At a press conference held at the Four Seasons Centre for the Performing Arts in the Richard Bradshaw Amphitheatre, the Toronto Alliance for the Performing Arts (TAPA) announced 235 nominations for the 42nd Annual Dora Mavor Moore Awards, which recognize excellence in professional theatre, dance and opera in Toronto.
“Are we ready to play God?” is the question that pervades R.U.R.: A TORRENT OF LIGHT, Tapestry Opera’s new co-production with OCAD University. Inspired by Karel Čapek’s 1920 work, the opera updates the source material while preserving its central questions about servitude and freedom. Will robots continue to assist humanity – or simply replace it?
General Director Ken McConnell and Artistic Director Tobias Picker today announced Tulsa Opera’s 75th anniversary season, which opens October 28 & 30 with the company premiere of Rossini’s The Italian Girl (L’italiana in Algeri).
The Frost Opera Theater in tandem with the Frost Symphony Orchestra are set to present the world premiere of The Leopard. The show is an opera in two acts with music by Michael Dellaira and a libretto by J. D. McClatchy.
Two dozen nominations of outstanding actors, directors, designers and ensembles were announced today by The Boston Theater Critics Association (BTCA) for the 38th Annual Elliot Norton Awards.
For playwright Max Posner, sitting down to write The Treasurer must have been a feat of de-centering oneself. The narrative takes a dusky, balmy look back at the relationship between his father and his grandmother, a wealthy, New York socialite who lived with dementia in her old age. While the story is, in a way, indirectly autobiographical, it offers few mentions of the playwright himself, uplifting the perspective of the protagonist, his father. In shouldering the role, Ken Cheeseman seems to push Posner's language further into the periphery. His ambulatory addresses to the audience and stoic musings seem to be conceived of in real time, not memorized from a written source. However, Lyric Stage Company's production of The Treasurer is not the standard a?oeI hate my fathera?? solo performance you are likely to see at any undergraduate institution's annual student festival. In fact, though the text is dominated by Cheeseman's character, the production is upheld just as much by him as it is by Cheryl McMahon in the role of Ida, his mother.
Huntington Theatre Company has announced the extension of the Boston premiere of the Pulitzer Prize-winning drama Sweat. Due to high ticket demand, this a?oebreathtakingly timelya?? (The Wall Street Journal), Tony Award-nominated play by two-time Pulitzer Prize winner Lynn Nottage and directed by Kimberly Senior (The Niceties at the Huntington, Disgraced on Broadway) will now run at the Huntington Avenue Theatre (264 Huntington Avenue, Boston) from Friday, January 31, 2020 through Sunday, March 1, 2020.
Huntington Theatre Company has announced the cast and creative team for the Boston premiere of the Pulitzer Prize-winning drama Sweat. This a?oebreathtakingly timelya?? (The Wall Street Journal), Tony Award-nominated play by two-time Pulitzer Prize winner Lynn Nottage will be directed by Kimberly Senior (Disgraced on Broadway). Sweat begins performances at the Huntington Avenue Theatre (264 Huntington Avenue, Boston) on Friday, January 31, 2020 and runs through Sunday, February 23, 2020. The official press opening night is Wednesday, February 5, 2020. Tickets are now available.
Opera Saratoga's Artistic and General Director, Lawrence Edelson announced today updated casting and additional events to be featured as part of the company's 2019 Summer Festival, beginning May 25th, 2019 and running through July 14th, 2019. In addition to the three previously announced productions of The Daughter of the Regiment, the world premiere of Ellen West, and Hansel and Gretel, Opera Saratoga will present a new series of master classes; a community symposium on
Playwright Evan Linder achieves a fascinating balance in the poignant 'Byhalia, Missississippi.' While it's hard to fully root for any character, it's equally difficult to dismiss them completely, and that balance allows the show to explore deep, often difficult themes head-on.
YERMA, a play with music, adapted and translated by Melinda Lopez from Spanish poet/playwright Federico Garcia Lorca's 1934 work, is receiving its world premiere by the Huntington Theatre Company at the Calderwood Pavilion at the Boston Center for the Arts. On press night, in the age-old tradition of the show must go on, Lopez was pressed into service to perform in place of the ailing Jacqui Parker, one of the five women who surround the title character as her emotional support community, even as their multiple children are a stinging reminder of her infertility. It is a tragic tale, but one fueled by hope and infused with beautiful flamenco-inspired music and Spanish culture.
The John F. Kennedy Center for the Performing Arts announces Jack Falahee, star of ABC's How to Get Away With Murder, to play the role of Jim in the heartfelt comedy, Byhalia, Mississippi, playwright Evan Linder's uncompromising exploration of race, infidelity, and family. Directed by Kimberly Senior (director of the Pulitzer Prize-winning Disgraced on Broadway), Byhalia, Mississippi will play the Kennedy Center's Terrace Theater for four weeks, June 7-July 7, 2019. Tickets for all performances are on sale through the Kennedy Center Box Office, the website, or by calling (202) 467-4600 or (800) 444-1324.
he Huntington Theatre Company premieres a timely and essential adaptation of Federico Garcia Lorca's 1934 play Yerma, a tragic tale of one woman's desperate yearning to start a family. Adapted and translated by the winner of the 2019 Elliot Norton Award for Sustained Excellence, Melinda Lopez transforms this classic work to resonate with modern audiences.
Directed with finesse by Kimberly Senior, THE NICETIES features Lisa Banes as the liberal, white professor Janine, and Jordan Boatman as the ambitious young black student Zoe, who become involved in a polite clash of perspectives that quickly explodes into an urgent and dangerous debate threatening to ruin both their lives. We first meet the two opinionated and obviously brilliant women in Janine's somewhat cramped office, with its slanted ceiling (thanks to scenic designer Cameron Anderson) indicating her top floor status in the department. Posters of great political leaders from all sides, including George Washington, Lech Wa??sa, Nelson Mandela, Emiliano Zapata, and female Suffragettes, adorn her office walls with books about other leaders and revolutionaries scattered around the place. Certainly, all appearances indicate Jeanine is the type of open-minded teacher every student would want to instruct them about American History. Right?
General Director Ken McConnell and Artistic Director Tobias Picker today announced Tulsa Opera's 72nd season comprising classics such as Bizet's Carmen and Puccini's Madama Butterfly, and a new production of Mr. Picker's 1996 opera Emmeline, to be performed in Oklahoma for the first time, and led by Mr. Picker in his opera-conducting debut.
It has been called the most important photograph ever taken-an image that led to a breakthrough in genetics research. The X-ray crystallographer who took it, Rosalind Franklin, is at the heart of Anna Ziegler's Photograph 51, next up on South Coast Repertory's Julianne Argyros Stage, directed by Kimberly Senior, March 3-24. Tickets are available at www.scr.org.
After sparking thousands of conversations about race, history, and power in Boston and New York, the world-premiere production of Eleanor Burgess' The Niceties will run at McCarter Theatre Center from January 11 through February 10. Directed byKimberly Senior (Disgraced on Broadway), The Niceties features Lisa Banes and Jordan Boatman as a white professor and a black student involved in a polite clash of perspectives which quickly explodes into an urgent and dangerous debate threatening to ruin both their lives. "Scintillating," raves Peter Marks in The Washington Post. "The story of America, it seems, is destined to be wrestled over to the bitter end."
Manhattan Theatre Club's world premiere of India Pale Ale, written by Jaclyn Backhaus and directed by Will Davis, and New York premiere of The Niceties, written by Eleanor Burgess and directed by Kimberly Senior, are now playing their final two weeks of performances. Both plays must close on Sunday, November 18th atMTC's New York City Center - Stage I and Stage II (131 West 55th Street).
The Niceties is now playing at MTC's The Studio at Stage II - Harold and Mimi Steinberg New Play Series at New York City Center (131 W. 55th Street).
