Vasily Ladyuk

The Canadian Opera Company announced its 2024/2025 season with exciting programming comprised almost entirely of new-to-Toronto productions including the first-ever COC staging of Verdi’s Nabucco, the world premiere of a new production of Gounod’s Faust, and the Toronto premiere of La Reine-garçon, a new creation from Canadians Julien Bilodeau and Michel Marc Bouchard.

Placido Domingo will be starring in La Traviata at the Bolshoi Theatre. The cast will feature Irina Lungu, Arturo Chacon Cruz, Zuzana Markova, Dinara Alieva, Elchin Azizov, Matteo Lippi, Liparit Avetisyan, and Vasily Ladyuk. Performances are set to run May 5 to May 9.

One man's obsession with a lucky card trick turns the fates of three in Tchaikovsky's vibrant melodrama. Russian tenor Vladimir Galouzine returns to HGO as the tormented Herman, internationally renowned soprano Tatiana Monogarova makes her HGO debut as his beloved Lisa, and Vasily Ladyuk is the dashing Prince Yeletsky.

A haunting tale of obsession, the internationally acclaimed Richard Jones production of Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory. Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center. Opera News calls Richard Jones's production of The Queen of Spades, originally created for Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'

A haunting tale of obsession, the internationally acclaimed Richard Jones production of Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory. Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center. Opera News calls Richard Jones's production of The Queen of Spades, originally created for Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'