BWW Reviews: COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS is Irreverent Fun
When it comes to the annual Fringe Festival in New York City, everyone gets excited. Why? It's simple. New works! Erik Ransom's COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS enjoyed a 2011 premiere and is now having its own second coming at Fringe. With humor that ranges from tongue-in-cheek camp t...
BWW Reviews: Sydney Theatre Company's THE MAIDS Goes For Jocular Over Jugular
Genet's erotically intimate drama gets played for broad laughs in Benedict Andrews' production....
BWW Reviews: dell'Arte Opera Ensemble's THE FAIRY QUEEN is Whimsical and Mirthful
In New York City, summer and Shakespeare go hand in hand. For their 2014 Season the dell'Arte Opera Ensemble is producing 'A Summer of Shakespeare,' and they kicked off this season with a fully staged production of Henry Purcell's THE FAIRY QUEEN. While giving the show a modern twist, dell'Arte Oper...
BWW CD Reviews: Ghostlight Records' A SECOND CHANCE (Original Cast Recording) Jazzes Life's Hardships
I've come to embrace the idea that a life well lived is filled with its fair share of second chances and new beginnings. For Ted Shen's A SECOND CHANCE audiences were introduced to Dan and Jenna, both are living in crisis. A SECOND CHANCE opened to mixed reviews at the Public Theater, and now Ghostl...
BWW Reviews: Sullivan's KING LEAR Lacks Serpent's Tooth Sharpness
Delacorte production more ritual than theatrical....
BWW Reviews: Stephen McKinley Henderson Displays Pathos and Power in BETWEEN RIVERSIDE AND CRAZY
Stephen Adly Guirgis' new play offers crackling, streetwise dialogue and tension-packed drama....
BWW Reviews: Courtney Act's BOYS LIKE ME Exudes Heart and Suggestion
Before Courtney Act was an absolute sensation on LOGO's RuPaul's Drag Race's sixth season, she was shaking things up in her native Australia. With decadent vocal talent, mesmerizing stage presence, charisma, charm, and looks for days, Courtney Act is touring her torrid, one-woman tell-all BOYS LIKE ...
BWW Reviews: NYMF's ZOMBIE STRIPPERS Needs Reworking Before Reanimation
The annual New York Musical Theatre Festival (NYMF) is a fertile ground for quirky, offbeat musicals, giving invaluable exposure to new projects. When I first heard that ZOMBIE STRIPPERS would be performing at NYMF this year, I couldn't help but get excited. The title alone offers enough titillating...
BWW Reviews: DROP DEAD PERFECT Showcases the Legendary Everett Quinton
A new comedy demonstrates a knowledgeable affection for the Ridiculous style but the evening never takes off into the kind of hilarity expected....
BWW Review: PIECE OF MY HEART Should Let The Jukebox Do The Talking
Bert Berns bio-musical has a swell cast, fun songs and a book that drags mercilessly....
BWW CD Reviews: DRG Record's FORBIDDEN BROADWAY: COMES OUT SWINGING (2014 Un-Original Cast Album) Packs Some Delightful Punches
In May 2014, FORBIDDEN BROADWAY: COMES OUT SWINGING opened to rave reviews at the Davenport Street Theatre. Audiences laughed until their sides ached at the latest incarnation through its sparkling closing performance on Sunday, June 20, 2014. Now, to fill the void until the next edition opens, DRG ...
BWW Reviews: PUMP BOYS AND DINETTES Serves Up Twangy Charm
Encores! Off-Center brings back one of Broadway's more surprising success stories....
BWW Reviews: NYMF's BAYONETS OF ANGST is Raucous Revelry
Set in the present day on the porch of a swamp house in Mississippi, BAYONETS OF ANGST introduces audiences to a handful of old codgers who are partaking in their annual reunion. In fact, this is their 149th gathering, and each year the shrinking group gets together to relive their experiences durin...
BWW Reviews: PAGEANT Wins For Congeniality
A revival of the 1991 drag musical beauty contest spoof is a pleasing ninety minutes of good, clean fun....
BWW Reviews: THE LONG SHRIFT Gives a Worthy Subject The Short Shrift
First-time playwright Robert Boswell and first-time director James Franco deal with the issue of rape and miscommunication....
BWW CD Reviews: Ghostlight Records' LOVE'S LABOUR'S LOST (Original Cast Recording) is Addictive and Clever
Last summer, The Public Theater, Michael Friedman, and Alex Timbers reunited to gift New York City with a free production of LOVE'S LABOUR'S LOST at the Delacorte Theater in Central Park. Like their BLOODY BLOODY ANDREW JACKSON, the team used brilliant and inspired anachronisms to make the Shakespea...
BWW CD Reviews: Nonesuch's HERE LIES LOVE (Original Cast Recording) is Bubbly, Pop-Laden Fun
Imelda Marcos is a ripe public figure for having a biographic musical written about her. Personally, I always expected a musical about her life would have that grand and epic cinematic sound of Andrew Lloyd Webber's EVITA. However, I couldn't be more pleased with David Byrne and Fatboy Slim's rich p...
BWW Reviews: Randy Newman's FAUST More Concert Than Musical Theatre
Randy Newman's take on Goethe's opera is an enjoyable collection of songs with little dramatic context....
BWW CD Reviews: Yellow Sound Label's HEATHERS: THE MUSICAL (World Premiere Cast Recording) Has Some Damage
Daniel Waters' quirky and deliciously dark 1989 film Heathers is a beloved cult classic known for catchy one-liners and its wonderfully subversive humor. Naturally, HEATHERS: THE MUSICAL garnered a lot of interest because of the film's reputation. However, once the World Premiere Cast Album was rele...
BWW Reviews: THE LION Roars with Irresistible Charm
Benjamin Scheuer's one-man musical is engaging, heartwarming and thoroughly enjoyable....
BWW REVIEW: Larson's TICK, TICK... BOOM! Is Too Good For Obscurity
While Rent is an explosion of youthful feelings of invincibility, tick, tick… BOOM! is a more introspective work and one of the best musicals to premiere in New York in this century....
BWW Reviews: The Mint Digs Up 1930 French Farce, DONOGOO
Clever projections steal this revival of Jules Romains' satire of European colonialism....
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