BWW Review: Thompson a Virtuoso in the Fascinating SATCHMO AT THE WALDORF
Terry Teachout's solo play and John Douglas Thompson's completely captivating performance make for compelling tributes to an artistic original....
BWW Reviews: Fiasco's MEASURE FOR MEASURE Successfully Simplifies Tale of Corruption
Corruption and power fit together like a key in a lock. Political scandal is tragically and comically normalized in William Shakespeare's relevant dark comedy Measure for Measure, presented with thematic simplicity and ingenuity by Fiasco Theater at the New Victory Theater playing now through March...
BWW Reviews: Ruhl's STAGE KISS is Sweet, Sexy and Screwball
You never know what might happen when two actors are assigned to kiss each other on stage....
BWW Reviews: Lucas Tackles Addiction in ODE TO JOY
It's all fun and games until your bar pick-up throws up in your mouth....
Jonathan Groff, Norbert Leo Butz and John Tartaglia Set for LGBT Night at DISASTER!, 2/27
Seth Rudetsky, the co-creator, co-writer and star of the hit Off-Broadway musical comedy Disaster!, will host a special LGBT Night at the show, along with his Disaster! co-star, award-winning comedian, writer and actress Judy Gold on Thursday, February 27th. The evening's special guest will include ...
BWW Reviews: KUNG FU Makes Little Impact
David Henry Hwang's Bruce Lee bio-play is dramatically lightweight....
BWW Reviews: LONDON WALL Depicts 1930s Glass Ceiling
If it's possible to consider a male playwright a leading feminist author, John Van Druten would rank as a likely candidate....
BWW Reviews: Live From New York, It's LOVE AND INFORMATION
Caryl Churchill's latest plays like two hours worth of sketches from the last ten minutes of SNL....
BWW Reviews: Riding the Midnight Express with Billy Hayes is a Riveting and Emotional Theatrical Journey at the St. Luke's Theatre
At the St. Luke's Theatre (until March 23), Billy Hayes relives his full range of emotions and psychological traumas in this taut, tense, and terrific re-telling of his escape from a Turkish prison, first revealed in his 1977 book Midnight Express, and then in 1978 through the Oliver Stone film vers...
BWW Reviews: DINNER WITH FRIENDS Makes A Meal Out Of Subtext
Director Pam MacKinnon and her sharp ensemble perfectly balance the tragic feelings of the characters with their comic obliviousness to how out of touch they are....
BWW Reviews: Charles Busch Plays a Man in THE TRIBUTE ARTIST
Charles Busch and Julie Halston are a bit like Lucy and Ethel as played by Noel and Gertie....
BWW Reviews: I've Finally Got A Good Grasp of This
There is very little to say about this show, and unless that one sentence makes up the command of "GO AND SEE IT FOR THE LIFE OF YOU," I have no part in this whatsoever. If you want to enjoy a night of fun, rueful delight and exhausting laughter that makes you feel good in all the wrong places, Sex ...
BWW Reviews: Love Is In The Frosty Air of ALMOST, MAINE
It's wicked romantic and funny, ayuh....
BWW Reviews: A MAN'S A MAN Shows a Young, Idealistic Brecht
CSC revives the abstract anti-war farce penned by a 28-year-old making his first dive into Berlin's post-war artistic renaissance....
BWW Reviews: INTIMACY Is Too Dull To Be Shocking
Thomas Bradshaw is at it again....
BWW Reviews: STOP HITTING YOURSELF Considers Guiltless Wealth and Queso
Rude Mechs' madcap Brechtian vaudeville counters being charitable with looking out for one's self....
BWW Reviews: THE LONELINESS OF THE LONG DISTANCE RUNNER Jogs Steadily
Roy Williams' stage adaptation of Allan Sillitoe's short story might be best appreciated by teenage audiences....
BWW Reviews: A Hint of Hope Beyond THE CLEARING
When a person is faced with the overwhelming beauty and quietude of the world around him, as seen through the crisp leaves of the surrounding trees or the rocks which reside on the steep slope below, leading into an unknown and unsought after abyss, one cannot help but look up at the stars and think...
BWW Reviews: COLUMBIA - A Legacy to Never Hit the Ground
When a person goes to see a performance, there are some instances in which he or she wishes that the characters portrayed on stage were real - that the plot was truly unfolding right before the audience's collective eye, and the circumstances which constitute the story being told would allow for mor...
BWW Reviews: Two Soloists From UNDER THE RADAR 2014
Edgar Oliver and John Hodgman bring solo shows to the tenth annual festival....
BWW CD Reviews: NATASHA, PIERRE AND THE GREAT COMET OF 1812 (Original Cast Recording) is Astonishingly Complex
Nestled in the heart of New York City's Theater District, a slice of Russian literature has been making waves. At an opulent Supper Club housed within custom pop-up tent called Kazino, located at 259 West 45th Street, Dave Malloy's NATASHA, PIERRE AND THE GREAT COMET OF 1812, a musical adaptation of...
BWW Reviews: The Majesty that Mayhem Can Wreak
What happens when you mix the atmosphere and originality of a Blue Man Group performance with the dynamics of a recent Sarah Brightman concert, giving Zooey Deschanel (the 500 Days of Summer version) a chance at lead vocals to top it all off? A little show called Mayhem and Majesty fits the bill qui...
BWW Reviews: NAKED HOLIDAYS 2013: Bare Brr
EndTimes Productions presents the Seventh installment of 'Naked Holidays', their annual evening of flesh-filled comedy sketches and songs....
Review: McPherson's THE NIGHT ALIVE is Charming and Chilling
Conor McPherson's sweet portrait of two lonely people hesitantly getting together is a welcome import from the Donmar Warehouse....
BWW Reviews: PRIVATE DANCER Leaves Much To Be Desired
Directed by Bob Degus, PRIVATE DANCER is the story is focused on the troubled life of the famed Rita Hayworth and is told additionally through film and dance. Sage Snakechalmer, however, the star and playwright, gives an awkward mess of a performance....
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