James Parenti

Stephen DeAngelis presented BROADWAY FRIGHT NIGHT, a celebration of songs from musicals with Supernatural, Horror and Sci-Fi themes, on Monday, October 29th at Green Room 42, Green Fig.

Stephen DeAngelis presents BROADWAY FRIGHT NIGHT, a celebration of songs from musicals with Supernatural, Horror and Sci-Fi themes. The concert will be held on Monday, October 29th at Green Room 42, Green Fig, Fourth Floor, Yotel NYC, 570 Tenth Avenue (at 42nd Street), New York, NY 10036 at 7 PM.

Columbia University School of the Arts is proud to present Isabelle Kettle's (Columbia MFA Directing Candidate 2018) production of MACHINAL.

TURN TO FLESH PRODUCTIONS (TTF) is proud to present MAY VIOLETS SPRING, which is a new story for a new Ophelia, for a limited theatrical run, September 30 - October 22 at The WorkShop Theater, 312 West 36th Street, Fourth Floor East (between 8th and 9th Avenues). The production, written by James Parenti, and directed by Emily C. A. Snyder, will have its official opening today, October 5th  at 8:00PM.

TURN TO FLESH PRODUCTIONS (TTF) is proud to present MAY VIOLETS SPRING, which is a new story for a new Ophelia, for a limited theatrical run, September 30 - October 22 at The WorkShop Theater, 312 West 36th Street, Fourth Floor East (between 8th and 9th Avenues). The production, written by James Parenti, and directed by Emily C. A. Snyder, will have its official opening on Wednesday, October 5th  at 8:00PM.

Turn to Flesh Productions (TTF) announced on Valentine's Day 2016 the three playwrights selected for their third annual Reading Series: Birds of a Feather by June Guralnick, Dear Little Butterface by Duncan Pflaster (in rhyming couplets), and The Near Far by Leland Frankel.

Happy Holidays! It's the last week to vote for the 2015 BroadwayWorld Connecticut Regional Awards! Check out the latest live stats as of December 18. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31!

Time is running out to vote for the 2015 BroadwayWorld Connecticut Regional Awards! Check out the latest live stats as of December 18. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31!

Voting is fully underway for the 2015 BroadwayWorld Connecticut Regional Awards! Check out the latest live stats as of December 11. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has opened for the 2015 BroadwayWorld Connecticut Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

POPTART! is a new play by Krystle Phelps that takes a searing look at a pop star whose life unravels the night leading up to an important concert. Directed by Gwenevere Sisco, this production focuses on a diva with a major chip on her shoulder, her long-suffering personal assistant, and a washed up rock star looking for a paycheck. While not a traditional musical, the artists featured in the story perform live original music by James Parenti, Krystle Phelps, and Trish Phelps. Exploring themes of gender, race, and all things celebrity, POPTART! delves into the need to be truly heard ... even if you have nothing to say.

Voting has opened for the 2015 BroadwayWorld Connecticut Regional Awards! Check out the latest live stats as of November 27th. Nominations were reader-submitted and after the nomination period ended, BroadwayWorld's local editors proofed the list for eligibility and errors. Voting runs through December 31.

Voting has now opened for the 2015 BroadwayWorld Connecticut Regional Awards! Check out the latest live stats as of November 27th.

POPTART! is a new play by Krystle Phelps that takes a searing look at a pop star whose life unravels the night leading up to an important concert. Directed by Gwenevere Sisco, this production focuses on a diva with a major chip on her shoulder, her long-suffering personal assistant, and a washed up rock star looking for a paycheck. While not a traditional musical, the artists featured in the story perform live original music by James Parenti, Krystle Phelps, and Trish Phelps. Exploring themes of gender, race, and all things celebrity, POPTART! delves into the need to be truly heard ... even if you have nothing to say.

Victorian London awaits at Playhouse on Park! Under the direction of Jerry Winters, a dynamic eight-member cast presents Oscar Wilde's beloved comedy The Importance of Being Earnest. Audience members will be enchanted and romanced from start to finish with mystique, folly and playful deception.

Victorian London awaits at Playhouse on Park! Under the direction of Jerry Winters, a dynamic eight-member cast presents Oscar Wilde's beloved comedy The Importance of Being Earnest. Audience members will be enchanted and romanced from start to finish with mystique, folly and playful deception. Scroll down for a sneak peek at the cast in rehearsal!

Victorian London awaits at Playhouse on Park! Under the direction of Jerry Winters, a dynamic eight-member cast presents Oscar Wilde's beloved comedy The Importance of Being Earnest. Audience members will be enchanted and romanced from start to finish with mystique, folly and playful deception.

Sean Harris' visionary production puts Playhouse on Park in the big leagues.

Resident co-founder/co-artistic director Sean Harris directs the American masterpiece Angels in America: Part 1: Millennium Approaches to kick off Playhouse on Park's sixth season. Winner of the 1993 Pulitzer Prize and Tony Award, the first part of Tony Kushner's epic depicts life in America during the 1980s. Touching upon the provocative topics of politics, religion, and the AIDS epidemic, Angels in America has been hailed as 'a searching and radical rethinking of American political drama' (New York Times) and 'the most ambitious American Play of our time' (Newsweek). This production is recommended for audiences sixteen and up.