Craig Lucas' Reckless, directed by Jessika Malone, is next up in Actors Bridge Ensemble's 2010 season, opening Friday, July 23 at Belmont University's Black Box Theater. Curtain is at 7:30 p.m., except for Sunday matinees which are at 4:30 p.m.
Reckless - Craig Lucas' skewed vision of suburban life in contemporary America - is brought to life in an engaging and entertaining new production from Actors Bridge Ensemble. Directed with finesse by Jessika Malone and performed by a cast of talented actors who are supremely confident in interpreting Lucas' off-kilter comedy, it's a well-crafted show that fairly crackles with humor.
Craig Lucas' Reckless, directed by Jessika Malone, is next up in Actors Bridge Ensemble's 2010 season, opening Friday, July 23 at Belmont University's Black Box Theater. Curtain is at 7:30 p.m., except for Sunday matinees which are at 4:30 p.m.
Company XIV, a Neo-Baroque dance-theatre group, is proud to present the World Premiere of Le Cirque Feerique (The Fairy Circus), a fairy tale inspired show for all ages, choreographed and directed by Austin McCormick, written and adapted by Austin McCormick and Jeff Takacs, and conceived by Austin McCormick and Zane Pihlstrom.
Company XIV, a Neo-Baroque dance-theatre group, is proud to present the World Premiere of Le Cirque Feerique (The Fairy Circus), a fairy tale inspired show for all ages, choreographed and directed by Austin McCormick, written and adapted by Austin McCormick and Jeff Takacs, and conceived by Austin McCormick and Zane Pihlstrom.
Earlier this season, Amanda Card-McCoy took on one of the three roles in the Tennessee Women's Theater Project's Secrets of a Soccer Mom, earning good reviews while impressing TWTP artistic director Maryanna Clarke, who has raved about her talent and her work ethic. The Nashville native got her professional start at Nashville Children's Theatre and she counts Nashville theatre stalwarts David Alford, Brenda Sparks, Denice Hicks and Matt Carlton as among her role models - the folks who inspired her to pursue her career in the theatre. Last weekend, Amanda took the time to answer our questions and to give readers at Nashville.BroadwayWorld.com a glimpse into her 'Life in the Theatre.'
Company XIV, a Neo-Baroque dance-theatre group, is proud to present the World Premiere of Le Cirque Feerique (The Fairy Circus), a fairy tale inspired show for all ages, choreographed and directed by Austin McCormick, written and adapted by Austin McCormick and Jeff Takacs, and conceived by Austin McCormick and Zane Pihlstrom.
Company XIV, a Neo-Baroque dance-theatre group, is proud to present the World Premiere of Le Cirque Feerique (The Fairy Circus), a fairy tale inspired show for all ages, choreographed and directed by Austin McCormick, written and adapted by Austin McCormick and Jeff Takacs, and conceived by Austin McCormick and Zane Pihlstrom.
Company XIV, a Neo-Baroque dance-theatre group, is proud to present the World Premiere of Le Cirque Feerique (The Fairy Circus), a fairy tale inspired show for all ages, choreographed and directed by Austin McCormick, written and adapted by Austin McCormick and Jeff Takacs, and conceived by Austin McCormick and Zane Pihlstrom.
Company XIV, a Neo-Baroque dance-theatre group, is proud to present the World Premiere of Le Cirque Feerique (The Fairy Circus), a fairy tale inspired show for all ages, choreographed and directed by Austin McCormick, written and adapted by Austin McCormick and Jeff Takacs, and conceived by Austin McCormick and Zane Pihlstrom.
If, indeed, 'it takes a village,' and if, as the poets say, 'no man is an island,' then perhaps no art form is more collaborative than live theatre. With a village of artists backstage and offstage assuring that each production is mounted, then coming to life during each performance, the collaborative effort is renewed. And what audiences see onstage is the collaboration of artists, the people who comprise the acting ensemble, the folks who bring the stagebound script to life, sending it soaring into our imaginations.
Company XIV, a Black Book Magazine ‘Icon Of The Future', proudly presents an Apple Triptych featuring the World Premiere of their family holiday show Snow White, a revival of Le Serpent Rouge and a revival of The Judgment of Paris.
With Tennessee Repertory Theatre celebrating its 25th year as one of the nation's premier regional theatres, it's only appropriate that the season kicks off with a revival of Robert Harling's iconic Southern comedy Steel Magnolias, running October 3-24 at the Andrew Johnson Theatre at the Tennessee Performing Arts Center.
With Tennessee Repertory Theatre celebrating its 25th year as one of the nation's premier regional theatres, it's only appropriate that the season kicks off with a revival of Robert Harling's iconic Southern comedy Steel Magnolias, running October 3-24 at the Andrew Johnson Theatre at the Tennessee Performing Arts Center.
With Tennessee Repertory Theatre celebrating its 25th year as one of the nation's premier regional theatres, it's only appropriate that the season kicks off with a revival of Robert Harling's iconic Southern comedy Steel Magnolias, running October 3-24 at the Andrew Johnson Theatre at the Tennessee Performing Arts Center.
Tennessee Repertory Theatre will celebrate its 25th season of live, critically acclaimed theatre by welcoming a mix of familiar favorites and new faces.
Tennessee Repertory Theatre kicked off its 25th anniversary season celebration Wednesday night with Nashville Scenes, a look ahead to the company's upcoming season, held at The Acorn restaurant and co-sponsored by the Nashville Scene.
Tennessee Repertory Theatre will launch its 25th anniversary celebration with Nashville Scenes on Wednesday, July 29, from 6 to 8 p.m.(CDT) at The Acorn restaurant, 114 28th Avenue North.
To suggest that playwright Sarah Ruhl is obsessed with death and dying might be too much of a stretch, but it's clear that she has a rather unique view of the subject. Her earlier works, The Clean House, Eurydice and Passion Play, a Cycle, all focus on death and dying and the accompanying rituals, and in Dead Man's Cell Phone, she returns to that fertile ground once again-with satisfying results.
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