Target Margin Theater Hosts 0,2012: The Last Futurist Lab, Begins 3/16

Target Margin Theater returns to Brooklyn with their annual Laboratory, o,2012: The Last Futurist Lab presented by The Bushwick Starr (Sue Kessler, Executive Director; Noel Joseph Allain, Artistic Director) and curated by TMT Managing Director John Del Gaudio and Associate Artist Kate Marvin. In early 20th century Russia, young poets, directors, dancers and artists of every kind brought thrilling new challenges to the arts: wave after wave of experimentation and rebellion produced the highest gross tonnage of creative steel worldwide. 0,2012: The Last Futurist Lab explores the Russian avant-garde, aiming to find the literary hooligan in us all. TMT Laboratory performances, in repertory, begin Friday, March 16 and will continue through Saturday, April 7 at The Bushwick Starr (207 Starr Street, Brooklyn).

“TMT’s The Last Futurist Lab is inspired by everything from monocle-clad revolutionaries spouting manifestos to the made up language of Gods, birds and stars. We’ve spent months culling these odd Russian treasures,” said co-curator John Del Gaudio. While co-curator Kate Marvin added, “New talents and more established artists are ready to go ‘beyond zero’ (as those spirited Russians would say) in a continued effort to further TMT’s mission of challenging what theater can be.”

Noel Joseph Allain, Artistic Director at The Bushwick Starr, had this to share, “We are so very excited to have Target Margin back at the Starr. There is such an electric, inspiring feeling created by gathering this large community of artists together and housing them under one roof. It’s a real privilege for us to provide that space and be a partner in this lively, ambitious festival.”

Tickets are $15 (early bird discount of $12 for all tickets purchased by March 9) and are available by visiting www.targetmargin.org or www.thebushwickstarr.org.

The “0,2012: The Last Futurist Lab” schedule at The Bushwick Starr is:

PROGRAM A
March 16 at 7:30 p.m., March 17 at 9:30 p.m., March 22 at 7:30 p.m., and March 24 at 7:30 p.m.

POZHAR! (or Time Machine Ignition)
Lead Artists: Maia Karo & Kate Marvin
Mayakovsky and Meyerhold combine and combust, burning the wreath of cheap fame made of bathhouse switches! Manifestos, plays, and poems set aflame by a movement of movement. What's a Futurist? I don't know. I never heard of such a thing.

Karma Kharms (or yarns by Kharms)*
Lead Artist: Eliza Bent
A bizarre physical score is set to the equally strange micro-fictions of Russian avant-gardist Daniil Kharms. This movement heavy adaptation creates a Russian village while investigating the absurdities of life in Stalinist Russia (and other totalitarian states) with deadpan cheek and aplomb.

* Selections from Today I Wrote Nothing by Daniil Kharms, translated from the Russian by Matvei Yankelovich, © 2008, 2009, are performed by arrangement with The Overlook Press, Peter Mayer Publishers, Inc.

PROGRAM B
March 17 at 7:30 p.m., March 20 at 7:30 p.m., March 23 at 9:30 p.m., and March 25 at 7:30 p.m.

The Gray Notebook
by Alexander Vvedensky
translated by Matvei Yankelevich**
Lead Artist: Corinne Donly
"If we experience wild non-understanding we will know that no one will be able to counter it with clarity." A bringing to life of Alexander Vvedenksy's dense (but transcen-dense) musings on death and time.

**presented by special arrangement with Ugly Duckling Press

The What Dance
Lead Artist: Eben Hoffer
Packed up: Daniil Kharms, and a lifetime's desire to live without talking, and we set forth all astride a small camel towards home. How clearly can we tell a story without being clear about what the story is? Rooted in physicality and live sound, strange masks and sailing expeditions, three tales of growing up in specific bodies.

PROGRAM C

March 18 at 7:30 p.m., March 21 at 7:30 p.m., March 23 at 7:30 p.m., and March 24 at 9:30 p.m.

The 2012 puppet re-enactment of the 1920 Bolshevik re-enactment of the STORMING OF THE WINTER PALACE, October 1917

Lead Artist: Kathleen Kennedy Tobin

Toward the end of the revolutionary year of 1917, the Bolsheviks overthrew the provisional government in Saint Petersburg and took control of the nation. Three years later, they commemorated their triumph with a massive on-site spectacle in front of and inside the Winter Palace, which we recreate here in miniature form.

Man in a Black Coat
by Inessa Zaretsky (after a story by Daniil Kharms)
Lead Artist: Philip Shneidman
An original chamber opera about a private encounter between a man and a woman that is interrupted by a mysterious man in a black coat. First developed in 2009 by little OPERA, the story exemplifies the terror and uncertainty of the Soviet Era.

PROGRAM D
March 29 at 7:30 p.m., March 30 at 9:30 p.m., April 4 at 7:30 p.m., and April 7 at 7:30 p.m.

The Bedbug
by Vladimir Mayakovsky
Lead Artist: Maggie Robinson
Check your sheets! Check your mattress! Check your government issued work visa Comrade in order to prepare for the coming of THE BEDBUG. Spoiler alert: It travels through time.

Words Express

Lead Artist: Kristan Seemel

How about a cubosupremofuturistbeyondsense theater-machine cranked all the way up to 11? The blurring speed of abstraction? The speed of the Future? Buba. Buba. Buba. Ui. Just don't let it get you bent out of shape!

PROGRAM E
March 30 at 7:30 p.m., March 31 at 9:30 p.m., April 5 at 7:30 p.m., and April 6 at 9:30 p.m.

Time and Death... A dream play
Lead Artist: Chinasa Ogbuagu
Death Variations or Everybody Hangs! or It's All Fun & Games Until You Die From Hanging OR Something About Theater...AND We All Get It In the End

EXPLODITY!
A Futurist publication performance by Alexei Kruchenykh
Lead Artist: William Burke
SCARIDITY: Pistol
EXPLODITY: Bomb
A ZAUMy pistolly, bombidity punkidity concertidyish performadity designed to bring claridity and calamidity to your life force. You're Welcome. DRAVD BAR PA!

PROGRAM F
March 31 at 7:30 p.m., April 3 at 7:30 p.m., April 6 at 7:30 p.m., and April 7 at 9:30 p.m.

The Puppet Show
by Alexander Blok
Lead Artist: Carolyn Mraz
A poet, a scholar, a pregnant woman, and GOD walk into a lyrical symbolist drama...

TROIKA, a concert-play
Lead Artist: Kristine Haruna Lee
Inspired by the weirdo imagination of OBERIU, which gained notoriety as the Soviet's last literary avant-garde. Boys prance and play in mythic dress-up alongside an original score, and Daniil Kharms himself unwinds into a nonsensical world of dreams trying to answer the question, “What is TROIKA?”

FREE EVENTS
Email info@targetmargin.org to RSVP for any of these FREE events.

The Last Futurist Panel
March 19 at 7:30 p.m.
A conversation with Nikolai Firtich, Matvei Yankelevich and more.

Petersburg (B.Y.O.B.) "Bring Your Own Bely"
April 2 at 7:30 p.m.
with Mary Neufeld & surprise guests (it may be you!)
An evening designed to inspire you to read (or reread) Andrei Bely’s masterpiece.

Biomechanics Demo
April 7 at 4 p.m.
with Jenny Tibbels-Jordan, Jon Froehlich & Casey Robinson

SPECIAL VIDEO PROJECT

“The Place of Futurism in the History of Language” by Viktor Shklovsky: The Resurrection of Words
by the Plastic Arts
Fire! Or yarn. The Gray Dance in a black coat. Beds, Dreams, Birds... Puppets carriaged to Petersburg. The Great Man (Shklovsky) warms the curtains: a preamble on six

Target Margin Theater concludes the 2012 season with a melancholy and playful meditation on the passage of time: Chekhov’s Uncle Vanya, directed by TMT Artistic Director David Herskovits. With typical theatricality, rich design, and quietly nuanced performances, the company renders another classic with a difference. Theater itself is always a remembered event. “Something important happened here,” we ask, “what was it, and how can we restore it, refracted through our flawed and partial capacities?” In one hundred or two hundred years, will anyone remember it? Memory and desire have never been so poignantly captured for the 21st century. Uncle Vanya begins performances Thursday, April 26 for a limited engagement through Saturday, May 19 at HERE (145 Sixth Avenue, enter on Dominick Street, one block south of Spring).

The production of Uncle Vanya is a part of HEREstay, HERE’s curated rental program, which provides artists with subsidized space and equipment, as well as technical support.

For additional information, please visit the Target Margin Theater website at www.targetmargin.org.