The Community Theatre of Little Rock ends its 57th season with its Summer Musical 'Legally Blonde: The Musical' by Heather Hach, Laurence O'Keefe, and Nell Benjamin. Show dates are July 12th, 13th, 19th, 20th, 25th, 26th and 27th at 7:30 pm and July 14th, 21st and 28th at 2pm, to be held at The Public Theatre, located at 616 Center Street, next to Horn's Men's Store in downtown Little Rock. Click below to watch highlights from the show!
The Community Theatre of Little Rock is pleased to close out its 57th season with its Summer Musical 'Legally Blonde: The Musical' by Heather Hach, Laurence O'Keefe, and Nell Benjamin. Show dates are July 12th, 13th, 19th, 20th, 25th, 26th and 27th at 7:30 pm and July 14th, 21st and 28th at 2pm, to be held at The Public Theatre, located at 616 Center Street, next to Horn's Men's Store in downtown Little Rock. Scroll down for a first look at the cast in action!
The Community Theatre of Little Rock is pleased to close out its 57th season with its Summer Musical 'Legally Blonde: The Musical' by Heather Hach, Laurence O'Keefe, and Nell Benjamin. Show dates are July 12th, 13th, 19th, 20th, 25th, 26th and 27th at 7:30 pm and July 14th, 21st and 28th at 2pm, to be held at the PUBLIC Theatre, located at 616 Center Street, next to Horn's Men's Store in downtown Little Rock.
The Community Theatre of Little Rock is pleased to close out its 57th season with its Summer Musical 'Legally Blonde: The Musical' by Heather Hach, Laurence O'Keefe, and Nell Benjamin. Show dates are today, July 12th, 13th, 19th, 20th, 26th and 27th at 7:30 pm and July 14th, 21st and 28th at 2pm, to be held at the PUBLIC Theatre, located at 616 Center Street, next to Horn's Men's Store in downtown Little Rock.
'The Collectivistic Premise: Economics in a New Key' (published by AuthorHouse), by author Eli Merchant, views economics from a new perspective, acknowledging the influence of art, philosophy, history, psychology, ethics and other factors not often looked at, and challenges the premises on which economic thought has been conventionally based. According to many economists since the time of Adam Smith, self-interest is the main motive driving human beings in the economic sphere and the only true guarantor of human productivity and wealth creation. Ethical and moral considerations; however nobly intentioned, are irrelevant and even counterproductive in their application to the operations of the marketplace.
THE BOOK OF MORMON is an absolute go see production for anyone who is not a language prude or a religious fanatic. It is filled with total delight, magical showmanship, a marvelous score, creative dancing and fine staging. It's everything a modern musical that is meant for pure entertainment, with a sip of philosophy, should be!
On a city street corner, between madness and sanity, all that stands in the way of Hank and freedom is a certifiable homeless man, and a pay phone that can't hear out. The victim of a hit and run, citizen Hank (Maffei) finds himself sprawled out on a city street corner, bleeding from his head, ignored by passersby. Mind and body are put to the test as his one hope of rescue lies mere feet away in the form of a payphone.
The Community Theatre of Little Rock is pleased to close out its 57th season with its Summer Musical 'Legally Blonde: The Musical' by Heather Hach, Laurence O'Keefe, and Nell Benjamin. Show dates are July 12th, 13th, 19th, 20th, 26th and 27th at 7:30 pm and July 14th, 21st and 28th at 2pm, to be held at the PUBLIC Theatre, located at 616 Center Street, next to Horn's Men's Store in downtown Little Rock.
After a season of being an itinerant theatre, The Artistic Home has returned to its roots and laid out the welcome mat at a new, intimate storefront space in Chicago's West Town neighborhood.
BoHo Theatre and Stage Left Theatre present a joint production of George Bernard Shaw's Pygmalion. The production runs tonight, January 5th through February 10th , 2013, at Theater Wit, and is directed by Stage Left Artistic Director Vance Smith. Pygmalion represents the Bohemian Pillar of Beauty in BoHo Theatre‘s 2012/2013 Season, and continues Stage Left Theatre's season exploring societal perceptions and expectations of women. This production celebrates the 100th anniversary of Pygmalion, which was first produced in 1913.
The Traverse Theatre Company has teamed up Peepolykus to bring one of Edinburgh's best loved figures, Arthur Conan Doyle, back to life for a seasonal celebration. The Arthur Conan Doyle Appreciation Society takes the form of an illustrated lecture about life, death and the afterlife. Ideas of the rational collide with the supernatural and an evening presentation descends into farce, in typical Peepolykus fashion, as John, Javier and Gabriel get to grips with everything from fairies to particle physics.
The Traverse Theatre Company has teamed up Peepolykus to bring one of Edinburgh's best loved figures, Arthur Conan Doyle, back to life for a seasonal celebration. The Arthur Conan Doyle Appreciation Society takes the form of an illustrated lecture about life, death and the afterlife. Ideas of the rational collide with the supernatural and an evening presentation descends into farce, in typical Peepolykus fashion, as John, Javier and Gabriel get to grips with everything from fairies to particle physics.
BoHo Theatre and Stage Left Theatre present a joint production of George Bernard Shaw's Pygmalion. The production runs January 5th through February 10th , 2013, at Theater Wit, and is directed by Stage Left Artistic Director Vance Smith. Pygmalion represents the Bohemian Pillar of Beauty in BoHo Theatre's 2012/2013 Season, and continues Stage Left Theatre's season exploring societal perceptions and expectations of women. This production celebrates the 100th anniversary of Pygmalion, which was first produced in 1913.
The Traverse Theatre Company has teamed up Peepolykus to bring one of Edinburgh's best loved figures, Arthur Conan Doyle, back to life for a seasonal celebration. The Arthur Conan Doyle Appreciation Society takes the form of an illustrated lecture about life, death and the afterlife. Ideas of the rational collide with the supernatural and an evening presentation descends into farce, in typical Peepolykus fashion, as John, Javier and Gabriel get to grips with everything from fairies to particle physics.
The critically acclaimed performance collective New York Neo-Futurists, creators of the long-running phenomenon Too Much Light Makes the Baby Go Blind, are proud to present the world premiere of ON THE FUTURE, an evening of six 10-minute plays by Meg Bashwiner (Too Much Light Makes the Baby Go Blind), Christopher Loar (The Complete and Condensed Stage Directions of Eugene O'Neill), Eevin Hartsough (You Are In An Open Field), Adam Smith (You Are In An Open Field), Ricardo Gamboa ((un)afraid), Joey Rizzolo (Locker 4173B), and Daniel McCoy ((un)afraid).
The critically acclaimed performance collective New York Neo-Futurists, creators of the long-running phenomenon Too Much Light Makes the Baby Go Blind, are proud to present the world premiere of ON THE FUTURE, an evening of six 10-minute plays by Meg Bashwiner (Too Much Light Makes the Baby Go Blind), Christopher Loar (The Complete and Condensed Stage Directions of Eugene O'Neill), Eevin Hartsough (You Are In An Open Field), Adam Smith (You Are In An Open Field), Ricardo Gamboa ((un)afraid), Joey Rizzolo (Locker 4173B), and Daniel McCoy ((un)afraid). Directed by founding NY Neo member Rob Neill ((un)afraid), ON THE FUTURE begins performances on Thursday, October 4 for a limited engagement through Saturday, October 20. Press Opening is Monday, October 8 at 8 PM. Performances take place at The Red Room (85 East 4th Street, between 2nd and 3rd Avenues/ Bowery). The performance schedule is Monday at 8 PM; Thursday - Saturday at 8:00 PM, with an added performance on Wednesday, October 17 at 8 PM. The regular ticket price is $18 ($14 for students with a valid student ID). For tickets or more information, call OvationTix on 1-866-811-4111 or visit www.nynf.org.
Stage Left Theatre announces the upcoming World Premiere of Impenetrable written by Mia McCullough and directed by ensemble member Greg Werstler. Impenetrable is the first production of Stage Left's 31st season. Press opening tonight, September 7th at 8 PM at Theater Wit, 1229 W Belmont. The show runs through October 7th.
Stage Left Theatre announces the upcoming World Premiere of Impenetrable written by Mia McCullough and directed by ensemble member Greg Werstler. Impenetrable is the first production of Stage Left's 31st season. Press opening is Friday, September 7th at 8 PM at Theater Wit, 1229 W Belmont. The show runs through October 7th.
In celebration of the LGBTQ community and its advocates, the NEW YORK NEO-FUTURISTS will perform a special, one-weekend-only version of their ongoing, award-winning show Too Much Light Makes The Baby Go Blind featuring 30 short plays in 60 minutes. This year's performance will feature 30 original LGBTQ-themed plays, including 15 world-premiers and 15 fan favorites from years past.
As part of the current three-play Royal Court at the Duke of York's Season with Posh by Laura Wade, Jumpy by April De Angelis and Constellations by Nick Payne, four of the UK's leading playwrights will direct one of their all-time favourite plays in a series of one-off afternoon readings from 29 June at the Duke of York's Theatre in a special event supported by The Ambassador Theatre Group.
Nick Payne, Polly Stenham, Roy Williams and David Eldridge will select their favourite plays and will have less than two days to bring their vision to life with a full cast to be announced for staged readings on Friday afternoons this summer.
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