Damien Cooper

Director Kip Williams delivers a captivating production of Tommy Murphy’s adaptation Nevil Shute’s 1957 novel ON THE BEACH.

Sydney Dance Company takes to the stage direct from sell-out Sydney and Canberra shows with the spellbinding triple-bill Ascent which is set to premiere in Adelaide at the Dunstan Playhouse from May 11 to 13.

Continuing to bring world class dance to the stages of the National Cultural Center, the John F. Kennedy Center for the Performing Arts today announced its 2023–2024 dance season. Being at the forefront of responding to the moment, today’s artists and companies are challenging the frame of storytelling, shifting the boundaries of what movement can be, and showcasing the dynamic form in a multitude of ways blurring the lines between classical and contemporary. Through this lens, audiences will experience a season filled with innovative works and collaborations among ballet and dance offerings, beloved classics, master voices, and newcomers to the stage. Subscriptions for the 2023–2024 season are now available here or by calling (202) 416-8500.

White Pearl astounds with colourful layers. Anchuli Felicia King’s work is a tour de force that explores themes of power, racism, feminism, beauty standards, consumerism and cultural diversity.

This is the last chance to vote for the 2021 BroadwayWorld Australia - Sydney Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Time is running out to vote for for the 2021 BroadwayWorld Australia - Sydney Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

he Joyce Theater Foundation announced today the full lineup of U.S. and international talent that will grace The Joyce’s storied stage for its Spring/Summer 2022 season. Nearly two dozen companies and dance creators will bring their unparalleled creativity and astounding artistic innovation to the iconic, intimate home for dance in New York City.

The performance was faultless.

Carriageworks today announced the world premiere of a new dance work by resident company Marrugeku that will be presented from 4 - 7 August 2021. Jurrungu Ngan-ga - meaning Straight Talk in Yawuru- reflects on the disproportion of Indigenous Australians in custody and first-hand descriptions of life inside Australia's immigration detention centres.

Utterly flawless in its conception and execution.

Global casts of Thriller Live! have released a music video of 'I'll Be There' in support of Black Lives Matter.

This gives artistic voice to the subject of climate change.

This was a memorable evening of Australian contemporary dance at its best.

Composer Elliott Gyger reunites with librettist Pierce Wilcox for Carriageworks resident company Sydney Chamber Opera to transform Peter Carey's beloved novel Oscar and Lucinda into a new Australian opera from 27 July - 3 August 2019. Directed by Opera Queensland Artistic Director and CEO Patrick Nolan, the work reimagines the love story between the orphaned proto-feminist industrialist and the man who believes he is touched by God. Having nothing in common, except their addiction to gambling, Oscar and Lucinda find each other in colonial-era Sydney with a wild dream: to build a cathedral of pure glass, and to walk it into the Australian outback.

In this year, the 10th anniversary of Thriller Live at the Lyric Theatre and about a decade since Michael Jackson's passing, the show has played to over two million people, is the 15th-longest-running musical in the West End and the theatre's longest-running show ever. Michael Jackson's legacy resonates so much in the recent cultural memory that it's disconcerting to realise 2019 commemorates the 10th year since his death.

Connection across continents, time and cultures plays out in S. Shakthidhran's bold new play COUNTING & CRACKING.

Nominations were announced today for the Sydney Theatre Awards for 2018, which will be presented at a gala ceremony on Monday 21 January 2019 at 6pm at the York Theatre, Seymour Centre.

Antoinette Halloran and Alexander Lewis captivate the audience.

Peak Performances continues its 2018-19 season of genre-and-convention-defying performances with the U.S. premiere of Cut the Sky, from Marrugeku, Australia's preeminent dance theater ensemble of Indigenous and non-Indigenous artists. A rock concert, a work of modern dance, and a plea for environmental action and the rights of Indigenous peoples, Cut the Sky addresses humanity's frailty in the face of its own actions. The "multi-faceted, fast moving, and dark" (The Guardian) performance follows a group of climate refugees living in a landscape scorched by climate change, facing yet another extreme weather event. The piece, collaboratively conceived by Marrugeku co-artistic directors Dalisa Pigram, Rachael Swain (concept) and Edwin Lee Mulligan (poems); directed by Rachael Swain;and choreographed by Dalisa Pigram and Serge Aime Coulibali, comes to the Alexander Kasser Theater at Montclair State University (1 Normal Ave., Montclair, NJ) November 15-18.

***Winners To Be Updated 15 July and 16 July*** 2018 Helpmann Awards Nominees ***Winners To Be Updated, Please refresh your Browser after 6pm 15 July *** ACT1 updated