Angel Lam News

The US-China Music Institute of the Bard College Conservatory of Music will present The Sound of Spring: A Chinese New Year Concert conducted by Director of the US-China Music Institute Jindong Cai with The Orchestra Now (TŌN) performing.

OPERA America has announced the recipients of the 2021 Discovery Grants from the Opera Grants for Women Composers program. These composers will receive a total of $100,000 to support development activities of seven new theatrical works for the trained voice and instrumental ensemble.

Soka Performing Arts Center presents Hub New Music with Special Guest Kojiro Umezaki on Sunday, April 26, 2020 at 3 PM. Called 'contemporary chamber trailblazers' by the Boston Globe - comprised of flute, clarinet, violin, and cello - Hub New Music is forging new pathways in 21st-century repertoire. Through creative programming and ambitious commissioning projects, the quartet of 'intrepids' (WQXR) celebrates the fluidity and diversity of today's classical music landscape. Its performances have been described as 'gobsmacking' (Cleveland Classical) and 'innovative' (WBUR).

KYO-SHIN-AN ARTS continues its 11th season of chamber concerts combining Japanese and Western instruments with WINTER LIGHT featuring Duo Yumeno (Yoko Reikano Kimura, koto and Hikaru Tamaki, cello) plus David Yang, viola and James Nyoraku Schlefer, shakuhachi. Duos, trios and quartets with KSA commissions by Debra Kaye and Salina Fisher.

Soka Performing Arts Center presents Hub New Music with Special Guest Kojiro Umezaki on Sunday, April 26, 2020 at 3 PM. Called a?oecontemporary chamber trailblazersa?? by the Boston Globe a?" comprised of flute, clarinet, violin, and cello a?" Hub New Music is forging new pathways in 21st-century repertoire. Through creative programming and ambitious commissioning projects, the quartet of a?oeintrepidsa?? (WQXR) celebrates the fluidity and diversity of today's classical music landscape. Its performances have been described as a?oegobsmackinga?? (Cleveland Classical) and a?oeinnovativea?? (WBUR). 

America's musical past and future meet in a provocative new concert series The Graduate Center of The City University of New York and Copland House will launch this fall. These performances will champion a century of America's vibrant musical legacy, within the context of broad cultural, historical, and societal currents. The six-concert series ranges widely, from performances of early 20th century masters and an evening of major chamber works by Aaron Copland to musical explorations inspired by identity and assimilation, spiritual journeys, and the intersection of visual art and music.

From groundbreaking to mainstream, over the last decade KSA has built and promoted a wide body of new classical repertoire combining Japanese and Western instruments.

Kyo-Shin-An Arts continues its 10th anniversary season with a concert titled Crimson Leaves on Sunday, October 28, 2018 at 4pm at Tenri Cultural Institute (43A West 13th Street, NYC), which features the Boston-based, inspiring young piano trio Neave Piano Trio and KSA Artistic Director,Shakuhachi Grand Master James Nyoraku Schlefer in music for piano trio and shakuhachi. This intimate performance of chamber music blurs the lines of world culture, encompassing fiery rhythms of Iran, the sensuous passion of Argentina, the sudden drama of Hong Kong, and the austere calm of Japan. Violin, cello, piano and shakuhachi come together in music by Amir Eslami (Seasons for shakuhachi and piano trio), Astor Piazzolla (The Four Seasons of Buenos Aires for piano trio), Adrian Hon Chung Lam (Separated... at the Human Labyrinth of Asakusa Temple for shakuhachi and piano trio) and the famous traditional Shika no Tone (Cry of the Distant Deer) for two shakuhachi, with special guest Brian Tairaku Ritchi (bassist in The Violent Femmes).

KYO-SHIN-AN ARTS  is a contemporary music organization celebrating its 10th Anniversary Season. From groundbreaking to mainstream, over the last decade KSA has built and promoted a wide body of new classical repertoire combining Japanese and Western instruments.  Commissions to date total 27 composers for 45 new works. 2018-19 continues KSA's annual five-concert series at the Tenri Cultural Institute in Manhattan and marks the launch of its next decade with a distinctive, two-year 'Septet Commissioning Project.'

Yangtze Repertory Theatre (Chongren Fan, Artistic Director; Sally Shen, Executive Director) announces a new production of Romulus the Great, by Friedrich Durrenmatt, based on the translation by Gerhard Nellhaus, directed by Chongren Fan. With performances beginning on Thursday, June 7th at the TBG Theatre (312 West 36thStreet, 3F), Romulus The Great will celebrate it's opening night on Saturday, June 9, and will play through Saturday, June 23.

Kyo-Shin-An Arts' award-winning concert series, presented in collaboration with Arts at Tenri Cultural Institute in Manhattan, features a blend of KSA commissions with World, American and NY premieres, traditional and contemporary music for Japanese instruments and Western repertoire.

Yangtze Repertory Theatre of America returns to Theater for the New City (TNC) June 2 to 18 to present the New York premiere of '401[GONE]' by Frances Ya-Chu Cowhig, the prize-winning author of 'The World of Extreme Happiness' (Manhattan Theater Club, 2015). 

Composer Jonathan Bailey Holland will be featured on Robert Sirota's National Sawdust series, Bridging the Gap, on Sunday, June 4 at 7pm. A season-long series, the concerts and conversations explore the student/teacher, mentor/mentee relationships between generations of composers.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

A 2016 and 2013 CMA/ASCAP Adventurous Programming Award Winner, KYO-SHIN-AN ARTS is a contemporary music organization dedicated to the integration of the Japanese instruments koto, shakuhachi and shamisen into Western classical composition.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series will feature concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. Each concert will be preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader. The concerts themselves will include performances of works by both younger composers and the teachers who have influenced their development.