Chad Ray

Granted, most of my research can be credited to two plays by J. Dietz Osborne and Nate Eppler (known professionally as the eponymously named Osborne and Eppler, in the spirit of Rodgers and Hart, Rodgers and Hammerstein, Kaufman and Hart and George and Ira…Gershwin…which sorta ruins the sound of my sentence, but what can you do?), an impressive and noteworthy Nashville playwriting team, who seemingly have cornered the theatrical market on such Dixiefied ceremonies and celebrations in their comedies Southern Fried Funeral (which was debuted by Franklin's Bethlehem Players in 2010) and Southern Fried Nuptials (now onstage at Bethlehem Methodist Church in its world premiere production). I'll be sure to include them in the footnotes when my findings are published.

With a score filled with so many Cole Porter tunes that you're fairly drunk with delight after hearing them, the expert direction and choreography of musical theatre aficionado Kate Adams-Johnson, and a cast of extraordinarily gifted performers breathing vigorous life into the time-honored text, the new production of Kiss Me, Kate at The Keeton Theatre should be atop your list of must-see theatrical events in this very busy month of February. Sam and Bella Spewack's witty, sparkling script is brought to life with flourish, proving this period piece-which was named winner of the very first Tony Award for best musical-to be, in fact, a timeless classic, a musical theatre masterpiece that deserves to be seen over and over again.

When the last performers had sung the final song and the late honoree had been feted, the crowds at Belmont University's Troutt Theatre for the presentation of First Night, the Nashville Theatre Honors' 2011 Gala Concert, headed downtown to Cummins Station for the After-Party at The Listening Room Cafe.

In the cast, there's a blend familiar faces from local theater productions and a whole slew of newcomers. During the run-up to the show's opening night, we introduced you to members of Kate's cast - and now that the show is up and running, we're happy to introduce you to another cast member...Jessica Higgins...

There comes a moment, very early on in Kate Adams-Johnson's A Chorus Line (which opened last night at The Keeton Theatre) in which, one by one, each of the actors is caught in the spotlight, with some portentous musical underscoring that heightens the emotional impact of the moment. But what's really telling about that sequence of illumination is how evocatively it telegraphs the stories of each of the actors in the cast. You can tell, almost imperceptibly, what it is that separates the pretenders from the contenders...

Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through its paces in preparation for yet another opening night. Only this time, she's serious. Very serious. The show she's helming this time, you see, is every dancer's holy grail: A Chorus Line. In the cast, you'll find a blending of familiar faces and newcomers. During the run-up to the show's June 9 opening night, we'll introduce you to Kate's cast - and, as you'll see, some of them have much to learn about being interviewed by 'Nashville's favorite theater critic.' Next up is Donna 'The Pride of Irvine' Driver...obviously, this ain't her first time at the rodeo...

Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through the paces in preparation for another opening night. But this time, she's serious. Very serious. The show, you see, is every dancer's favorite musical: A Chorus Line. Kate's cast is a blending of familiar faces and newcomers and so over the next few weeks, you'll get to know the members of The Keeton Theatre's cast - as you'll see, some of them have much to learn about being interviewed by 'Nashville's favorite theater critic.' Next up is Chad Ray...who has quickly learned his way around a tricky interviewer on just his second show...