Following the success of Brute at Soho Theatre, Damsel Productions teams up again with award-winning writer Izzy Tennyson to present Grotty, a semi-autobiographical piece centred on East London's lesbian scene. The play is a provocative, satirical and at times grotesque exploration of intergenerational tension in the lesbian community, as well as struggles with mental health, identity and grief.
This seems to be the year of Twelfth Night, with the National Theatre's production recently closing and several other touring companies taking it on. But what better place to bring it to life than the Globe, in Emma Rice's 'Summer of Love'? It now plays alongside Daniel Kramer's Romeo and Juliet, making it the first of Shakespeare's comedies being performed there this season.
Shakespeare's Globe is delighted to announce casting for Romeo and Juliet directed by Daniel Kramer, and Twelfth Night directed by Emma Rice.
Theresa Ikoko's brilliant debut play, Girls, is a visceral portrayal of life for three young girls, kidnapped and held captive by Islamic extremists somewhere in West Africa. As the danger to their lives becomes more apparent, the dynamic between the trio shifts. The friendship is tested by the circumstances they find themselves in and each must do what they can to survive.
Phoebe Eclair-Powell began training as an actress at the Drama Centre London, but soon switched over to playwriting. She's worked with the National Youth Theatre on their Epic Stages programme, and her debut play WINK premiered at Theatre503 last year. Next up is FURY, shortlisted for the Verity Bargate Award and winner of the 2015 Soho Theatre Young Writer's Award. This modern Medea centres on a young, single mum in a Peckham council flat and opens at Soho Theatre next week, directed by Hannah Hauer-King.
Brian Mullin's debut drama is a frank and wry portrait of modern feminism, friendship and one extraordinary woman, determined to take on the world. WE WAIT IN JOYFUL HOPE is a funny and touching exploration of religion and capitalism in contemporary America.
Brian Mullin's debut drama is a frank and wry portrait of modern feminism, friendship and one extraordinary woman, determined to take on the world. WE WAIT IN JOYFUL HOPE is a funny and touching exploration of religion and capitalism in contemporary America.
