Anna Ziegler News

2020 Jonathan Larson Grant recipient Anna K. Jacobs accepts the grant with a virtual speech. In the speech, Jacobs shares what this grant means to her.

The 24 Hour Plays: Viral Monologues' seventh edition last night was one for the books! A group of the best actors in the business were paired with celebrated writers, who worked through Monday night to create unique pieces especially for them. From 6 PM on, 24 new monologues were published, one every 15 minutes.

The 24 Hour Plays: Viral Monologues has an incredible lineup in store for its seventh edition tonight on IGTV @24hourplays and at https://24hourplays.com/viral-monologues/. A group of the best actors in the business have been paired with celebrated writers, who've worked through the night to create unique pieces especially for them.

The Old Globe continues to add free online programs and new dates for existing ones, all part of The Old Globe's ongoing commitment to serve the public good by providing programs that make theatre matter to more people.

With venues everywhere dark during this extraordinary time, world-class theater from L.A. Theatre Works is just a click away.

The Old Globe believes that theatre matters, now more than ever, and is determined to continue to serve the public through theatre art. We consider it paramount that we continue to be a leader in programming for our community, and continue to support and maintain valued connections with those hungering for artistic content and continued personal growth. We are happy to announce additional free online programs, rescheduled dates for our valued summer Shakespeare classes, and a fundraising campaign, all part of The Old Globe's ongoing commitment to serve the public good by providing programs that make theatre matter to more people.

Out of concern for the health and safety of our community, Renaissance Theaterworks made the difficult decision to suspend its production of ACTUALLY, by Anna Ziegler, scheduled to run March 27 a?" April 19, 2020. 

Late last month, a small group of regional and not-for-profit theatres, all committed to finding ways to keep people connected to live theatre, came together by phone and email and Zoom to create the Play At Home project, a series of short plays commissioned specifically for this moment of unprecedented isolation to inspire joy and connection for all.

Williamstown Theatre Festival and Audible announced today that the 2020 Williamstown Theatre Festival summer season will be produced on Audible, the world's largest producer and provider of original spoken-word entertainment and audiobooks.

Out of  concern for the health and safety of our community, Renaissance Theaterworks made the difficult decision to suspend our production of ACTUALLY, by Anna Ziegler,  scheduled to run March 27 a?' April 19, 2020.

Roundabout Theatre Company has just announced that it will produce all previously scheduled Spring/Summer 2020 productions as part of the 2020-2021 season, including Jeanine Tesori and Tony Kushner's CAROLINE, OR CHANGE starring Sharon D Clarke at Studio 54, and Noah Haidle's BIRTHDAY CANDLES starring Debra Messing at the American Airlines Theatre.

Williamstown Theatre Festival (Mandy Greenfield, Artistic Director) has announced that Sanaz Toossi is the 2020 L. Arnold Weissberger New Play Award recipient for her play English. Sanaz receives the $10,000 award as well as the $10,000 Jay Harris Commission to write a new play.

Renaissance Theaterworks will continue its 27th season of 'Transformation' with Anna Ziegler's ACTUALLY. Tom and Amber are college freshmen at Princeton. They are overwhelmed, overstimulated, sleep-deprived, surrounded by strangers, full of tension, uncertainty, and alcohol. What could possibly go wrong?

Casting has been announced for Pittsburgh CLO's World Premiere of the award-winning musical comedy UNTITLED: A New Musical Comedy About Serious Drama at the Greer Cabaret Theater April 3 - May 3, 2020. Originally developed during Pittsburgh CLO's SPARK Festival, UNTITLED has since gained wide acclaim, including earning writer Matt Schatz the ASCAP Foundation Harold Arlen Award. Don't miss this edgy new musical satire about showbiz, stardom and self-reflection.

Alberta Theatre Projects examines the issue of consent head-on, tackling the politics of race, gender, and privilege on a contemporary university campus in the award-winning Actually by Anna Ziegler. With a laser-focus on only two characters, and their point of view on the same situation, Actually is destined to trigger discussion after audiences experience the piece at the Martha Cohen Theatre, February 26 - March 14, 2020.

Theater J, located in Washington, DC's Jewish Community Center focuses its work on celebrating and bringing light to the Jewish culture and its people. Anna Ziegler's The Wanderers is no exception to this mission. This is the fourth Ziegler play that Theater J has produced and its one that is sure to spark conversation, make the audience think deeply about the characters, and even toys with one's own emotions and thoughts on their own lives.

Award-winning American playwright Anna Ziegler's characters will come to life in the thought-provoking production of ACTUALLY in the Rosenthal Shelterhouse Theatre from March 21 through April 26, with opening night on March 26. This provocative new play finds its finger on the pulse of a generation that's grappling with the deep complexities of gender, race and consent and will inspire audiences to discuss these themes for days to come.

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, continues its 2019/20 Season with Anna Ziegler's The Last Match, directed by Keira Fromm. The Last Match runs March 18 a?" June 7, 2020 in The Gillian Theatre at 325 Tudor Court, Glencoe. The Press Opening is Wednesday, March 25, 2020 at 7:30 p.m.

The Dramatists Guild Foundation Fellows program will close at midnight, Eastern time, on March 1.

Angry irony does not usually get used to describe the lyrics of Oscar Hammerstein. But there isn't always a bright golden haze on the meadow. 'You've got to be taught to be afraid/of people whose eyes are oddly made/and people whose skin is a different shade,' came from his pen as did, 'You've got to be taught before it's too late/before you are six or seven or eight. . . .' The character who sings these words in South Pacific is furious because he's a white man in love with an Asian woman, and in the late 1940s, he's surrounded by people who'd find her eyes to be oddly made. Adam Turner, the eponymous character in Anna Ziegler's Boy being taught what to be before it's 'too late,' also has the double whammy of being the person who doesn't fit society's idea of how to be. The situation jumps out of Hammerstein's league into Orwell's because it's doubleplusungood. But that word's off the table as applied to Keegan Theatre's fine production of the 90 minute Boy; directed with skill and compassion by Susan Marie Rhea.