Overall, Kissing Sid James was a good production. Farquhar delivered an ending that was counterintuitive to what I was expecting and therefore thoroughly satisfying. The audience was so invested in the story that when the first reference to Sid James was mentioned in Act I, everyone in the audience had their smart phones out and were talking to each other about Sid James and his relevance to the show by intermission. Although the argument could be made that Sid James was a little random of a reference for an American audience, Farquhar had the audience talking. The performance lived up to the work as well, helping to unify the audience further.
59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Red Lion Theatres and Cracking Up Productions to 59E59 Theaters with KISSING SID JAMES, written by Robert Farquhar and directed by Jason Lawson.
59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Red Lion Theatres and Cracking Up Productions to 59E59 Theaters with KISSING SID JAMES, written by Robert Farquhar and directed by Jason Lawson
59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Red Lion Theatres and Cracking Up Productions to 59E59 Theaters with KISSING SID JAMES, written by Robert Farquhar and directed by Jason Lawson
The critically acclaimed Brits Off Broadway festival, host to the UK's most innovative and provocative theater in New York City, returns this year with a line up of nine New York premieres.
The critically acclaimed Brits Off Broadway festival, host to the UK's most innovative and provocative theater in New York City, returns this year with a line up of nine New York premieres.
The critically acclaimed Brits Off Broadway festival, host to the UK's most innovative and provocative theater in New York City, returns this year with a line up of nine New York premieres.
