; a community symposium on

Playwright Evan Linder achieves a fascinating balance in the poignant 'Byhalia, Missississippi.' While it's hard to fully root for any character, it's equally difficult to dismiss them completely, and that balance allows the show to explore deep, often difficult themes head-on.

YERMA, a play with music, adapted and translated by Melinda Lopez from Spanish poet/playwright Federico Garcia Lorca's 1934 work, is receiving its world premiere by the Huntington Theatre Company at the Calderwood Pavilion at the Boston Center for the Arts. On press night, in the age-old tradition of the show must go on, Lopez was pressed into service to perform in place of the ailing Jacqui Parker, one of the five women who surround the title character as her emotional support community, even as their multiple children are a stinging reminder of her infertility. It is a tragic tale, but one fueled by hope and infused with beautiful flamenco-inspired music and Spanish culture.

The John F. Kennedy Center for the Performing Arts announces Jack Falahee, star of ABC's How to Get Away With Murder, to play the role of Jim in the heartfelt comedy, Byhalia, Mississippi, playwright Evan Linder's uncompromising exploration of race, infidelity, and family. Directed by Kimberly Senior (director of the Pulitzer Prize-winning Disgraced on Broadway), Byhalia, Mississippi will play the Kennedy Center's Terrace Theater for four weeks, June 7-July 7, 2019. Tickets for all performances are on sale through the Kennedy Center Box Office, the website, or by calling (202) 467-4600 or (800) 444-1324.

he Huntington Theatre Company premieres a timely and essential adaptation of Federico Garcia Lorca's 1934 play Yerma, a tragic tale of one woman's desperate yearning to start a family. Adapted and translated by the winner of the 2019 Elliot Norton Award for Sustained Excellence, Melinda Lopez transforms this classic work to resonate with modern audiences.