Heartbeat Opera Announces LADY M, An Online Fantasia Of Verdi's MACBETH

HEARTBEAT OPERA-the daring young indie opera company whose unconventional orchestrations and stagings of classic operas have been called "a radical endeavor" by Alex Ross in The New Yorker-concludes its sixth season with its first adaptation of Verdi: LADY M, a reimagined and re-orchestrated work-in-progress, envisioning the story of Macbeth through the eyes of Lady Macbeth.

In light of COVID-19, Heartbeat Opera takes its LADY M rehearsals and performances online. Rather than cancel its production, the company launches a 10-day Remote Residency (April 20-May 1) with their artists rehearsing at home, followed by a series of intimate Virtual Soirées through Zoom video conferencing from May 11-16. The full production arrives in Spring 2021.

Each 45-minute Soirée will include: a welcome toast, introductory remarks, brief live performance by one cast member, and Q&A. Each Soirée will also feature two videos, newly unveiled for this project: a short documentary showing a behind-the-scenes look at Heartbeat's Remote Residency; and a music video of Lady M's "Sleepwalking Scene" sung by Felicia Moore, played by the six-piece band, and featuring the five other cast members of LADY M. Recordings of individual artists will be edited together as Heartbeat did in its recent acclaimed "Make Our Garden Grow" virtual performance.

This one-page FAQ sheet explains more.

LADY M features six singers, including a trio of soloists as the shapeshifting Weird Sisters, six instrumentalists, and electronic sound design. The band is the superb Cantata Profana. Daniel Schlosberg once again creates a brand new re-orchestration that weaves in sound design and electronics. Jacob Ashworth music directs.

Stripping away the clichés that have accumulated around Lady Macbeth and her story, Heartbeat's version explores ambition, gender, and violence through a contemporary American lens. Heartbeat Co-Artistic Director Ethan Heard, known for his socially conscious adaptations of classics like a Fidelio that recruited real prison choirs as the chorus, directs. His LADY M holds a mirror to NY in 2020: hedge fund managers and escorts, in glass towers and back alleys; the ferocious ambition and the nonstop drive.

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