Review - The Complete & Condensed Stage Directions of Eugene O'Neill, Volume 1: Early Plays/Lost Plays
I've heard of some directors who, as soon as they've taken on a new play, grab a black marker and scratch out every stage direction the playwright wrote into the script, as though the author's only business was to write dialogue and allow each individual stager to create the rest....
Review - The Select (The Sun Also Rises)
Last year around this time, Elevator Repair Service had Gotham playgoers abuzz with their cover-to-cover, word-for-word staging of F. Scott Fitzgerald's The Great Gatsby, re-titled Gatz. Director John Collins' off-beat adaptation, which had Computer Age office workers assuming the roles of Fitzgera...
Review - Brooke Shields' Night of Calamity
Brooke Shields was looking for something a little out of the ordinary when she wanted to treat her cast-mates from The Addams Family to a fun time out this past Wednesday night, so she turned to one of Gotham's favorite burlesque queens, Calamity Chang....
Review - Temporal Powers
There would be far fewer complaints about having too many revivals on Broadway if they were all done the way the Mint Theater Company does them. Under artistic director Jonathan Banks, each piece mounted in their intimate space has an interesting story behind it, usually that of a forgotten playwr...
Review - Hero: Do You Hear The Korean People Sing?
Though Hero: The Musical, is being pushed as, 'the first Korean Broadway-style musical to be shown overseas,' it's really of a theatrical style firmly rooted in the West End. Commissioned to commemorate the 100th Anniversary of the death of Korean freedom fighter, An Chunggun, Hero comes off at bes...
Review - The Tenant
It's inevitable that The Woodshed Collective's The Tenant, a site-specific theatrical interpretation of Roland Topor's novella via Roman Polanski's film adaptation, will be compared with the downtown hit, Sleep No More. Both require audience members to freely walk through several floors of rooms, e...
Review - The Legend of Julie Taymor, or The Musical That Killed Everybody!
The obligatory Spider-Man: Turn Off The Dark spoof that everyone figured would be a part of the 2011 New York International Fringe Festival obviously did not benefit from a series of workshops and readings before making its debut at the Bleecker Theatre. This one had to be a rush job....
BWW REVIEWS: Fringe: DANCING IN THE GARDEN- I Can't Believe It's Not Better
Michael Walker's new play 'Dancing in the Garden', having its New York premiere in this year's New York International Fringe Festival, explores some issues surrounding growing up Lesbian in a strict Catholic family....
Review - Tricks The Devil Taught Me
There isn't much to say about playwright/director Tony Georges' muddy drama of a dysfunctional East Texas marriage, Tricks The Devil Taught Me, except that what seems like a perfectly capable company of actors and designers have found themselves employed in the service of a play that is simply nowhe...
Review - Olive and The Bitter Herbs
The best known works of playwright/cross-dressing actor Charles Busch fall into two distinct categories. There are the plays he stars in and there are the plays populated by characters that probably regularly attend the plays he stars in....
Review - Death Takes A Holiday: How Can Love Survive?
The unfortunate case of laryngitis inflicting Death Takes A Holiday's leading man, Julian Ovenden, divided press reservations for the new musical into 'before' and 'after.' I was originally scheduled to see the show the week of its opening, but when understudy Kevin Earley began filling in, many ...
BWW Reviews: FringeNYC's PORTRAIT AND A DREAM- Turning Pages
Cabbages and Kings Theatre Co. presents 'Portrait and a Dream' by Jacob Marx Rice, part of this year's New York International Fringe Festival....
Review - Rent: At The Start of The Millennium
In a week where we've been reminded how even the classics of the American musical stage are rarely revived in Broadway or Broadway-bound productions without their deceased authors' work being anything from tweaked to drastically rewritten, it's very refreshing to see a major revival where the materi...
Review - All I'll Say Is This...
If Diane Paulus' new version of Porgy and Bess does make it to Broadway, I know one theatre that ain't gonna house it....
Review - If It Only Even Runs A Minute
If Mike Nichols and Elaine May ever had a routine about two theatre geeks discussing their favorite unsuccessful musicals, it probably would have resembled the kind of banter that goes on between Jennifer Tepper and Kevin Michael Murphy as creators/producers/hosts of the concert series, If It Only E...
Review - Overusing Broadway's F-word
Lenny Bruce used to say that if you used a hurtful word often enough it would lose its meaning and its power to harm. I think Broadway has reached that point with the F-word. You know the F-word I'm talking about. Flop....
Review - The Patsy & Jonas
When Barry Connors' frothy family comedy, The Patsy, enjoyed its seven-month at the Booth during Broadway's 1925-26 season, it was a three-act play utilizing one living room set and seven actors. Transport Group's new production, directed by Jack Cummings III, reduces the piece to an intermissionl...
Review - Broadway's Rising Stars: Sing Happy
As I wrote five years ago, regarding the first edition of Town Hall's Annual Broadway's Rising Stars concert, the traditional middle evening of their Summer Broadway Festival, this is an event where I have absolutely no intention of writing anything the least bit negative about any of the young perf...
Review - Broadway Winners
If I were delusional enough to think my scribblings could turn an unknown into a star overnight, then I'd be writing these words fully confident that by tomorrow morning every Broadway producer in town would want to sign a young musical comedy actress named Oakley Boycott. Yes, Oakley Boycott is h...
BWW Reviews: A Big Splat: SPATTER PATTERN of the PTP/NYC 25th Anniversary Season
Neal Bell's Spatter Pattern: or How I Got Away with It is running now through July 31st at the Atlantic Stage 2 (330 16th Street). Directed by Potomac Theatre Project's Co-Artistic Director Jim Petosa, Spatter Pattern is a part of the PTP/NYC's 25th Anniversary season in rep with Territories and Vi...
Review - Voca People: White Noise
They look a little like Blue Man Group, they sound a little like Toxic Audio and they talk a lot like Andy Kaufman and Carol Kane playing Latka and Simka on Taxi, but while Voca People might give the appearance of being a bit too tourist trappy for we jaded New York theatre types, it's the kind of f...
Review - Measure For Measure: Nasty Habits
Former 90s club kids nostalgic for theme nights at Limelight should get a kick out of director David Esbjornson's frequently flashy and enjoyable mounting of Shakespeare's Measure For Measure; a production where, under a simple, but austere cathedral-like setting, the antics straddle the line betwee...
Review - Cirque du Soleil's Zarkana
See enough Cirque du Soleil productions and the formula becomes clear very quickly. It's a given that you'll be treated to a collection of world-class jugglers, balancers, acrobats and daredevils displaying skills that would make all but the most jaded widen their eyes and let out the occasional g...
Review - All's Well That Ends Well: He's Just Not That Into You
While Shakespeare's canon includes many couples whose relationships are of questionable health - Kate and Petruchio, Beatrice and Benedick, Mr. and Mrs. Scottish - few are as discomfortingly mismatched as the lead pair of All's Well That Ends Well....
Review - Unnatural Acts: The Boys In The Dorm
On a weekend when New Yorkers who favor marriage rights for gay couples are celebrating an important victory, Classic Stage Company's Unnatural Acts is a sobering dramatization of a shameful episode involving a Joseph McCarthy-type gay witch hunt from nearly a century ago that was only recently unco...
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