Emily Whitworth

Spooky Action Theater's 2022-2023 season begins with Maple and Vine, by Jordan Harrison (Pulitzer Prize finalist for Marjorie Prime, writer/producer on Orange is the New Black), directed by Stevie Zimmerman. Performances begin September 29 & 30 with Pay-What-You-Can previews and run until October 23, 2022.

Spooky Action Theater kicks off its 2022/2023 season with Jordan Harrison's clever examination of a radical alternate lifestyle in Maple and Vine, directed by Stevie Zimmerman. Performances begin September 29 & 30 with Pay-What-You-Can previews and run until October 23, 2022 at Spooky Action's home at The Universalist National Memorial Church, 1810 16th Street, NW. Press performance is Saturday, October 1 at 8pm.

 SYNETIC THEATER has announced the world premiere production of Maria Simpkins and Emily Whitworth’s CINDERELLA, with choreography by Janine Baumgardner and compositions by Konstantine Lortkipanidze. 

Theater J has announced Theater J’s 31st season, which includes five plays and a bonus holiday musical engagement. The nation’s largest and most prominent Jewish theater company, Theater J eagerly anticipates once again gathering audiences for a season that promises to be life-affirming, celebratory, and unforgettable.

Following a successful run of LAB A shows woolgatherings, Couples Therapy, and OUT OF TIME and an extension of OUT OF TIME that sold out in 24 hours, Performance Interface Lab returns with their LAB B series, featuring three new works.

Synetic Theater brings its unique spin to the high seas with an inclusive and immersive adaptation of Robert Louis Stevenson's Treasure Island. The production features a stellar cast, many of whom are making their Synetic debuts.

Synetic Theater announces their 19th Season, beginning with a remount of the popular, water-filled adaptation of The Tempest September 25 through October 20, 2019. 

You'll know the second you hear the title if Reina Hardy's Annie Jump and the Library of Heaven is your kind of play. It's the sort of title that immediately imbues cosmic levels of joy and wonder, fills you with light, and promises a journey not to be missed. You'll be delighted to know that Rorschach Theatre's production, a Rolling World Premiere from National New Play Network, delivers on that promise in an adventure that takes you to the very edge of existence and back. Though wide in scope, Hardy's script is a vessel for director Medha Marsten, along with her dynamic cast and crew, to tell an intimate story about the potential that lies in all of us.

Annie Jump, a small-town teen and science genius, comes face to face with her worst nightmare: a popular girl. When she learns that this girl with great hair might be an intergalactic super computer tasked with bringing humanity to the stars, she must decide what is worth sacrificing to fulfill her destiny. Reina Hardy's play for all audiences is about finding your place in the universe and intelligent life in your neighborhood.  

An artistic genius and his muse...a dancing cat...Pontius Pilate...No, this is not the latest Andrew Lloyd Webber revue. It is the wonderful and completely weird world of Mikhail Bulgakov's The Master and Margarita (adapted by Edward Kemp).

It is difficult to think of another work of American literature that has so captured the imagination or has inspired more reincarnations than L. Frank Baum's The Wonderful Wizard of Oz. This summer, Synetic Theater manages to make a mark on this prolific field with their own adaptation.

Something is clearly rotten in the state of the DFL and perhaps America itself. Whipping, or the Football Hamlet, written, directed, and choreographed by Kathleen Akerley, is entertaining and humorous as it is stirring and thought-provoking.

Flying V has become the premiere forum for stage fights in the DC area, and the creativity in their 'Flying V Fights' series has never been more awesome or delightful. This year's entry, 'The Secret History of the Unknown World,' sees co-directors (and co-founders) Jason Schlafstein and Jonathan Ezra Rubin presiding over an evening of mayhem devoted to the bizarre, alternative worlds that have obsessed us on page and on film over 100 years.

“Men are like weapons. Women are like wounds.” That is a poignant line and an apt summation of the first part of Forum Theatre's #NastyWomen ethos. The first piece in this horrifying, yet deeply moving, work is Monica Byrne's What Every Girl Should Know, which takes place in 1914 and follows four teen girls in a New York reformatory.

Synetic's Teen Company is a year-round training program dedicated to developing the next generation of artistic performers.

The classic fairy tale SLEEPING BEAUTY is hundreds of years old, but Synetic Theater has improved it from an emotional standpoint by incorporating an unexpected twist: the Witch is a multidimensional person. In this version, the Prince is the Witch's son, and the incomparable Irina Tsikurishvili brings the Witch to life. The result is breathtaking and makes for timeless entertainment for younger audiences and their families.

What makes a hero a hero and a monster a monster? Can one be both? Is it merely perception and point of view?

Synetic Theater continues its 2015/16 Season by bringing back their rendition of William Shakespeare's classic A Midsummer Night's Dream, directed by Paata Tsikurishvili. Press opening will be Thursday, July 16 at 8 p.m.

What makes a hero a hero and a monster a monster? Can one be both? Is it merely perception and point of view?