Trenton Doyle Hancock

The Hermitage Artist Retreat has announced “Visualizing Culture” on Thursday, May 23 at 6:30pm, presented on the Hermitage Beach.

The Trust for Governors Island and Governors Island Arts has announced the hiring of Lauren Haynes as their new Head Curator and Vice President for Arts and Culture—marking an exciting step forward for one of New York City's most unique cultural destinations.

The Hermitage Artist Retreat has announced two exhibitions opening at the Sarasota Art Museum in the spring of 2024, featuring a collective twelve Hermitage Fellows, including two past winners of the Hermitage Greenfield Prize.

Ballet Austin presents TRIAD: Three Bold Dances! Celebrate Valentine's Weekend with George Balanchine's Concerto Barocco, Amy Seiwert's Renaissance, and the world premiere of Stephen Mills' BUBBLEGUM! Don't miss this unforgettable evening of dance.

The Hermitage Artist Retreat announces playwright Deepa Purohit as the recipient of the 2024 Hermitage Greenfield Prize.

The Hermitage Artist Retreat announced today a newly added program on Friday, January 5th at 5pm on the Hermitage Beach on Manasota Key.

The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College have announced a grant award totaling $80,000 from the New York State Council on the Arts (NYSCA) to support the recovery of the nonprofit arts and culture sector. Following New York state's historic investment for the arts, NYSCA has awarded $90 million since spring 2022 to a record number of artists and organizations across the state.

The Hermitage Artist Retreat (Andy Sandberg, Artistic Director and CEO), in collaboration with the Philadelphia-based Greenfield Foundation, has selected two recipients for the 2023 Hermitage Greenfield Prize, one in the discipline of visual art and one in the field of dance and choreography.

The Hermitage Artist Retreat, in collaboration with the Philadelphia-based Greenfield Foundation, has selected two recipients for the 2023 Hermitage Greenfield Prize, one in the discipline of visual art and one in the field of dance and choreography.

Kicking off the Hermitage Artist Retreat’s 20th Anniversary Season, the Hermitage’s annual Artful Lobster: An Outdoor Celebration will be held on Saturday, November 12, 2022, from 11:30am to 2pm.

James Cohan has announced David Norr as an owner of the gallery. Norr, who served as James Cohan's Senior Director from 2015 to 2018 and was named a Partner in 2018, joins founders James and Jane Cohan in steering the gallery, which operates two spaces in Manhattan: 48 Walker Street in Tribeca and 291 Grand Street on the Lower East Side.

The evening of entertainment included a welcome video from Tamara Tunie and Black Theatre United; a tribute featuring past Hermitage Greenfield Prize recipients, jurors, and partners; performances of Harris' work; and a stirring musical closing by Ann Morrison and Joseph Holt.

The Hermitage Artist Retreat, in collaboration with the Greenfield Foundation, has selected New York-based artist Jennifer Packer as the winner of the 2020 Greenfield Prize, given this year in the field of visual art. Packer will receive a six-week residency at the Hermitage and a $30,000 commission for a new work, which will premiere in Sarasota in 2022 with the Hermitage's presenting partner, The John & Mable Ringling Museum of Art.

The Pew Center for Arts & Heritage today announced 53 grants in support of the Philadelphia region's cultural organizations and artists. The 2017 awards total more than $10.3 million and provide funding for 12 new Pew Fellowships, 39 Project grants, and two Advancement grants.

Paul Kasmin Gallery is pleased to announce gallery artist Mark Ryden's participation in the 'Juxtapoz x Superflat' exhibition in Seattle.

CYNTHIA-REEVES announces the international premiere of New York-based artist, Anita Glesta's  WATERSHED video installation at London's annual Totally Thames Festival, Tuesday, September 22 - Sunday, September 27, 2015. A public art project addressing climate change through large-scale imagery and sounds of ocean life and flooding waters, WATERSHED acts as a moving information 'billboard' about global warming that will be projected onto the face of the National Theatre [Lyttelton Flytower], facing the Thames River itself.  The  project's multi-sensory experience aims to offer the public a chance for intimate reconnection with nature, a phenomena so often lacking in the urban environment, along with the opportunity to reflect on the local effects of climate change in waterfront cities.

Indianapolis artist Philip Campbell's fully commissioned floor-to-ceiling carved mahogany installation offers iMOCA visitors an opportunity to experience 'work that people can touch.' Over a year in the making, Campbell's solo exhibition, 'Your Catfish Friend,' opens this Friday from 6 to 11 p.m. at iMOCA's Murphy Art Center location at 1043 Virginia Avenue. It is a touching return to the facility as Campbell revitalized the former five and dime store building as an arts hub in 1999 before moving on to other pursuits in 2009. Best known for his photo-realistic drawings and paintings, Campbell has also been carving for more than 20 years. The 22.5 by 11.5 foot work made for 'Catfish' and consisting of 26 panels is his first installation. It will fill the middle gallery. The front gallery will feature a plethora or work Campbell used to determine the final installation. It will include studies that determined the type of wood he'd use for carving, color tests and a few paintings also completed during the year it took for him to work on the installation. Over the last 25 years, Campbell's work has been exhibited in galleries and museums throughout the United States and published and collected around the world. He just finished a stint as an Arts Council of Indianapolis Creative Renewal Fellow.

Intricate candy-colored prints, drawings, collaged felt paintings and site-specific installations work together to tell the story of the Mounds-a group of bizarre mythical creatures that are the tragic protagonists of the artist's unfolding narrative between good and evil. Storytelling is a central part of Hancock's artistic practice. Each new work serves as a contribution to the saga of the Mounds, portraying the birth, life, death, afterlife, and even dream states of these half-animal, half-plant creatures, and their aggressors, the Vegans.

Intricate candy-colored prints, drawings, collaged felt paintings and site-specific installations work together to tell the story of the Mounds-a group of bizarre mythical creatures that are the tragic protagonists of the artist's unfolding narrative between good and evil. Storytelling is a central part of Hancock's artistic practice. Each new work serves as a contribution to the saga of the Mounds, portraying the birth, life, death, afterlife, and even dream states of these half-animal, half-plant creatures, and their aggressors, the Vegans.