Andrea White

triangle productions! is continuing its PDX Pride Reading Series. Receiving an NEA grant is allowing us to produce five different play readings of LGBTQ plays produced in Oregon from 1970-1987. The first openly LGBTQ play ever produced here in Oregon was in 1971 at PSU – the play was Boys In The Band.

This beautiful play wraps a history lesson about the social justice movement of the 1960s in a poignant family drama. Also, the final scene is one of the most beautiful expressions of joy I've ever seen on stage.

Portland Center Stage (PCS) and Artists Repertory Theatre (ART) will join forces on their third co-production, with the ripple, the wave that carried me home by PCS-commissioned playwright and recent Tony Award-nominee Christina Anderson.

The Actors Conservatory announces its One Act Festival: Two programs of short plays featuring the graduating class of 2022 and the work of directors Beth Harper, Sarah Lucht, Chris Harder, and Andrea White.  

Oregon Children's Theatre is wrapping up its 2021-2022 season with Last Stop on Market Street, a musical story about CJ and his grandmother taking a journey through their neighborhood on the city bus; as they meet new people and see new places, CJ begins to realize that looks can be deceiving, everyone has a story to share, and that beauty can be found anywhere…if you know how to look for it.

This is the last chance to vote for the 2021 BroadwayWorld Portland Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Time is running out to vote for for the 2021 BroadwayWorld Portland Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

In 1950, the publication Red Channels blacklisted 151 of the most talented performing artists, writers, musicians, producers, directors and thinkers in America. Careers and lives were ruined and lost. Forty-one of those blacklisted were women.

The Young Professionals Company at Oregon Children’s Theatre has announced its second virtual performance of its season, In the Forest She Grew Fangs by Stephen Spotswood, a dark, bewitching, and bloody deconstruction of Red Riding Hooded.

The Young Professionals Company at Oregon Children's Theatre (OCT) presents a three-part series of online performances, Breaking Character. This series highlights the teen voice and perspective of the talented YPs through original stories and songs.

The Young Professionals Company at Oregon Children's Theatre announces its first virtual performance of its season, In the Forest She Grew Fangs by Stephen Spotswood. A dark, bewitching, and bloody deconstruction of Red Riding Hood, the production takes on werewolves, teen lust, and high school bullies, and examines the question of who is prey and who is predator.

The Portland virtual theatre calendar is filling up! Here are some shows you won’t want to miss.

The Young Professionals Company at Oregon Children's Theatre (OCT) announces its first virtual performance of its season, In the Forest She Grew Fangs by Stephen Spotswood. A dark, bewitching, and bloody deconstruction of Red Riding Hood, the production takes on werewolves, teen lust, and high school bullies, and examines the question of who is prey and who is predator.

Fuse Theatre Ensemble presents The OUTwright Theatre Festival, centering our trans and gender nonconforming communities, June 24-28 7pm each night on Facebook & Instagram.

Clackamas Repertory Theatre kicks off its 16th season with three staged readings: a?oeSlow Food,a?? February 23 at Singer Hill Cafe in Oregon City; a?oeToo Heavy for Your Pocket,a?? March 22 at Osterman Theatre; and a?oeKalamazoo,a?? May 3 at Singer Hill Cafe. Tickets are $20 and may be purchased at www.ClackamasRep.org or by calling 503-594-6047. 

CoHo Productions, the region's leader in theatrical co-production, announces a milestone collaboration with MediaRites' Theatre Diaspora. The Brothers Paranormal by Prince Gomolvilas, presented as part of CoHo Season 24, marks the first co-production from Theatre Diaspora, a grassroots project started in 2014 to raise awareness and visibility for Asian American theatre and the stories of underrepresented communities through staged readings and community dialogue.

THE NO PLAY tells the story of the relationship between the Cheeks, an African American family, and Yaveni Aaronsohn, a Jewish scholar writing a book about the commonalities in the two cultures' experiences. It's challenging, emotional, and important.

'Harbison' from Cellars at Jasper Hill in Vermont was named 'Best of Show' among 1,954 entries at the American Cheese Society's (ACS) 2018 Judging & Competition. The results were announced at a ceremony today at the 35th Annual ACS Conference: 'Forged in Cheese', at the David L. Lawrence Convention Center, Pittsburgh. Second place 'Best of Show' went to 'Calderwood', also from Cellars at Jasper Hill. Third place 'Best of Show' was awarded to 'Avonlea Clothbound Cheddar' from COWS Creamery in Prince Edward Island, Canada.

Portland Shakespeare Project and Proscenium Journal, in association with Artists Repertory Theatre, present the fourth annual Proscenium Live Festival of New Work with four nights of fresh plays. All performances are free and begin at 7:30pm on Artists Rep's Alder Stage.