Angela Gimlin News

Described as "bold, captivating and often shocking," Mysterious Skin, a play by Prince Gomolvilas based on the novel by Scott Heim, is being brought to the Darkhorse Theatre stage, thanks to producing/directing duo of L.T. Kirk and Jonathan Burgess.

We've been doing our part to prepare ye the way, watching the action onstage, taking some furtive peeks backstage, listening to all the offstage gossip and venturing beyond the confines of the theater to gain the informed knowledge to see more shows in the Volunteer State than you ever thought possible. So, good people of the theaterati, read on and get all the information you need to know in this, our latest installment of Music City Confidential. This is #6…

After a protracted four-year battle with an especially virulent form of cancer, Murfreesboro actor-director-producer-artist Bryan M. Sunday-Booth died in the early hours of Friday morning, July 20. As the news of his death made its way through the theater community in Middle Tennessee, several of his friends and associates shared their memories of Bryan, seeking to cope with their own stages of grief while coming to terms with the realities of the day.

Welcome to the fifth installment of Music City Confidential, my column to collect the flotsam and jetsam, informationally speaking, of theatre in Tennessee. Sorry for the long delay since the last installment, but I've been theatering my butt off all over the Volunteer State in search of intriguing gossip and riveting news stories just for you, my gentle readers.

It's supposed to be 108 degrees in the Nashville area by week's end, which means stepping outside will likely leave you melted, quite literally and figuratively. But if you do have to venture out of doors, perhaps a trip to the theater is a good idea…it'll be dark and cool (with any luck, the AC will be working-and you know which theaters we're talking about) and you'll be entertained, perhaps even transported to another world. Or not. In the meantime, we present you with installment number four of Music City Confidential-our continuing effort to create a sense of community and build up some enthusiasm and excitement for the live theater industry here in our alarmingly sweaty region. So, press on, gentle readers and catch up on the latest adventures of the theaterati…

What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry. Amid the florid prose and flowery praise, you'll find all the stories that don't quite fit anywhere else, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…

Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot...featuring some of the Volunteer State's best-known-or soon-to-be-known all over the freakin' world-thespians. And have you ever wondered who the amazing photographers are who make them look so damn good? We're gonna tell ya…Today's actor/subject/model is the beautiful, talented and very busy Angela Gimlin, photographed by Jim Manning.

With the Tony Award-winning musical Spring Awakening making its Tennessee premiere tonight in Tullahoma in a sparkling new production directed by Robert Allen, we present dueling "Friday Fives," featuring the show's two leads. The focus of this interview? None other than Michael Adcock, winner in January of a BroadwayWorld.com Tennessee Theatre Award for his performance in Anything Goes at Murfreesboro's Center for the Arts.

With vampires such a hot topic (seriously, could the timing be any more perfect than now for the tale of a legendary bloodsucker like the Transylvanian Count?) in American popular culture, you'd think it would be a slam dunk for a theater company to stage a show like Dracula - and it would be if you had a better script to work with, the sharper focus of the creative team and more assertive direction. No matter how much fake blood you throw on the actors or makeup trickery you employ, if the actors are not all on the same page, your Dracula is more likely to drive a stake through the heart of the audience, rather than to delight them with stage magic that transports them to the play's other-worldly setting.