AT THIS PERFORMANCE... Celebrates 900th Performer at The Green Room 42
by Stephi Wild
- Jan 4, 2018
Stephen DeAngelis continues his ongoing salute to Broadway and Off-Broadway Standbys, Understudies and Alternates with its next edition of AT THIS PERFORMANCE to be held on Monday, January 15th at the series' new home, The Green Room 42, Green Fig, Fourth Floor, Yotel NYC, 570 Tenth Avenue (at 42nd Street), New York, NY 10036 at 7 PM.
Understudies from HAMILTON, GREAT COMET and More Perform at the Next Edition of AT THIS PERFORMANCE...
by Stephi Wild
- Nov 20, 2017
Stephen DeAngelis continues his ongoing salute to Broadway and Off-Broadway Standbys, Understudies and Alternates with its next edition of AT THIS PERFORMANCE to be held on Monday, November 27th at the series' new home, The Green Room 42, Green Fig, Fourth Floor, Yotel NYC, 570 Tenth Avenue (at 42nd Street), New York, NY 10036 at 7 PM. Hosted by series Producing Artistic Director and Casting Director Stephen DeAngelis, the popular series allows performers to showcase their versatility and share anecdotes about their experiences. Performers scheduled for November 27th are Zach Adkins (Anastasia), Kennedy Caughell (Natasha, Pierre and the Great Comet of 1812), Erin Clemons (Hamilton), Kayla Davion (Waitress), Amanda Lea LaVergne (Annie), Tony LePage (Come From Away), Madison Micucci (The Band's Visit), Katie Sexton (The Play That Goes Wrong) and Eric Ulloa (On Your Feet!). Musical Director/Accompanist for the evening will be Eugene Gwozdz.
Understudies from PRINCE OF BROADWAY, BANDSTAND, SPAMILTON and More Set for AT THIS PERFORMANCE... This Weekend
by BWW News Desk
- Aug 24, 2017
Stephen DeAngelis continues his ongoing salute to Broadway and Off-Broadway Standbys, Understudies and Alternates with its next edition of AT THIS PERFORMANCE... to be held on Sunday, August 27th at the series' new home, The Green Room 42, Green Fig, Fourth Floor, Yotel NYC, 570 Tenth Avenue (at 42nd Street), New York, NY 10036 at 9 PM.
Ghostlight Records Releases New Single from Alice Ripley Helmed BUBBLE BOY
by A.A. Cristi
- Jul 14, 2017
Ghostlight Records will release of the Original Cast Recording of Bubble Boy, the new musical based on the 2001 cult classic film of the same name, in both digital and physical formats on Friday, July 28. The show is created by Cinco Paul (music, lyrics and book) and Ken Daurio (book), writers of the international hit animated films The Secret Life of Pets, Horton Hears a Who!, The Lorax, and Despicable Me 1, 2 & 3. Bubble Boy is the second major project for Daurio and Paul this summer, with their new film Despicable Me 3 currently in cinemas nationwide. Starting today, Friday, July 14, customers that pre-order the album via Apple Music will immediately receive the second single 'Falling for the Boy.' A new music video is available here.
Understudies from HELLO, DOLLY!, DEAR EVAN HANSEN, ANASTASIA, HAMILTON and More Slated for July AT THIS PERFORMANCE...
by BWW News Desk
- Jul 5, 2017
Stephen DeAngelis continues his ongoing salute to Broadway and Off-Broadway Standbys, Understudies and Alternates with its next edition of AT THIS PERFORMANCE... to be held on Monday, July 10th at the series' new home, The Green Room 42, Green Fig, Fourth Floor, Yotel NYC, 570 Tenth Avenue (at 42nd Street), New York, NY 10036 at 8 PM.
BWW Review: THE BOOK OF MORMON at Princess Theatre
by Victoria Beal
- Feb 6, 2017
What do you get when you put the creators of South Park and Avenue Q in a room together to write a musical? The Book of Mormon. A musical about a pair of young Mormons, off on their 2 year mission to convert the African people.
$40 Lottery Ticket Policy Announced for THE BOOK OF MORMON
by BWW News Desk
- Feb 2, 2017
The Book of Mormon today announces a ticket lottery, in which a limited number of tickets will be sold by ballot for $40 each on the day of the performance. The show's ticket lottery policy began with the Broadway production, and has continued for all subsequent productions, which include two US National Tours and London's West End. The Book of Mormon is currently in previews at the Princess Theatre. Opening night is Saturday 4 February.
BOOK OF MORMON Extended in Melbourne to April 30
by BWW News Desk
- Nov 14, 2016
Due to unprecedented demand, new seats for The Book of Mormon go on sale to the general public today. Bookings for the award-winning musical have now been extended to 30 April 2017 at Melbourne's Princess Theatre.
BWW Review: Say 'Hello' to the New Year with THE BOOK OF MORMON at The Paramount
by Jay Irwin
- Jan 1, 2016
That unstoppable juggernaut that is 'The Book or Mormon' is back in Seattle and just as deliciously fun as ever. We all know how good the show is. We all know we're going to laugh our butts off at the crass humor while falling in love with the wonderful characters and infectious musical theater gold. So it all really just rests on the cast for this particular tour and let me say, they bring it as usual and even add in a few elements I've not seen in the show before.
BWW Review: THE BOOK OF MORMON is an Evening Full of Show Stopping Musical Hilarity and Heart
by Frank Benge
- Dec 11, 2015
THE BOOK OF MORMON is a satirical musical with book, lyrics, and music by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the creators of the animated series South Park, which just wrapped up its 19th season. Lopez is best known as a co-composer/co-lyricist of Avenue Q and Frozen. THE BOOK OF MORMON is the story of two young Mormon missionaries who are sent to Uganda for their first mission. The boys have a naive outlook on life and little in common with each other. When they try to spread "the word" among the locals they find their audience has many things on their minds and religion is the last thing they are thinking about.
BWW Review: A CONFEDERACY OF DUNCES Weighs in at Boston's Huntington Theatre
by Jan Nargi
- Nov 20, 2015
Jeffrey Hatcher's stage adaptation of the Pulitzer Prize-winning novel A CONFERERACY OF DUNCES, now in its world premiere at the Huntington Theatre Company in Boston, feels like a lost opportunity. Much like its obnoxious and oversized central character Ignatius J. Reilly, a slovenly, unemployed 30-year-old still living with and supported by his sweetly doting mother, the play is a lumbering behemoth that is often equal parts boring and boorish.
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