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Photo Flash: First Look at Concrete Temple's THE BELLAGIO FOUNTAIN HAS BEEN KNOWN TO MAKE ME CRY at HERE

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Concrete Temple Theatre presents the New York premiere of THE BELLAGIO FOUNTAIN HAS BEEN KNOWN TO MAKE ME CRY, written by Renee Philippi, co-directed by Eric Nightengale and Renee Philippi, designed by Carlo Adinolfi, with original music composed by Joseph C. Phillips Jr. THE BELLAGIO FOUNTAIN HAS BEEN KNOWN TO MAKE ME CRY runs from November 27 - December 13, 2015 in a limited engagement at HERE, located at 145 6th Avenue (Enter on Dominick, 1 block south of Spring) in New York City. Previews begin November 27 for a November 30 opening. BroadwayWorld has a first look at the cast in action below!

Two Floridians dream of a fantastic escape to Las Vegas. There's just one minor problem, the ground is sinking beneath them. Pairing women and water as metaphors for one another, THE BELLAGIO FOUNTAIN HAS BEEN KNOWN TO MAKE ME CRY explores themes of conservation and regeneration, and at its heart, our eternal quest for happiness.

The cast includes Carlo Adinolfi (Geppetto: Extraordinary Extremities at SoHo Playhouse & HERE, The Whale at Barrow Street Theatre), Heinley Gaspard (Steps), Melissa Hurst (Cause Celeb! at Joe's Pub, One Neck with Atlantic Theatre Co.), Lisa Kitchens (Everything You Touch at Rattlestick, Napoli! at American Conservatory Theater) and Brianna Seagraves (A Train at the Downtown Urban Theater Festival).

The production team includes Carlo Adinolfi (Set Design), Joseph C. Phillips Jr. (Original Music), Casey McLain and Eric Nightengale (Lighting Design) and Casey McLain (Production Stage Manager).

Performances are Thursdays - Saturdays at 7pm and Sundays at 2pm with an added show on Monday, November 30 at 7pm. Tickets are $20 and $15 for students and seniors. Purchase at here.org or by calling 212-352-3101. The running time is 75 minutes. For info visit ConcreteTempleTheatre.com, Like them on Facebook at www.Facebook.com/ConcreteTempleTheatre, and follow on Twitter at @ConcreteTemple.

Photo Credit: Stefan Hagen


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