Erwin Galan

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

It's tough when you see a play that has some really amazing moments but also sits there and screams, "My God I need an editor!" Such is the case with Stephen Adly Gurgis' "The Last Days of Judas Iscariot" currently performing at the Center Theatre from Sound Theatre Company. Not only could Gurgis do with trimming down this piece that tends to ramble but the folks at SCT could do with tightening their performances as well. But we'll get to that in a minute.

Seattle Theater Writers critics' circle just announced the nomination slate of the fourth annual Gypsy Rose Lee Awards,theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.

There are moments, Dear Reader, when you can encounter a work that can completely revitalize your love of good theater. Such was a moment for me the other night when I was lucky enough to catch ACT's production of "The Invisible Hand". I really wasn't sure what I was in for except that it was a play about politics and economics in Pakistan from Ayad Akhtar, the Pulitzer Prize winning author of "Disgraced". What I got was an absolutely gripping evening of theater thanks to a killer production and a riveting play that I cannot urge you enough to go see.

A Contemporary Theatre announces the west coast premiere of writer/actor Ayad Akhtar's The Invisible Hand, about an American investor kidnapped by a militant group in Pakistan. Akhtar won the Pulitzer Prize in 2013 for his play Disgraced, which opens on Broadway this fall. The Invisible Hand premiered at the Repertory Theatre of St. Louis studio series in 2012. Since then, Akhtar has continued development on the script, added a character, and he will participate in the creative process as the show develops in Seattle, spending time in the rehearsal room and audience preview process.

A Contemporary Theatre announces the west coast premiere of writer/actor Ayad Akhtar's The Invisible Hand, about an American investor kidnapped by a militant group in Pakistan. Akhtar won the Pulitzer Prize in 2013 for his play Disgraced, which opens on Broadway this fall. The Invisible Hand premiered at the Repertory Theatre of St. Louis studio series in 2012. Since then, Akhtar has continued development on the script, added a character, and he will participate in the creative process as the show develops in Seattle, spending time in the rehearsal room and audience preview process.

SIS Productions presents the full West Coast Premiere of Impenetrable by Mia McCullough, running today, April 11 - May 3, 2014.

SIS Productions presents the full West Coast Premiere of Impenetrable by Mia McCullough, running April 11 - May 3, 2014.

Seattle Theater Writers, a critics' circle of local theater writers and reviewers, today announces the 2013 slate of nominees of the third annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.

Mirror Stage continues reflecting the diversity of the community on stage in high quality, progressive productions that play it smart without always playing it safe with West Coast premiere reading of Ground tonight, April 28 at 8pm and Sunday, April 29 at 2pm at the Ethnic Cultural Theatre in Seattle. Feed Your Mind: Ground will be directed by Suzanne M. Cohen and feature Michael D. Blum (Chuy), Erwin Galan (Carl), Peggy Gannon (Zelda), Daniela Melgar (Angie), John Murray (Cooper) and Pilar O'Connell (Ines).

Mirror Stage will present the West Coast premiere reading of Ground on Saturday, April 28 at 8pm and Sunday, April 29 at 2pm at the Ethnic Cultural Theatre in Seattle. Feed Your Mind: Ground will be directed by Suzanne M. Cohen and feature Michael D. Blum (Chuy), Erwin Galan (Carl), Peggy Gannon (Zelda), Daniela Melgar (Angie), John Murray (Cooper) and Pilar O'Connell (Ines).

Mirror Stage continues reflecting the diversity of the community on stage in high quality, progressive productions that play it smart without always playing it safe with West Coast premiere reading of Ground on Saturday, April 28 at 8pm and Sunday, April 29 at 2pm at the Ethnic Cultural Theatre in Seattle. Feed Your Mind: Ground will be directed by Suzanne M. Cohen and feature Michael D. Blum (Chuy), Erwin Galan (Carl), Peggy Gannon (Zelda), Daniela Melgar (Angie), John Murray (Cooper) and Pilar O'Connell (Ines).

Originally written in Spanish with an English title, Passport tells the story of the loss of one's identity and the subsequent misunderstandings nascent between people who do not share the same language. Eugene, finds himself detained. His search for answers becomes a desperate journey to comprehend beyond language and cultural barriers.

Originally written in Spanish with an English title, Passport tells the story of the loss of one's identity and the subsequent misunderstandings nascent between people who do not share the same language. Eugene, finds himself detained. His search for answers becomes a desperate journey to comprehend beyond language and cultural barriers.

Originally written in Spanish with an English title, Passport tells the story of the loss of one's identity and the subsequent misunderstandings nascent between people who do not share the same language. Eugene, finds himself detained. His search for answers becomes a desperate journey to comprehend beyond language and cultural barriers.

ACT - A Contemporary Theatre celebrates new work in the month of February. This month, ACT's Mainstage play series kicks off with ACT and The 5th Avenue Theatre's production of Vanities: A New Musical, the life-affirming journey of three women, three decades, and one friendship; The Hansberry Project returns to the stage with its overwhelmingly popular You Really Got a Hold on Me, along with a new partner, Danceable Planet with Poetry + Motion; Balagan Theatre's smash hit guest production Dr. Horrible's Sing-Along Blog continues its quest for world domination; and The Central Heating Lab at ACT cooks up art installations, dance theatre, confidential confessions, and culture clashes. SOIL Artist-Run Gallery unveils all-new performance-inspired installation art along 7th Avenue. Cornish Dance Theater presents The Merce Cunningham minEvent Project with a special site-specific performance in ACT's Bullitt Cabaret. In Seattle Confidential, local actors give voice to Seattle's secrets in a tell-all evening of anonymous divulgence hosted by Ian Bell. ACT also welcomes cutting edge new films by RAWSTOCK, plus two new theatre partners: ReAct Theatre and Pratidhwani's new play, Mother in Another Language by Taniya Hossain, and eSe Teatro's staged reading of the poignant play Passport by Gustavo Ott.Balagan Theatre:

New Century Theatre Company (NCTC), Seattle's newest professional theater, is gearing up for its debut at ACT Theatre's Falls Theatre space with Elmer Rice's rarely produced American masterpiece, The Adding Machine.

New Century Theatre Company (NCTC), Seattle's newest professional theater, will make its official debut at ACT Theatre's Falls Theatre space with Elmer Rice's rarely produced American masterpiece, The Adding Machine.