Adam Partridge, also known as Atropolis, his electronically global infused alter-ego, mixes his degree and knowledge in music composition and ethnomusicology throughout his own productions and DJ sets.
Each week Joe's Pub at The Public presents some of New York City's most eclectic programming ranging from world to classical, pop, singer-songwriter, jazz and more. At the center of Joe's Pub's genre-blind booking is The Public Theater's mission to bring world-class performance to New York City's diverse cultural community.
Ars Nova is set to present their latest mainstage production, NATASHA, PIERRE, & THE GREAT COMET OF 1812, from October 1 through November 10. Ticket prices for the performances between tonight, October 1st-6th are $10, October 9th-20th are $20, and the subsequent performances until closing are $30. Tickets for all performances may be purchased at www.arsnovanyc.com.
Ars Nova presents the world premiere of Ars Nova 2011 Composer-in-Residence Dave Malloy's Natasha, Pierre & The Great Comet of 1812. Directed by Rachel Chavkin, this production will play a limited Off-Broadway engagement, beginning previews this coming Monday, October 1 and running through November 10. Official Opening Night is set for Tuesday, October 16 at 7:00 PM. Get a first look at the cast below!
Ars Nova is set to present their latest mainstage production, NATASHA, PIERRE, & THE GREAT COMET OF 1812, from October 1 through November 10. Ticket prices for the performances between October 1st-6th are $10, October 9th-20th are $20, and the subsequent performances until closing are $30. Tickets for all performances may be purchased at www.arsnovanyc.com.
Ars Nova has announced the world premiere of Ars Nova 2011 Composer-in-Residence Dave Malloy's Natasha, Pierre & The Great Comet of 1812. Directed by Rachel Chavkin, this production will play a limited Off-Broadway engagement October 1 - November 10. Official Opening Night is set for Tuesday, October 16 at 7:00 PM.
In October 2009, a composer/lyricist team was asked to select a fortune cookie. They created a musical theatre piece based on the fortune. Two weeks later, they presented their work to another artist.
In October 2009, a composer/lyricist team was asked to select a fortune cookie. They created a musical theatre piece based on the fortune. Two weeks later, they presented their work to another artist.
In October 2009, a composer/lyricist team was asked to select a fortune cookie. They created a musical theatre piece based on the fortune. Two weeks later, they presented their work to another artist.