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Good Theater Presents SIGNIFICANT OTHER Next Month


Romance is back in the air at Good Theater with Joshua Harmon's bittersweet hit comedy SIGNIFICANT OTHER. SIGNIFICANT OTHER opens March 2nd and plays through March 20th, 2022 at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland. 

BWW Review: A Lyrical Rumination on Aging: HARRY TOWNSEND's LAST STAND


The Maine premiere of George Eastman’s HARRY TOWNSEND’s LAST STAND is a sad, sweet, sassy rumination on aging and the fragile communications between father and son as they navigate this daunting process. Despite its poignant and serious underpinnings, Eastman’s play succeeds because of its unsparing humor, uncanny ear for authentic dialogue, the trim direction of Brian P. Allen, and the strong performances of the Good Theater’s stars, Will Rhys and James Noel Hoban.

BWW Review: Good Theater Reopens with Scintillating World Premiere of Rob Urbinati's LADY SUSAN


The Good Theater reopened its doors last night with a breathtakingly stunning world premiere of Rob Urbinati’s new play LADY SUSAN, directed by Brian P. Allen and James Noel Hoban. Taking its inspiration from Jane Austen, this 21st century work has all the eloquence of an early 19th century classic, as it explores the intricate, timeless mating games that seem as relevant today as they did more than two hundred years ago.

BWW Review: The Insidious Spiral of Deceit: PACK OF LIES at the Good


The tautly paced, compactly plotted 1983 psychological spy thriller, PACK OF LIES by Hugh Whitemore, proves to be a cliff hanger for audiences at the Good Theater, where its recent revival, expertly directed by Brian P. Allen with a finely tuned ensemble cast, demonstrates the relevance of its message in the chaotic political context in which we currently live.

TAM 2018 Page To Stage Celebrates The Wit And Wisdom Of Fables in AESOP'S GUIDE TO FRIENDSHIP


Theater at Monmouth continues its long-standing tradition of providing access to arts education for young people in Maine with its annual Page to Stage tour. TAM has provided literature-based education programs in schools and community centers since the Theater's founding. Education Tours make adaptations of classic literature accessible to a geographically and economically diverse audience. "The live performance is something students don't see often anymore," said 4th grade teacher Pamela Prescott of Belgrade Central School. "[Attending a] performance of classic literature is a great connector to the classroom." Jolene Libby, 1st grade teacher at Turner Primary School said, "I believe it to be a real and authentic experience that students might not experience otherwise."

BWW Review: Spellbinding, Soul Searching Priestly Thriller at Good Theater


The sold out house in Portland's Good Theater sat riveted in their seats throughout as the tense, soul-searching drama of J. B. Priestly's An Inspector Calls as its twists and hairpin turns, its emotional revelations and its jarring ending played itself out with a combination of subtlety and punch. Director Brian P. Allen, his cast and creative team have created a mesmerizing theatrical experience that does complete justice to Priestly's passionate and ever-relevant 1945 play.

Photo Flash: First Look at AN INSPECTOR CALLS at Good Theater


Good Theater continues its 16th season with J.B. Priestley's award-winning An Inspector Calls, playing now through November 26 at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland. BroadwayWorld has a first look at the cast in action below!

A Downton Abbey Whodunnit Comes to Good Theater in AN INSPECTOR CALLS


Good Theater continues its 16th season with J.B. Priestley's award-winning An Inspector Calls, opening November 1 and playing through November 26 at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland.

BWW Review: BLASTED Searches for the Fuse


Director Lindsey Higgins has audio recordings of British and American politicians play before the action begins in the 60 Grit Theatre Company's production of Sarah Kane's 'Blasted.' Their stuffy proclamations set the stage for the 1995 play's exploration of some horrific clashes along the frontlines of the battle between the personal and the impersonal.

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