Playwrights Horizons is now accepting entries for its popular LIVEforFIVE online lottery for up to two $5 tickets each to the world premiere of IOWA, a new musical play written by Susan Smith Blackburn Prize finalist Jenny Schwartz (God's Ear, Somewhere Fun), music by Todd Almond (Stage Kiss at PH, Kansas City Choir Boy, The Tempest, On the Levee) and lyrics by Mr. Almond and Ms. Schwartz. Directed by two-time Obie Award winner Ken Rus Schmoll (Red Dog Howls, Middletown, What Once We Felt; next season's just-announced Antlia Pneumatica by Anne Washburn at PH), the musical play will be the fifth production of the theater company's 2014/2015 Season.
Playwrights Horizons will present IOWA, the world premiere of a new musical play written by Susan SmithBlackburn Prize finalist Jenny Schwartz (God's Ear, Somewhere Fun), music by Todd Almond (Stage Kiss at PH, Kansas City Choir Boy, The Tempest, On the Levee) and lyrics by Mr. Almond and Ms. Schwartz. Directed by two-time Obie Award winner Ken Rus Schmoll (Red Dog Howls, Middletown, What Once We Felt; next season's just-announced Antlia Pneumatica by Anne Washburn at PH), the musical play will be the fifth production of the theater company's 2014/2015 Season.
Playwrights Horizons has announced casting for IOWA, the world premiere of a new musical play written by Susan Smith Blackburn Prize finalist Jenny Schwartz (God's Ear, Somewhere Fun), music by Todd Almond (Stage Kiss at PH, Kansas City Choir Boy, The Tempest, On the Levee) and lyrics by Mr. Almond and Ms. Schwartz. Directed by two-time Obie Award winner Ken Rus Schmoll (Red Dog Howls, Middletown, What Once We Felt; next season's just-announced Antlia Pneumatica by Anne Washburn at PH), the musical play will be the fifth production of the theater company's 2014/2015 Season.
Labyrinth Theater Company, the award-winning, downtown ensemble, has announced that this season, there will be not one, but two chances for audiences to discover exciting new work at their earliest stages in the annual Barn Series readings. There will be a Fall Barn Series in November and Spring Barn Series in 2015 held at the Bank Street Theater in Manhattan's West Village (155 Bank Street).
The National Music Theater Institute (NMTI) students have just returned to campus from two weeks training in New York City; scroll down for photos from the visit! NMTI is the newest credit-earning, semester-long intensive from the National Theater Institute at the Eugene O'Neill Theater Center. Utilizing the O'Neill's 50-year experience in training young theater artists and history of developing new musicals (including Nine, Avenue Q, In The Heights, [title of show], and Violet), NMTI offers broad-based training in all areas of musical theater: acting, singing, directing, writing, dance, composition, and choreography. In addition to the semester's rigorous curriculum-classes 14 hours a day, 7 days a week with emphasis on collaboration and the creation of original work- two weeks of the semester are spent learning in the epicenter of American music theater.
Casting has been announced and a complete schedule is set for SUMMERWORKS 2014 - the annual season of new plays presented by the four-time Obie Award-winning theater company Clubbed Thumb -- it has been announced by Maria Striar, Clubbed Thumb's Producing Artistic Director. SUMMERWORKS 2014 will be presented May 30 to July 5 at The Wild Project (195 E. 3rd St.) in Manhattan. Single tickets are now on sale for $18, students tickets are $15 and festival passes are $45. Tickets can be purchased at www.clubbedthumb.org or by calling OvationTix at (866) 811-4111.
SUMMERWORKS 2014 will feature productions of three new plays: 41-DERFUL written and directed by Jenny Schwartz; I'M PRETTY f**kED UP by Ariel Stess, directed by Kip Fagan, and 16 WORDS OR LESS by Peggy Stafford, directed by Portia Krieger.
Performances begin tonight for Roundabout Theatre Company's third annual Roundabout Underground Reading Series. The actors involved in the series include: Pico Alexander, Fred Applegate, De'Adre Aziza, David Aaron Baker, Cassie Beck, Michael Chernus, Diane Davis, Dashiell Eaves, Ryan Eggold, Lisa Emery, Sue Jean Kim, Chad Kimball, Jessica Love, Lizbeth Mackay, Annie McNamara, Alex Mickiewicz, Aaron Clifton Moten, Olivia Oguma, Tonya Pinkins, Paul Pontrelli, Conrad Ricamora, Reg Rogers, Debra Jo Rupp, Campbell Scott and Max von Essen.
Due to popular demand, the Huntington Theatre Company extends its production of the 2013 Pulitzer Prize Finalist Rapture, Blister, Burn toSunday, June 30.
American Lyric Theater presents the next installment in its popular series, The Living Libretto, at the National Opera Center, tonight, February 6th, 2013. Featuring guest actors from the Broadway and off-Broadway stage, each event is the culminating reading of extensive libretto workshops conducted for new operas currently being written by ALT Resident Artists.
American Lyric Theater presents the next installment in its popular series, The Living Libretto, at the National Opera Center, Wednesday February 6th, 2013. Featuring guest actors from the Broadway and off-Broadway stage, each event is the culminating reading of extensive libretto workshops conducted for new operas currently being written by ALT Resident Artists.
American Lyric Theater presents the next installment in its popular series, The Living Libretto, at the National Opera Center, Wednesday February 6th, 2013. Featuring guest actors from the Broadway and off-Broadway stage, each event is the culminating reading of extensive libretto workshops conducted for new operas currently being written by ALT Resident Artists.
The Sundance Institute Theatre Program announced the acting company and collaborators for the three projects being developed at its Fall Lab, which begins today at the Massachusetts Museum of Contemporary Art (MASS MoCA). Under the supervision of Philip Himberg, Artistic Director of the Theatre Program, and Producing Director Christopher Hibma, the two-week Lab provides creative support and direction for innovative musical theatre and ensemble-generated projects.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) announced today that it would extend GATZ, the critically lauded theatrical adaptation of
F. Scott Fitzgerald's The Great Gatsby, a final week through Sunday, May 13. Created and performed by Elevator Repair Service, this award-winning theatrical event, directed by John Collins, was originally scheduled to close on Sunday, May 6. Single tickets, beginning at $160, are on sale now.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) will present the return of GATZ, the theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby, this spring for a limited seven-week engagement.
The Public Theater will begin performances on Wednesday, March 14 for the return of GATZ, the critically lauded theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby. Created and performed by Elevator Repair Service, this award-winning theatrical event, directed by John Collins and featuring Scott Shepherd as Nick, will run through Sunday, May 6 for 28 performances only in the Newman Theater. Single tickets, beginning at $160, are on sale now. Check out production shots below!
The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) announced complete casting today for the return of GATZ, the critically lauded theatrical adaptation of F. Scott Fitzgerald's The Great Gatsby. Created and performed by Elevator Repair Service, this award-winning theatrical event, directed by John Collins and featuring Scott Shepherd as Nick, will begin previews on Wednesday, March 14 and run through Sunday, May 6 for 28 performances only in the Newman Theater. Single tickets, beginning at $160, are on sale now.
At the conclusion of this final season, which begins with the world premiere of A Map of Virtue by Erin Courtney in February, the collective of American playwrights will have realized full productions by each of its 13 members.
.jpg?format=auto&width=365)
