Sweden's greatest modernist playwright, August Strindberg, returned from the Continent to Stockholm in 1906, where he lived out his last seven years. There he wrote 'The Pelican' for his Intimate Theater in 1907 and 'Isle of the Dead' (Toten-Insel) immediately after as its prologue. The latter was unpublished until 1918 and rediscovered in the early 60s, when it was found and promptly dismissed as an incomplete fragment. The two plays were finally reunited by Ingmar Bergman in a radio version in 2003. It was his last dramatic production. From February 6 to 22 August Strindberg Rep, a resident company of Theater for the New City (TNC), will bring the two plays to the stage together for the first time in history. It will also be the world premiere of new English translations of both plays by Robert Greer, Artistic Director of Strindberg Rep, who helms the production.
HOOKED ON HAPPINESS, a new musical about a senior class' reaction to global warming is now playing at Theater For The New City (Crystal Field, Executive Director) for a limited engagement through December 1st.
HOOKED ON HAPPINESS, a new musical about a high school drama class' response to global warming is now in rehearsals at Theater For The New City (Crystal Field, Executive Director). HOOKED ON HAPPINESS, has book & lyrics by Tom Attea, music composed by Arthur Abrams, direction by Mark Marcante, and choreography by Mackenzie Surbey.
Theater for the New City today announced that it will present the world premiere of HOOKED ON HAPPINESS, a new musical about global warming, with book & lyrics by Tom Attea, music composed by Arthur Abrams, direction by Mark Marcante, and choreography by Mackenzie Surbey, which opens Sunday, November 16th.
James Baldwin wrote in 1962, 'The brutality with which Negroes are treated in this country simply cannot be overstated, however unwilling white men may be to hear it. In the beginninga?'and neither can this be overstateda?'a Negro just cannot believe that white people are treating him as they do; he does not know what he has done to merit it.
Nonstop theater, a costume competition and ballroom dancing will bewitch the East Village October 31 in the Village Halloween Costume Ball, which is presented annually by Theater for the New City (TNC), 155 First Avenue. This unique festival continues as a grand coming-together for real witches, everyday New Yorkers and artists alike. An explosive fall tradition, it is always held on the actual night of Halloween and celebrates artistic creation and fertilization.
'Ludwig and Bertiea?? by Douglas Lackey examines the relationship of two leading twentieth century philosophers, Ludwig Wittgenstein and Bertrand Russell. Theater for the New City (TNC) will present the play's world premiere run September 26 to October 13, directed by Alexander Harrington.
Sometimes a trip to the Emergency Room is so awful that it's just made for Theater of the Ridiculous. That's the premise of 'Singin' in the E.R.,' the newest musical by Ruby Lynn Reyner, a star of John Vaccarro's Playhouse of the Ridiculous who has been called a female Jerry Lewis.
City Parks Foundation has announced additional fall dates for the CityParks PuppetMobile show, Bessie's Big Shot. The show has been traveling to parks over the last few months, bringing a free, fun and high-flying adventure to families throughout all five New York City boroughs.
Since classical times, artists have always had to reconcile the demands of their patrons with their own artistic integrity. In the 21st century, the patrons' demands can come from both the left and right. 'Zen A.M.,' a new comedy by Natalie Menna, illustrates the conundrum, nesting it in present-day issues of class identification, compassion, cultural identity and creative resistance. Theater for the New City will present the world premiere of the piece May 31 to June 16, directed by Andrew Block.
Theater For the New City's first preview of SHAREHOLDER VALUE by Tom Attea, begins previews Friday, March 22nd. Based loosely on the meltdown at General Electric, the play is about the struggles of the CEO of a troubled conglomerate to deliver what he must every quarter, regardless of the problems the company faces: shareholder value.
Theater For the New City announces the world premiere of SHAREHOLDER VALUE by Tom Attea. Based loosely on the meltdown at General Electric, the play is about the struggles of the CEO of a troubled conglomerate to deliver what he must every quarter, regardless of the problems the company faces: shareholder value.
'Bring it On' meets 'Dreamgirls' in the girl-group musical, 'Betty and the Belrays' by William Electric Black aka Ian Ellis James, which will be presented by Theater for the New City January 31 to February 17. The piece tells the story of three white female singers from Detroit who struggle to change a racially divided society by singing for a black record label. Book and lyrics are by William Electric Black. Music is by Black, Valerie Ghent (arranger/keyboards for Ashford & Simpson) and Gary Schreiner. Choreography is by Jeremy Lardieri. Director is Mr. Black.
'Bring it On' meets 'Dreamgirls' in the girl-group musical, 'Betty and the Belrays' by William Electric Black aka Ian Ellis James, which will be presented by Theater for the New City January 31 to February 17. The piece tells the story of three white female singers from Detroit who struggle to change a racially divided society by singing for a black record label. Book and lyrics are by William Electric Black. Music is by Black, Valerie Ghent (arranger/keyboards for Ashford & Simpson) and Gary Schreiner. Choreography is by Jeremy Lardieri. Director is Mr. Black.
Nonstop theater, a costume competition and ballroom dancing will bewitch the East Village in Theater for the New City's 42nd annual Village Halloween Costume Ball on Monday, October 31 at TNC, 155 First Avenue. This unique festival continues as a grand coming-together for real witches, everyday New Yorkers and artists alike. An explosive fall tradition, the event is held annually on the actual night of Halloween and celebrates artistic creation and fertilization.
American Indian Artists Inc. (AMERINDA) present the World Premiere of FEAR OF OATMEAL conceived, written and directed by Muriel Miguel, co-founder of the legendary Spiderwoman Theater and starring her sister, Gloria Miguel, also of Spiderwoman Theater fame. Performances run through June 24 at Theatre for the New City.
'City Girls & Desperadoes'- a dramedy - 1977 NYC, a ragtag band of accidental outlaws at war with their pasts ignite high rolling relationships that must explode, as the altered state that love in its most extreme form engenders is a dangerous intoxication as mind altering as any pharmaceutical.
Innumerable American children and teens are exposed to gun violence at home, in school, in their communities and in the media. In 'Subway Story (A Shooting),' playwright/director William Electric Black means to elucidate the pressures that drive the epidemic in young people. The piece is the final installment of his five-play GUNPLAYS Series, which has dramatized the epidemic of gun violence using differing approaches and theatrical styles. Theater for the New City, which has presented the entire series, will mount 'Subway Story (A Shooting),' its final installment, February 22 to March 18 in its Community Theater.
